Easy Organ Works Volume 3

Organ Works Volume 2: Twenty small Fugues and Freely Composed Organ PiecesTelemann?s organs works pay tribute to the contrapuntal art of the High Baroque while pointing to the age of Gluck Haydn and Mozart in their emphasis on melody.Easy to play Telemann?s organ music strikes a masterly balance between traditional stylistic elements and those of the burgeoning ?style galant?

Pieces for Organ without pedal-At the cutting edge of scholarship.Music in every key for church worship and concert performance.Detailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimiles.Volume VI presents 42 easy to moderately difficult pieces without pedal for Organ or Harmonium in every key and brings the complete edition of Theodore Dubois Organ works to a close. With their contrasting length and character the pieces offer a wide range of performance possibilities both inside and outside the liturgy.Since Dubois was a master of melody several of the pieces can also be rendered on the Piano further enhancing the collection's practicalvalue.Already published:Volume I: Early Works and Works with Minimal or Optional Use of the Pedals BA 8468Volume II: Organist an La Madeleine Douze Pi?cesBA 8469Volume III: Trois Pi?ces pour Grand Orgue (1890) Messe de Mariage Cinq Pi?cesBA 8470Volume IV: Organist an La Madeleine Douze Pi?ces Nouvelles Offertoire pour la f?te de l???AscensionBA 8471Volume V: Dix Pieces pour Grand Orgue; Fantasietta avec Variations BA 9208

Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Although Franck's output for the organ was small it was influential. This volume contains his best-known works for organ including Six Pieces (Liszt ranked them with the masterpieces of Bach) Trois Pieces—including the well-known 'Piece Heroique'—and the Trois Chorals perhaps Franck’s finest organ works. Reproduced directly from authoritative Durand edition in an oblong format designed for easy use at the keyboard.

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Collection of easy-to-play concert pieces.Ideal for amateur organists and church musicians.Also suitable for performance on smaller instruments.The second volume of Enjoy The Organ offers eighteenth-and nineteenth-century concert pieces suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time. These pieces are intended primarily for the amateur organist but can also be of interest to the professional who can use them as a starting point for improvisation.The volume contains François-Joseph Gossec?s Tambourin Johann Georg Albrechtsberger?sPrelude and Fugue in C major Théophile Stern?s Morceau pour Sortie (Musikstück zum Ausgang) Alphonse Charles Renaud de Vilbac?s Communio sur Bellini Charles Villiers Stanford?s Prelude in F major and other works.Already published:Enjoy The Organ 1 (BA 11207)BA 11207

for Organ-Organ Music for Ascension of Christ Pentecost and Trinityhis volume edited by Andreas Rockstroh completes the organ music series for key times and occasions during the church year. As a collection of relatively easy 19th century works it presents a rich assortment of compositions and arrangements for worship and concerts and is entirely oriented towards the actual practice of church music addressing both part- and full-time organists.Preface and biographical notes on composers (German/English)Wide variety of both chorale-based and non-chorale based organ music from the 19th and early 20th centuriesHigh practicalrelevanceA treasure trove of inspiration that belongs on every organ stand!

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.

The third volume for guitar in the Easy Concert Pieces series. The selection of pieces, from Renaissance to twentieth-century works, is suitable for students with about 3 years of playing experience. Includes a CD of all pieces to aid and motivate practice. There are many favourite guitar pieces, but also several lesser-known gems along with arrangements of popular piano works. Organised chronologically, this is a journey through five centuries of guitar and lute history, from John Dowland to Francis Poulenc: a great repertory for concerts or competitions and the perfect complement to any guitar method. / Niveau : Facile à Moyen / Recueil / Guitare Classique

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Sacred choral music for SAM and keyboard instrument. Par . With lots of new compositions and fresh arrangements of well-known choral works, the Chorbuch a tre 2. Vol. 2 is guaranteed to bring new inspiration to singing in worship. The volume is an addition and continuation of the extremely popular first Chorbuch a tre from 2010 (Carus 2.120). Chorbuch a tre. Vol. 2 is primarily aimed at choirs with too few male voices to sing four-part repertoire. All the choral numbers come with a supporting part for a keyboard instrument (piano/organ), some of which are ad lib. The collection is an ideal treasure trove to support getting back to four-part singing in church choirs after the pandemic. All the pieces are easy to medium difficulty, with a broad range of styles.- 70 three-part settings for SAM choirs with one male voice part, with organ or piano accompaniment- original compositions and arrangements from five centuries as well as many new compositions- suitable repertoire for all occasions in the church year- choral director’s volume also contains accompaniments (organ or piano part) plus a thematic index- economical choral edition (editionchor, with no organ or piano part) available with bulk discount- many works also available in separate editions (print / digital) / Date parution : 2022-10-12/ Répertoire / SAM et Piano