Exercises And Etudes

Par VINITSKY ALEXANDER. L'interprétation exacte du rythme swing est l'élément le plus important dans la musique jazz. Cette collection de 7 etudes jazz et 11 exercices pour guitare solo donne la pratique de l'étudiant en jouant ce schéma rythmique ainsi que sur les autres compétences importantes. Les etudes sont écrites en notation uniquement dans différents styles de jazz : Swing, Latino, Bossa Nova, Blues et Jazz Rock. Ces etudes développent la capacité de la main droite au son comme si les deux ou trois instruments jouent simultanément. Toutes les etudes ont des mélodies brillantes et riche harmonie jazz. Ce sont des intermédiaires en difficulté. Les exercices comportent de nombreuses compétences, y compris le Swing style, walking bass, style Latin, vitesse de doigt, diverses combinaisons rythmiques et lignes brisées. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

This is one of four Preparatory-level books in the American Popular Piano series - the educational piano course by Christopher Norton and Scott McBride Smith.The series has 11 difficulty Levels and each Level contains: Repertoire album with CD; Etudes album (including Improvisation); Skills book; Technic (technique) book.Preparatory Level: For students in their first year of study- Middle C position treble and bass clef grand staff- Whole note half note quarter note dotted half note- pp p mp mf f- 3/4 and 4/4 time signatures- Key signatures up to one sharp- Repeat 8ve tie fermata ritardando accentEtudes Albums:complement the corresponding Repertoire Album withtraditional technical etudes in both classical and popular styles and through a revolutionary module-based approach to improvisation.? Technical Etudes: builds solid fundamentals by focusing on specifictechnical and musical elements; offers an enjoyable approach to improving facility;? Improvisation Etudes: delivers a practical framework for learning improvisation; integrates effortlessly into traditional piano lessons; module structure provides intuitive progressive development from the very first level; encourages creativity and spontaneity; trains critical active listening skillsThe CD which comes only with the Repertoire Album contains accompanying instrumental backings both for the Repertoire Album's ensemble pieces and the Etudes Album's Improvisation modules: ? provides convenient practice and performance tempos for realistic support of the learning process; ? stimulates daily ensemble playing; ? creates a full band improvisation experience; ? makes reaching a polished performance just plain fun!About the American Popular Piano series:?Why can?t I play more music like this?? asked a fourteen-year-old piano student. ?My friends like to hear me play cool music.? Why not indeed. J.S. Bach taught his sons using the music of his time popular dances preludes and exercises by

Essential Exercises-The Petites Etudes are of similar melodic charm as Gariboldi's Études mignonnes Op.131 (Schott ED 20354). A bit more virtuoso with regard to the fingering technique and articulation (and with the additional keys E major and Ab major) they are in a sense a continuation of his 'mignonnes'. In this volume the use of dynamics and the articulation described in great detail are essential to the interpretation of the études. Performed accurately they freshen the sound and sharpen the listener's perception especially through the constantly varying execution of similar motifs. If practised accordingly the Petites Etudescan improve technical skills considerably.

An Intermediate Course of Study for the Development of Technical Proficiency in the First PositionAn appropriate follow-up method to Rubank's Intermediate Method for Viola. Includes:•Dailyexercises for bowing finger strength and independence trills and double stops•A full-page etude in each key up to 4 flats/sharps•Specialized etudes for practice in bowing legato playing rhythm cross-fingering spiccato string crossing string skipping chromatics arpeggios syncopation staccato and trills•Nine double stop etudes

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman

Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette

Succeeding With The Masters & The Festival Collection-Learning etudes at the same time as technique develops a healthy natural and effective mastery of the Piano from the very beginning. Each book in this series is divided into units and each unit focuses on one technical concept. Technical concepts are introduced using imagery to help the student understand the gesture needed to create the correct technique and short technical exercises and several etudes are included to reinforce each particular technique.This method allows the student to master each technique and make it a habit providing the foundation for effective natural relaxed and enjoyable performances of their repertoire.Succeeding WithThe Masters & The Festival Collection: Etudes With Technique:Is perfectly correlated with the companion series Succeeding With The Masters and The Festival Collection.Includes a reference guide to all the etudes and composers.All etudes have been extensively researched to ensure authenticity and are based on urtext sources and original manuscripts.

Succeeding With The Masters-Succeeding With The Masters & The Festival Collection - ETUDES With Technique was compiled by Helen Marlais and Suzanne Torkelson.Learning etudes at the same time as technique develops a healthy natural and effective mastery of Piano from the very beginning.Each book is divided into units and each focuses on one technical concept.Technical concepts are introduced using imagery to help the student understand the gesture needed to create the correct technique.Following the text and imagery short technical exercises and several etudes reinforce each particular technique. This method allows thestudent to master each technique and make it a habit providing the foundation for effective natural relaxed and enjoyable performances of their repertoire.Perfectly correlates with the companion series Succeeding With The Masters and The Festival Collection.Includes a reference guide to all the etudes and the composersAll etudes have been extensively researched to ensure authenticity and are based on Urtext sources and original manuscripts.

Solo in Style is a collection of beginning to intermediate drumset etudes focused on various styles. To prepare the player for each solo, a short list of popular songs in the same style and a full page of exercises precede it. Great for school solo and ensemble repertoire! / Batterie

in Various Combinations of Double-Stops-Written by world renowned pedagogue Roland Vamos this collection of double-stop exercises fills a void in the literature of technical exercises for violists.These etudes feature a systematic series of fixed double-stops that enable the player to practice and master every possible combination of finger patterns across two strings without shifting.Vamos says of the book ?The most important accomplishment is the development of a strong left hand... These exercises when practiced slowly and carefully will help to develop a keen sense of pitch and intonation.? Includes a DVD with performance examples.

In 1826 15-year-old Franz Liszt wrote his first cycle of studies which he actually wanted to be seen as a grand étude consisting of 12 different exercises as an 'Etude en douze exercices'. Each of these exercises however is an independent study dealing with a certain technical problem. Although they became a model of Liszt's great études ('Grandes Etudes') later these early works were still a far cry from the technical demands of their big siblings. They are all the more suited in advanced lessons as an excellent alternative to the more demanding studies of Czerny.