Fingerstyle Jazz - Vol.1 - Book - 3Cd's

Par BAY WILLIAM. Cette approche fonctionne vraiment. Elle détient des intérêts de mes étudiants. Il s'agit de commentaires sur l'efficacité de la méthode de classe de guitare de William Bay. Comme aucun autre instrument prête à tant d'humeurs et de styles de musique (blues, folk, rock, country, musique classique, flamenco, jazz, etc.), jouant de la guitare comme un mode d'expression et l'instrument lui-même de populaire sont devenus partie intégrante de la vie américaine. La méthode de classe de guitare a été écrite avec l'espoir qu'il serait élargir l'éventail des personnes de tous âges qui seraient exposés à la guitare à travers une méthode valable, faisant autoritaire qui est facile à suivre. Volume 1 de cette méthode pour l'individu ou le groupe d'étude offre un aperçu des divers styles de guitares et de jouer les techniques avec des conseils sur l'achat et prendre soin de l'instrument, sélection de cordes de guitare et jouer des postes. Comprend des sections spéciales spécifiquement consacrées à la corde pianoter, structure de blues et style, fingerstyle technique, note de lecture et théorie de la musique. L'indiv... / Niveau : Débutant / All Styles - Methods / Méthode / Guitare

Media Type : Book/CD Set Level : Beginning Musical Genre : All Styles Number of pages : 146 This approach really works. It holds my student's interest. These are typical comments on the effectiveness of William Bay's Guitar Class Method. As no other instrument lends itself to so many moods and styles of music (blues, folk, rock, country, classical, flamenco, jazz, etc.), playing the guitar as a popular mode of expression and the instrument itself have become an integral part of American life. The Guitar Class Method was written with the hope it would expand the range of people of all ages who would be exposed to the guitar through a meaningful, authoritative method that is easy to follow. Volume 1 of this method for individual or group study offers an overview of the various styles of guitars and playing techniques with advice on purchasing and caring for the instrument, selecting guitar strings, and playing positions. Includes special sections devoted specifically to chord strumming, blues structure and style, fingerstyle technique, note reading, and music theory. The individual sections can be used simultaneously in any order to take the class in any direction it wants. Written in standard notation and tablature with chords presented in both diagram and photo format. Lyrics are included for many songs and a few melodies are presented as duet arrangements.

Mel Bay's latest series Guitar Journals is the ultimate reference guide of studies and solos in several different genres. Included in this wonderful fingerstyle journal are a myriad of tunes in many styles: Easy Blues Gospel Classic Fiddle Tunes Thumbpicking Patriotic Ballads Early Jazz Latin Celtic DADGAD Ragtime and Contemporary. Perfect for the student to professional musician this wonderful book contains tunes which can berevisited daily. All music in notation and tablature. Hard cover covered spiral binding and premium stock paper make this a volume so beautifully printed and bound and containing so much valuable information that you willtreasure it for years to come! •

Guitar Encounters of the Fingerstyle Kind-In Total Giltrap the innovative guitarist and composer Gordon Giltrap encourages players to exploit their limitations - the profound advice once given by the great jazz guitarist Wes Montgomery.Giltrap himself is a living example of an artist who has exploited his limited right-hand pick and little finger technique. In this volume he explores subjects such as open tunings legato technique two-handedtapping and the harp-like technique of open strings and harmonics. This is all wrapped up in a very English approach to melody and invention. All the techniques and pieces in Total Giltrap are featured onthe accompanying audio. All the examples are recorded at half-tempo and full tempo making it a very easy to follow guide. This book provides a snapshot of ideas ready to be 'exploited' and developed by the willing and imaginativestudent of the modern day acoustic Guitar.