Festival Song

La série 'Festival Collection' est composée de 8 volumes rassemblant des thèmes couvrant les périodes : Baroque, Classique, Romantique et 20ème/ 21ème siècle. Cette série est étudiée pour correspondre au niveau du pianiste. Le CD audio contenant tous les morceaux du songbook guidera l'étudiant dans son interprétation. / Piano / Partition + Cd

Diese Sammlung vereint rund 50 alte und neue Chorsätze unter dem Motto des Trierer Chorfestivals 2015 ?Gott liebt diese Welt'.Motetten, Volkslieder und Geistliche Lieder, Spirituals, Wechselgesänge sowie Kanons in verschiedenen Sprachen und Besetzungen sind vertreten und machen sie zur idealen Grundlage für das Singen in der Messe, im Gottesdienst und bei Chorbegegnungen. Die Sammlung ist insbesondere auch auf Kinder- und Jugendchöre zugeschnitten.Im Juli 2015 findet unter dem Dach des Bistums Trier das 7. Deutsche Chorfestival ?Pueri Cantores' statt. Grundsatz des Deutschen Chorverbandes ?Pueri Cantores' ist die Begegnung durch gemeinsames Singen. Dies wird auch mit den regelmäßig veranstalteten Chorfestivals auf diözesaner, nationaler und internationaler Ebene gepflegt.- Für Messe und Konzert- Geistliches und Weltliches- Verschiedene Besetzungen (SSA, SATB), teilweise mit TasteninstrumentAus dem Inhalt?Also hat Gott die Welt geliebt' (S. Strohbach)- ?God so loved the world' (B. Chilcott)- ?A Song of Thanksgiving' (M. Patterson)- ?Peace I leave with you' (J. Barnard)- ?Verleih uns Frieden' (C. Mawby)- ?Du bist das Brot, das den Hunger stillt' (T. Quast)- ?Die Gedanken sind frei' (M. Nagel)- ?Der Weg zur Oper' (O. Gies)- Chorimprovisationen von O. Sperling und M. Balzer u.a. / Choeur Mixte

La série 'Festival Collection' est composée de 8 volumes rassemblant des thèmes couvrant les périodes : Baroque, Classique, Romantique et 20ème/ 21ème siècle. Cette série est étudiée pour correspondre au niveau du pianiste. Le CD audio contenant tous les morceaux du songbook guidera l'étudiant dans son interprétation. / Piano

Music Of Our World Multicultural Festivals Songs and Activities. Adapted and Arranged by John Higgins. Celebrate music cultures and traditions as they happen around the world with this multicultural collection of festivals songs and activities that will enhance global awareness and provide rich experiences in the music classroom and beyond! This all-in-one Book/CD Pak provides everything you need: background on each festival step-by-step instruction for each song based on the National Standards piano/vocal accompaniments lyric translations reproducible songsheets expanded activities and a Cd recording of each song with vocals and accompanimenttracks only - a smart buy for every music classroom. Featured festivals and songs: Respect for the Aged Day (Japan) Hamabe no Uta Aloha Festivals (Hawaii) 'Ulili E Festival of Lights (India) Aeyaya balano sakkad St. Lucia's Day (Sweden) Sankta Lucia Carnaval (Brazil) Cidade Maravilhosa New Year (Laos) Dok Djampa Freedom Day (South Africa) Singabahambayo Cinco de Mayo (Mexico) A la Rueda de San Miguel

This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweetheart') - offers choirs attractive literature to expand their repertoires and to perform concerts for many different occasions. The creative choral director has many possibilities for performing this music: thus instruments can be added, or - if there are difficulties due to pronouncing a foreign language - a small ensemble can sing the song, while the remainder of the choir hums the music in the background. The selected songs about themes of love and love's sorrow, dance, festival and celebration, are traditional folksongs which are well-known and popular in the countries of their origin. In puttingtogether this collection special emphasis has been placed on the musical quality of the settings. In addition to traditional settings, many songs in new arrangments by contemporary composers have been included. The settings range in difficulty from easy to moderately difficult. / Musique traditionnelle / Répertoire / Voix Unison

Welcome to The Big & Easy Songbook for Guitar with Tablature! This book is a unique collection of music that has been specifically selected for the beginning Guitarist: songs that are easy and fun to play and will sound wonderful performed on any type of Guitar.Included are: American Folksongs Classical Themes Holiday Music Multicultural Songs Patriotic Songs Popular Music Styles and Sacred Music. Enjoy the songs that you want to play at home with your friends or at public appearances such as recitals and festivals.For easy use all of the songs are listed in three ways: alphabetically by the level of difficulty and by genre. Any wayyou look at it you can quickly find the exact song you want.

