Format : Sheet music + Audio access
SKU: MB.21599M
ISBN 9780786690848. 8.75 x 11.75 inches.
OCarolans best-loved harp tunes are notated in a contemporary style that makes them accessible to all instrumentalists. This ideal collection with accompanying audio lays bare 20 classic Irish compositions for melody and backing players using standard notation and chords. For all 5-string banjo players, fretting and picking-hand fingerings are included in the transcriptions which match the play-along tracks. This is Hanways fourth collection demonstrating Celtic fingerstyle banjo in G tuning. It is part of a Celtic 5-string series that includes Mel Bays Easy Irish and Celtic Tunes for 5-String Banjo: Best-Loved Jigs and Reels 2012 and Mel Bays Easy Irish and Celtic Melodies for 5-String Banjo: Best-Loved Airs and Session Tunes 2013 . Tom Hanways pioneering work, Mel Bays Complete Book of Irish and Celtic 5-String Banjo 1998 , was acclaimed by Bluegrass Unlimited magazine 1999 as the bible for any 5-string player with an interest in this joyous music. The current collection breathes life into the Gaelic classical melodies of Ireland. Access to online audio download.
SKU: MB.21597M
ISBN 9780786692101. UPC: 786692103. 8.75 x 11.75 inches.
This rich collection of 68 jigs and reels features some of the most cherished tunes played by session players from 21st-century Ireland, Scotland, Wales and the Celtic Diaspora. Tom Hanway demonstrates contemporary Celtic fingerstyle banjo through modern techniques and traditional Irish and Celtic melodies using standard G tuning. Additionally, this book explains the Four Celtic Modes that are found throughout the tunes in this collection. Through these lessons, you can learn the essentials needed to play stock Irish and Celtic tunes, which can later be combined in medleys to play at sessions. Includes access to online audio.
SKU: HL.4006909
UPC: 840126945621. 9.0x12.0x0.037 inches.
Michael's popular setting of tuneful Irish melodies is available here in an easy flexible format using just 4 parts plus percussion. Ideal for small group settings.
SKU: FJ.ST6252S
English.
Experience Celtic festivals, maypoles, and country fairs in this spirited and lively piece. Set in an easy 6/8 time, players are transported back to a time of ancient dances and celebrations in Ireland. The lower voices begin with bagpipe drones as violins take on the first theme. Infectious melodies and secondary themes complete this endearing piece. Students have a chance to work on bow distribution, hooked bowing, pizzicato and dynamics.
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
