Faure - Nocturne N 12 - Piano

The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano

Relaxez-vous avec cette suite incroyable de notre meilleure vente "Classical Chillout", contenant 29 superbes morceaux légers au piano à jouer et à apprécier. / Classique / Partition /

48 Pieces by Chaminade Couperin Debussy Fauré Ravel and Satie-This volume in Schirmer's Library Of Musical Classics contains 48 pieces by 6 French composers including Chaminade Couperin Debussy Faure Ravel and Satie. Pieces include: Chaminade:S?r?nade Op. 29 Scarf-Dance (Pas des ?charpes) from Cinq Airs de Ballet Calliro? Op. 37b No. 2 Lolita (Caprice Espagnol) Op. 54. Couperin: Soeur Monique from the eighteenth orderof the Third Book of Harpsichord Pieces Suite in C minor from the third order of the First Book of Harpsichord Pieces. Debussy: Children's Corner Deux Arabesques La plus que lente Le petit n?gre Pour lepiano Les sons et le parfums tournent dans l'air du soir from Pr?ludes Book I Des pas sur la neige from Pr?ludes Book I La fille aux cheveux de lin from Pr?ludes Book I La Cath?drale engloutie fromPr?ludes Book I Minstrels from Pr?ludes Book II La Puerta del vino from Pr?ludes Book II La terrasse des audiences du clair de lune from Pr?ludes Book II R?verie Suite bergamasque.Faure: Impromptu in A-flat Major Op. 34 No. 3 Nocturne in E-flat Major Op. 36 No. 4 Berceuse in E Major Op. 56 No. 1 Improvisation in C-sharp minor Op. 84 No. 5.? Ravel: Minuet on the Name ofHaydn Pavane for a Dead Princess (Pavane pour une infante d?funte) Sonatine. Satie: Three Gymnop?dies Three Gnossiennes.

Introduction, Thème et Variations, op. 8 (David, F)
Allegretto, op. 116/1 (Godard, B)
Arioso de BWV 1056 (Bach, JS)
Berceuse (Faure, Sol)
Bourrée (Haendel, GF)
Calme comme la nuit (Bohm, C)
Clarinette sur la ville (Hermann, R)
Concertino (Stuart, HM)
Concertino (Guilhand, sol)
Entr'acte de Carmen (Bizet, G)
Étude op. 10/3 (Chopin, Fa)
Giga (Haendel, GF)
Gigue (Corelli, A)
Gymnopédie n°2 (Satie, E)
Invocation (Donjon, J)
Berceuse (Langenus, G)
Méditation (Gounod, C)
Mont Vernon Menuet (Langenus, G)
Moment Musical (Schubert, F)
Sérénade nocturne (Morra, G)
Nocturne (Bassi, L)
Prélude (Siegmeister, Mi)
Rêverie (Caplet, A)
Romance, op. 94 (Schumann, R)
Scène et Air (Bergson, M)
Sérénade, op. 41 (Beethoven, L)
Sérénade (Haydn, FJ)
Siciliano de la Sonate no. 2, BWV 1031 (Bach, JS)
Sicilienne de Pelléas et Mélisande (Fauré, G)
Sonate en fa majeur (Marcello, si)
Sonatine (Weber, CM)
Chanson à l'étoile du soir (Wagner, R)
Tambourin (Gossec, FJ)
Thème et Variations (Mozart, WA)
Traumerei (Schumann, R)
/ Partitions classique / Bois / Clarinette / CARL FISCHER

Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano