Transcribed and arranged for Horn and Piano by Mason Jones these pieces are chosen to help the young player develop their musical sensibility learn to express themselves musically and enjoy playing their instruement! Includes works by Beethoven Scriabin Bartok and Mussorgsky.
SKU: BT.AMP-154-404
ISBN 9789043165198. English-German-French-Dutch.
Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The booksprovide invaluable additional material to complement any teaching method. Starter Solos comes with an online audio access. The advantages of playing either with piano or audio accompaniment are that the beginning playercan now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playingalone. Philip Sparke’s Starter Solos is het eerste deel van een serie boeken met muziek voor jonge blazers. Deze bundel van twintig solo’s begint met stukken die op een handvol noten zijn gebaseerd. Nieuwe muzikale elementen(articulatie, dynamiek, enz.) worden op een doordachte, gestructureerde manier toegevoegd. Dit studiemateriaal vult elke leermethode aan en is steeds toegesneden op het betreffende instrument. Uitgave met online audio: Devoordelen van het spelen met begeleiding - hetzij met een pianist, hetzij met de opname - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kanaanleren: het luisteren tijdens het spelen en het handhaven van een strak tempo. Bij het alleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese Ausgabe beriet sich Philip Sparke mitvielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesen Soli und Etüden in dreiverschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten. Die Stücke in dieserAusgabe können dank der im Buch in Notenform enthaltenen und online als Audiotracks zugänglichen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger sonicht nur die wichtigsten Aspekte des Ensemblespiels erfahren, sondern auch von Anfang an die Fähigkeit entwickeln, während des Spielens zugleich zuzuhören und das Tempo zu halten.Starter Solos est un recueil motivant offrant une présentation structurée des techniques de jeu et d’apprentissage. Les solos composés par Philip Sparke constituent les premiers pas plaisants de votre entrée dans leformidable monde de la musique ! Les enregistrements sont disponibles en ligne au format MP3 : vous trouverez une version intégrale de chaque pièce ainsi qu’une version où ne subsiste que l’accompagnement. La versionpapier des accompagnements de piano est jointe au recueil.Accanto ad un buon insegnante, il materiale da studio valido è senza dubbio la cosa più importante al fine di un buon apprendimento. E’ quindi importante mettere a disposizione dell’allievo materiale motivante. Nello scriverequesti soli, Philip Sparke si è consultato a più riprese con insegnanti ed allievi per mettere a punto brani che consentono anche ai più inesperti di suonare in modo soddisfacente. Gli accompagnamenti al piano sono accessibilionline come file MP3.
SKU: BT.EMBZ14485
English-Hungarian.
In view of its arrangement Serenade, written for horn and chamber orchestra of fourteen instruments, may be regarded as a chamber concert. The one-movement piece written on command of horn player László Rákos is at the same time related to the notturno music of the 18th-19th centuries. It is a character piece in which a subdued, subtle irony makes itself felt alongside the characteristically night-time atmosphere. The solo role of the horn is obvious throughout, though the initial impetus is not sustained, and in the course of the movement the instrument falls silent. The instruments of the accompanying group join in with the horn in three ways: the clarinet, the English horn,the bassoon, the viola, the violoncello play the melodies of the horn, delicately repeating them, supplementing them or slowing them down, the flute, the violin, the trumpet and the double bass counterpoint the horn?s solos or hold dialogues with it, the third group ? the harp, the guitar, the vibraphone, the cimbalom and the piano ? plays soft, veiled, evenly progressing harmonies. In the last section of the piece, when the first and second group of instruments are no longer playing, these veiled sounds hold together, their rhythm gradually breaks up - the sound environment is reduced, progressively emptied. World premi?re: June 2, 1993, Budapest, László Rákos - horn, Componensemble, cond. Zsolt Serei.
SKU: HL.50511776
ISBN 9790080144855. K/4 quer (31 x 23,5 cm) inches. Hungarian, English. Zsolt Serei.
In view of its arrangement Serenade, written for horn and chamber orchestra of fourteen instruments, may be regarded as a chamber concert. The one-movement piece written on command of horn player Laszlo Rakos is at the same time related to the notturno music of the 18th-19th centuries. It is a character piece in which a subdued, subtle irony makes itself felt alongside the characteristically night-time atmosphere. The solo role of the horn is obvious throughout, though the initial impetus is not sustained, and in the course of the movement the instrument falls silent. The instruments of the accompanying group join in with the horn in three ways: the clarinet, the English horn, the bassoon, the viola, the violoncello play the melodies of the horn, delicately repeating them, supplementing them or slowing them down, the flute, the violin, the trumpet and the double bass counterpoint the horn?s solos or hold dialogues with it, the third group ? the harp, the guitar, the vibraphone, the cimbalom and the piano ? plays soft, veiled, evenly progressing harmonies. In the last section of the piece, when the first and second group of instruments are no longer playing, these veiled sounds hold together, their rhythm gradually breaks up - the sound environment is reduced, progressively emptied. World premi?re: June 2, 1993, Budapest, Laszlo Rakos - horn, Componensemble, cond. Zsolt Serei.
SKU: BR.PB-15130
In Cooperation with G. Henle Verlag
ISBN 9790004214312. 10 x 12.5 inches.
The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.
SKU: BR.OB-15130-26
ISBN 9790004341278. 10 x 12.5 inches.
SKU: BR.OB-15130-16
ISBN 9790004341254. 10 x 12.5 inches.
SKU: BR.OB-15130-15
ISBN 9790004341247. 10 x 12.5 inches.
SKU: BR.OB-15130-30
ISBN 9790004341285. 10 x 12.5 inches.
SKU: BR.OB-15130-19
ISBN 9790004341261. 10 x 12.5 inches.
