Format : Score and Parts
SKU: AP.24731S
UPC: 038081279930. English.
A stunning contest or concert work for your young band. This energy-packed original is sure to make your young band sound spectacular. Inspired by Colorado, the land of mountains, in this single flowing composition the intent listener will hear the panoramic beauty of the Colorado sunrise with the Rocky Mountains as the backdrop. The power of the dinosaurs, the menacing sheer angles of jagged rocks and the thunder of ancient drums combine to form the first movement entitled In Stone and Shadow. In contrast, Twilight seeks to capture the majestic yet delicate scenery at perhaps the most beautiful time of the day. The final movement entitled Avalanche brings together musical and visual imagery to the most powerful of conclusions. This title is available in MakeMusic Cloud.
SKU: GI.G-9660
ISBN 9781622773572.
To learn from Alice is to come under a peculiar kind of enchantment . . . To hear her is to be spellbound by a melodic voice. — John Wykoff, from the Prelude The Melodic Voice presents a series of interviews with preeminent composer, conductor, and teacher Alice Parker that offers a fuller and more intimate view of her life and music than ever before. The conversations Cameron LaBarr and John Wykoff document in these pages perfectly capture the essence of Alice’s core philosophies on melody, arranging, singing, music teaching, conducting, and many other topics. During the course of the interviews, Alice discusses a wide range of topics: her childhood, her time as a student at Smith College and Juilliard, the death of her husband, her work with Robert Shaw, living in New York City, experiences with teaching, her compositional process, the importance of folk song, advice for students and teachers, and much more. In the accompanying video component, Alice speaks candidly and directly about many of her most popular and well-loved arrangements, including Hark, I Hear the Harps Eternal, Saints Bound for Heaven, What Shall We Do With a Drunken Sailor?, and John Saw Duh Numbuh, among others. Too few have had the privilege of attending one of Alice’s workshops or engaging with her in long conversations and round-the-table singing. But the conversational nature of this book gives everyone the chance to engage with her in a deeper way. Musicians and non-musicians alike are sure to be inspired by Alice’s words. Cameron LaBarr is Director of Choral Studies at Missouri State University. His choirs have performed extensively both at home and abroad, and he has worked as a guest conductor and clinician across the United States, Europe, South Africa, and Asia. John Wykoff is Associate Professor of Music Theory and Composition at Lee University. As an active composer, he writes for choir, orchestra, and chamber groups, and his music has been performed internationally by leading ensembles. Check out this clip below of Alice Parker discussing her beloved arrangement Hark, I Hear the Harps Eternal. This is just a small part of the over three hours of video interviews included in the purchase of this resource.
SKU: JK.01569
Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.
Restoration anthem for mixed chorus (SATB) and piano accompaniment.Whose is that voice declaring truth at last? A prophet speaks, a blessing unsurpassed......Since Jesus all our sins and sorrows bore,Death is rebuked and rules the earth no more. Eternal life awaits beyond that door. Alleluia!Composer: Charles V. Standford Arranger: Brent Jorgensen Lyricist: Jan Underwood Pinborough Difficulty: Medium Performance time: 2:45Reference: Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.
SKU: GI.G-3054
Organ ad lib part is optional.
SKU: BT.PMC3603
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric Sa nuit d'ete,several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's Soneto de la Noche, from his CienSonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long,lyrical vocal lines. Agee's wondrous Sure on this Shining Night is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant Voici le soir recalls the opening bellsounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends. --Morten Lauridsen.
SKU: BP.BP2307
6.88 x 10.5 inches.
A vigorous unison a cappella stanza establishes the early-American style before four-hand piano enters with its sparkling support. Joy abounds as the text speaks of our longing for our eternal home. For SATB voices and four-hand piano; effective for both worship and concert use.