SKU: M7.DOHR-16429
ISBN 9790202034293.
SKU: BT.DHP-1084452-010
9x12 inches. English-German-French-Dutch.
The melody of Fascination was composed in 1905 by Dante Pilade“Fermo“ Marchetti. In the 1930s it was successfully performed inFrench and English and in 1957 it again became famous when itwas used in the soundtrack of the American movie Love in theAfternoon. This piece has been loved by many generations andToshio Mashima’s arrangement will without doubt bring joy to allmembers of your audience! De melodie van Fascination werd al in 1905 gecomponeerd door Fermo Dante Marchetti. In de jaren dertig werd er zowel een Franse als een Engelse tekst op gezongen. In 1957 werd het lied opnieuw bekend doordat het werd gebruiktvoor de Amerikaanse film Love in the Afternoon, met onder anderen Audrey Hepburn en Gary Cooper. Daarna bleef ¬Fascination opeenvolgende generaties fascineren. Toshimo Mashima’s bewerking is daarvan een fraai bewjs.Die Melodie von Fascination wurde schon 1905 vom U-Musik-Komponist Dante Pilade Fermo“ Marchetti komponiert. In den 30-Jahren wurde sie erfolgreich auf Französisch und Englisch gesungen und erreichte 1957 erneut großen Ruhm durch den amerikanischen Film Love in the Afternoon und mehrere darauf folgende Aufnahmen. Fascination, das tatsächlich schon mehrere Generationen fasziniert hat, wird auch in Toshio Mashimas Blasorchesterbearbeitung überzeugen!En 1904, Dante Fermo Marchetti (1876-1940) compose son plus grand succès, la valse lente Fascination (sous-titrée « valse tzigane »). Dans les années 30, Maurice de Féraudy écrira un texte français pour accompagner la musique. C’est néanmoins dans sa version anglaise que la chanson connaîtra un immense succès en 1957, après avoir été intégrée dans la bande originale de la comédie romantique Ariane (Love in the Afternoon) avec Audrey Hepburn et Gary Cooper. Fascination a fasciné des générations d’auditeurs. L’arrangement de Toshio Mashima est aussi délicieusement charmant que la version originale.
SKU: BT.DHP-1084452-140
SKU: BT.VOLMB604
ISBN 9788863886030. International.
A bumper collection of 50 international standards with melody line and lyrics for C Instruments.
SKU: HL.48182064
UPC: 888680850715. 9.0x12.0x0.136 inches.
??Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Catalogue of Birds for Piano is no exception to the composer's popular, distinctive style. Messiaen became fascinated by birdsong from an early age, however, it wasn't until the 1950s that he took his passion to a new level, incorporating birdsong into all of his compositions. Catalogue of Birds, composed in 1958, comprises thirteen movements, each depicting a specific bird. The third volume contains movements five and six; Tawny Owl and Woodlark. Catalogue of Birds is essential to all advanced pianists seeking to expand and vary their repertoire.?.
SKU: HL.48182063
UPC: 888680850708. 9.0x12.0x0.13 inches.
“Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Catalogue of Birds for Piano is no exception to the composer's popular, distinctive style. Messiaen became fascinated by birdsong from an early age, however, it wasn't until the 1950s that he took his passion to a new level, incorporating birdsong into all of his compositions. Catalogue of Birds, composed in 1958, comprises thirteen movements, each depicting a specific bird. The second volume contains movement four; The Black-eared Wheatear. Catalogue of Birds is essential to all advanced pianists seeking to expand and vary their repertoire.”.
SKU: HL.48182061
UPC: 888680850685. 9.0x12.0x0.237 inches.
“Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Catalogue of Birds for Piano is no exception to the composer's popular, distinctive style. Messiaen became fascinated by birdsong from an early age, however, it wasn't until the 1950s that he took his passion to a new level, incorporating birdsong in to all of his compositions. Catalogue of Birds, composed in 1958, comprises thirteen movements, each depicting a specific bird. The first volume contains the first three movements; 1) The Alpine Chough, 2) The Oriole, and 3) The Blue Merle. Catalogue of Birds is essential to all advanced pianists seeking to expand and vary their repertoire.”.
SKU: VD.ED16429
ISBN 9790202034293. 12 x 9 inches.
SKU: VD.ED20204
ISBN 9790202042045. 12 x 9 inches.
SKU: CA.5280900
ISBN 9790007246525.
With the songs Reger wrote between summer 1889 and spring 1901, he made his mark in the music world. His style displayed a harmonic and melodic intransigence which challenged, fascinated, and irritated performers and audiences in equal measure. The song collections which Reger compiled became ever more extensive: opp. 35 and 37 contained six and five songs, opp. 43 and 48 eight and seven, and opp. 51 and 55 twelve and fifteen songs. As well as this, he wrote some individual pieces for inclusion in the Neue Musik-Zeitung (WoO VII/23-29).In his assiduous search for texts, Reger turned to contemporary lyric poetry with its plurality of styles. The poems which he set were by representatives of the literary Jugendstil (art nouveau) and impressionist movements, including Otto Julius Bierbaum, Detlev von Liliencron, and Richard Dehmel. Here, Reger's musical hallmarks were intensity and subtlety of feeling, a desire for intimacy, and a modern emotional language. This corresponded with the concentration on the modern declamatory song following on from Hugo Wolf, to whom op. 51 is dedicated. In addition, Reger ventured to set texts which Richard Strauss had also set previously, in the process finding different solutions in mood and tonal language.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.
SKU: HL.49032314
ISBN 9783795757021. German.
This method is aimed at everybody who wants to learn to play the keyboard, in lessons or self-study, in methodological teaching units with the help of popular songs and useful information: at beginners of every age, but also at wind players, singers or guitarists who wish to become musical 'insiders' and look for a method to approach improvisation, composition, harmony, etc. through keyboard playing. It is especially on the keyboard with its clear, regular layout that scales, chords and harmonic progressions can be shown in a clearer and more systematic way than on any other instrument. Musicians with previous knowledge can start with volume 2 or 3. Volume 3: Seven new chords which can easily and certainly be learnt due to the previous slow increase in difficulty and the increased use of the left hand for independent accompaniments help to prepare for polyphonic playing with both hands. Playing with two hands and with a number of new rhythmic structures which have all been taken from well-known melodies make music-making and learning in this volume a great experience. The knowledge of intervals, exercises for the quick recognition of the intervals, and transposing form the basis of the introduction to harmony provided for in volume 4.
SKU: HL.49019844
ISBN 9790001196659. UPC: 888680968236. 8.75x11.75x1.178 inches.
Buxtehude's organ music fascinated J. S. Bach and generations of organists ever since. Our new edition in the renowned series 'Masters of the North German Organ School' is based on the original version while taking the latest findings of the Buxtehude research into account. Vol. 1 contains 18 Preludes (pedaliter), Vol. 2 three toccatas, 1 preambulum, 2 ciacones, 9 canzonas and 3 fugues.