Kaija Saariaho’s Leino Songs were commissioned by the Osaka International Festival Finnish Radio Symphony Orchestra and Casa da Musica Porto.First performances:5 April 2008 at Festival Hall in Osaka as part of theOsaka International Festival24 October 2008 by the Finnish Radio Symphony Orchestra in Helsinki1 November 2008 by the Finnish Radio Symphony Orchestra in PortoLeino Songs are dedicated to Anu Komsi.

Uses: General FestivalScripture: Psalm 98:1; Psalm 100:1Alive with joyful energy this is a great festival choice for mass choir gatherings. The mixed meter element offers a refreshing challenge forchoirs and there is plenty of lyrical contrast to make this piece a great pedagogical tool.

A film by Michael Stillwater a heartening rarity (Wall Street Journal) Best Documentary (DC Independent Film Festival)Shining Night: A Portrait of Composer Morten Lauridsen the first episode of the SongWithout Borders series InSearch of The Great Song is also the first documentary about the artist considered to be one of the greatest living choral composers. A National Medal of Arts recipient named an “American ChoralMaster” by the National Endowment for theArts Lauridsen has achieved the status of the most frequently performed modern choral composer.Featuring his music performed by vocal groups in America and Europe the filmgives the viewer a rare glimpse of his life and inspiration derivedfrom spending time in solitude in nature. Filmed in Los Angeles; San Francisco; Waldron Island Washington; and Aberdeen Scotland.

Song Festival for Violin-Packed full of familiar children’s songs from different countries this book is great teaching material for children and can be used as first performance material. The CD makes practising fun and satisfying.

Complete-The complete set of Copland's Old American Songs arranged here for mixed choir and piano by David Brunner Irving Fine Glenn Koponen Gregory Rose and R. Wilding-White collected for the first time in a complete edition. Includes the original notes on the songs.The first set of Old American songs was completed in 1950 the same year that Copland finished his other major song set Twelve Poems of Emily Dickinson. On October 17 1950 the first set was given its world premiere by Pears with Britten at the piano at the Aldeburgh festival. The success of the first set prompted Copland to set five more songs. Copland later orchestrated both sets for medium voice andsmall orchestra.

Six of Ahmatova's poems set to music (for soprano and cello) by John Tavener.In these settings Tavener has tried to reflect the deceptive simplicity of the verse which stems from classical tradition. In the final song Deaththe musical material of the earlier songs is gathered together. Then the poet bids a painful farewell to her beloved homeland and steps into the ‘cabin’ that has been particularly prepared for her.The Akhmatova Songs werecommissioned by the Cricklade Music Festival and first performed on 28 September 1993 by Patricia Rozario and Steven Isserlis at St Sampsons Church Cricklade.

The unprecedented commercial success of the CD of Henryk Miko aj Góreckis Third Symphony in 1991 fifteen years after the date of its composition not only drew the Polish composer to the worlds attention arousing interest in his earlier works but also gave rise to a discussion about the state of culture in what might be described as a decadent period. So was the Third Symphony ahead of its time? Was it justifiable to regard the work as an end-of-the-seventies piece of aesthetical provocation? Should the wilful confusion of high and low aesthetic orders be considered a symbol of the end of post-Enlightenment utopia when the idea of progress in all fields including art constituted the fundamental criterion for evaluation? Attempts to answer these questions have given rise to a certain intellectual confusion leading occasionally to the advancing of false theses such as the attribution of Góreckis compositional output to the New Age spiritual landscape or the comparison of his compositional procedures with those of American minimalist composers. In fact the Third Symphony Symphony of Sorrowful Songs reflects both the composers individual exploration of technique and his attempt to determine his own Christian spiritual identity. The composition is a new manifestation of the sonoristic reductionism technique and the idea of simple music in line with Krzysztof Drobas designation of these phenomena according to which all details and modifications of tone colour are significant. By conferring on the three movements of the composition a form of mystery which negated a rational sense of time and made the work dissolve in a seemingly infinite continuum the composer managed to bring the Symphony within the sphere of folk ceremonial tradition. Anguish the principal theme of the composition presented here through both the mothers suffering after her sons death and the image of a woman prisoner in a Gestapo prison makes real sense only in the light of faith and the drama of Golgotha. Góreckis Third Symphony Symphony of Sorrowful Songs for soprano solo and orchestra dedicated to the composers wife was written in 1976. Commissioned by Südwestfunk in Baden-Baden it was premiered on 4 April 1977 during the 14th International Festival of Contemporary Art in Royan with Stefania Woytowicz as soloist. The same singer has made several recordings of the composition with different orchestras. The CD with Dawn Upshaw as soloist and the London Sinfonietta conducted by David Zinman won a Golden Disc award in 1991. The first movements outer sections (Lento sostenuto tranquillo ma cantabile) consist of an austere ten-part canon on strings. Its Aeolian theme was derived from a Kurpian song notated in Rev. Father W adys aw Skierkowskis collection. The canon is characterized by continual repetition of the theme (and its counterpoint) all its answers being tonal and thus not going beyond the notes of the scale. In this way a vibrating sound magma