Minuets For Guitar 12
SKU: M7.GHE-913
ISBN 9783890449135. English.
A unique view of Llobet, as a champion and arranger of Sor. The Sor studies reproduced in facsimile are from Llobet's own library. In an interview in Barcelona in 1929, which is reproduced in full in this edition, Llobet announced his intention of preparing a new edition of the Sor studies. Judging by the density of his marking and copious added and altered fingering in this facsimile edition, he seemed in fact to be doing just this. Unfortunately, a new edition edited by him never came to fruition! We have prepared our facsimile edition of these later printings of Simrock editions (a gift from Erwin Schwarz-Reiflingen in 1928), carefully restoring the originals to make these pages clearer, so that not only is everything more legible, but most importantly, all of Llobet´s fingerings and amendments are clearly legible. In this volume dedicated to Sor, we have re-engraved for inclusion here all 6 of Llobet's very fine Sor transcriptions from La Guitarra in Argentina, fingered and arranged by Llobet.
SKU: M7.GHE-810
ISBN 9783890448107. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: HL.49010804
ISBN 9790001096492. UPC: 884088087258. 9.0x12.0x0.077 inches.
Contents: No. 5 in A Major * No. 6 in D Major.
SKU: HL.49010710
ISBN 9790001094788. UPC: 073999919936. 9.25x12.0x0.094 inches.
SKU: BT.PWM9425010
SKU: UT.CH-380
ISBN 9790215328112. 9 x 12 inches.
The sixteen compositions published in this collection are an example of all the polyphonic techniques used by Sor in the works he wrote for the guitar. There are ten little studies, three minuets, a sample piece taken from the Méthode pour la guitare, the transcription of the March der Priester from Mozart’s Zauberflöte, and a final study conceived as a kind of motet ‘without words’. As well as their intrinsic artistic value, these pieces have been chosen because they are relatively easy to perform, therefore they can be used in preparation for the study of works which are technically and musically more difficult.The fingerings by Piero Bonaguri have been conceived to highlight the polyphonic arrangement of the various pieces, even the simplest ones, developing technical solutions consistent with the movement of the parts and paying special attention to the control of the resonances produced by the use of the open strings.
