Each Life That Touches Ours For Good

Organ - Medium

SKU: JK.01885

Composed by Various. Arranged by Brent Jorgensen. Organ Chains, Organ Postludes, Organ Preludes, Organ Solos, Special Events Funeral and Memorial, Comfort, Eternal Life, Funeral, Plan of Salvation, Resurrection. Christian, Inspirational. Jackman Music Corporation #01885. Published by Jackman Music Corporation (JK.01885).

UPC: 093285018853. Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.

Thirty-one favorite funeral hymns arranged in a continuous medley for organ prelude/postlude.
You can start anywhere in the book and end anywhere!
Pedals are included within the staff.
Songs included in this book:
Comfort and Hope
Be Still, My Soul
The Lord is My Shepherd
Nearer, My God, To Thee
Where Can I Turn For Peace?
Come unto Jesus
Lead, Kindly Light
Jesus Christ
I Know That My Redeemer Lives
Beautiful Savior
I Believe in Christ
I Stand All Amazed
He Sent His Son
How Great Thou Art
The Love of God
Our Savior's Love
Love One Another
My Heavenly Father Loves Me
I Feel My Savior's Love
Where Love Is
Faith and Devotion
Come, Follow Me
I Need Thee Every Hour
Because I Have Been Given Much
Amazing Grace
In the Garden
Softly and Tenderly
Come, Thou Fount of Every Blessing
Each Life That Touches Ours For Good
Eternal Families
Families Can Be Together Forever
Love at Home
Oh, What Songs of the Heart
I Am a Child of God
O My Father
Closing
God Be With You Till We Meet Again
Abide with Me!
Abide with Me, 'Tis Eventide
Anthems
Goin' home
Consider the Lilies
Holy Art Thou
Jesu, Joy of Man's Desiring
Composer: Various
Arranger: Brent Jorgensen
Difficulty: Medium
Reference: Ecclesiastes 3:1-2, Matthew 5:4, 1 Peter 5:7.

Violin - Medium/Easy

SKU: JK.09177

Arranged by Brent Jorgensen. Difficulty Easy Medium, Instrumental Violin, Piano Choir, God the Father, Gospel, Jesus Christ - Savior, Peace, Service. Christian, Inspirational. Jackman Music Corporation #09177. Published by Jackman Music Corporation (JK.09177).

Psalm 119:165, Psalm 119:97-104.

Violin obbligatos to accompany Hymnplicity Ward Choir Book 10 (#01769). Created to add color and warmth to the arrangements.
Arrangements in this packet:
Come, O Thou King of Kings
Count Your Blessings
Each Life that Touches Ours for Good
Israel, Israel God Is Calling
Now Let Us Rejoice
Sweet Is the Peace the Gospel Brings
Arranger: Brent Jorgensen
Difficulty: Medium/Easy
Reference: Psalm 119:165, Psalm 119:97-104.

By Various. Arranged by Robert Cundick / John Longhurst. Text: Many. For Choir. Choral. Level: Medium Easy / Medium (accompaniment). Hymn Extender. Published by Jackman Music Corporation.

By A. Laurence Lyon (1934-2006). Arranged by Ron Simpson. For SSAATTBB Chorus and Piano (SSAATTBB). Sacred. Octavo. 7 pages. Duration 3:30

Arranged by A. Laurence Lyon. For Instrumental Solo. Christmas. Level: Medium. Published by Jackman Music Corporation.

By Various. Arranged by A. Laurence Lyon. For Piano Book. Level: Varied. Published by Jackman Music Corporation.

SKU: GI.G-10368

A Document History (1835-1935). Composed by Bryan J. Proksch. Music Education. 346 pages. GIA Publications #10368. Published by GIA Publications (GI.G-10368).

ISBN 9781622776276.

This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell     The Wind Music Research Quarterly: Mitteilungsblatt der IGEB     (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor     Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis     The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner     Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist” Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)   Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.