Format : Vocal Score
SKU: HL.50603926
ISBN 9781705159088. UPC: 196288050674.
Zoltán Kodály's unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author's edition, being expanded with eight new compositions, but without Elso áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a “commemorative extended edition†of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with the manuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 weemended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály's collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek Úristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), Újesztendot köszönto (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known underthe title of Naphimnusz (Canticle of the Sun), due to earlier editions; the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szedo s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály's mixed choruses to date; it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
SKU: BT.EMBZ6725
Hungarian.
Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue. Diese Ausgabe entstand unter der Mitwirkung von Lajos Bárdos.
SKU: BT.EMBZ6725A
Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
SKU: BT.EMBZ15121
English-Hungarian.
The piece was written originally for equal voice choir in 1929. A mixed-choir adaptation was made in 1961 at the request of Oxford University Press. This appeared in print in the same year with an English text under the title A Christmas Carol in a collection of Christmas songs, as well as in a separate print. The musical material of the mixed-choir version largely follows the original. There is one essential difference in verse 5, beginning at bar 35 ( Babe all holy ) where the tenor solo appears with a delightful eight-bar countermelody not found in the original. Since this version only appeared in Kodály s lifetime with an English text, this has been retained, but we havealso provided the original Hungarian text upon which the equal voice version is based. Zoltán Kodály s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Péter Erdei, one of the most devoted interpreters of Kodály s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodály Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodály s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper.
SKU: CA.3118705
ISBN 9790007182984. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
SKU: CA.3118714
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
SKU: CA.3118703
ISBN 9790007182946. Language: German/English.
SKU: CA.3118709
ISBN 9790007209957. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700.
SKU: CA.3118713
ISBN 9790007209988. Text language: German/English.
SKU: CA.3118749
ISBN 9790007210007. Language: German/English.
SKU: CA.3118719
ISBN 9790007183318. Language: German/English.
SKU: CA.3118712
ISBN 9790007209971. Text language: German/English.
SKU: CA.3118711
ISBN 9790007209964. Text language: German/English.
SKU: CA.3118700
ISBN 9790007171650. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.
SKU: XC.HRMG1835.8
UPC: 785147102953.
A simple a cappella setting of Fiona Macleod's traditional text that invokes the peace and stillness of nature. The choral parts move gently with extended cluster chord cadences and some simple divisi. This is the eighth and final movement from the larger work, and can serve as a beautiful benediction or closing number.
SKU: HL.49045585
ISBN 9790001165891. UPC: 841886032279. 7.75x11.0x0.06 inches. Latin.
The fact that Naji Hakim's compositional oeuvre is, by his own account, deeply rooted in his personal faith and dedicated to the glory of God and the joy of mankind is evident not only in the text of the sacred choral piece Exultate Deo for eight-part mixed a cappella choir (SSAATTBB). Hakim also manages to capture the textual content of the Latin verses from Psalm 81 by means of musical imagery with various madrigalisms, e.g. with extended melismatic melody lines and distinctive rhythms. This technically demanding sacred choral work was inspired by the Basque folk song Adieu fillette de Bayonne which the Lebanon-born composer already used in the first movement of his concerto for txistu (= Basque wooden flute) and orchestra.
SKU: CA.3118707
ISBN 9790007242374. Language: German/English.
