Dvd Grossman Stefan Blues Guitar Advanced Techniques

Grâce à cette série de DVD, vous allez explorer divers style de fingerstyle blues guitare. Cette première leçon se focalise sur la clé de Do. Vous apprendrez les techniques de Mississippi John Hurt, Rev. Gary Davis et Blind Blake. Mais le but de cette leçon est surtout de vous permettre d'improviser en jouant du blues. Vous étudirez les morceaux ci-dessous, phrase à phrase, chaque morceau sera jouer normalement puis plus lentement. Le livret contient toutes les partitions, 85 minutes, en anglais. / Guitare

A three volume DVD collection taught by Stefan Grossman.In this three lesson DVD series Stefan Grossman explores the world of country blues guitar. It is a fascinating and challenging study that covers blues folk and ragtimearrangements in the keys of A C D E and G. Each tune is discussed and taught phrase by phrase and played split screen so that you can clearly see what each hand is doing.You will learn about the playing styles and techniquesof legendary blues guitarists as Rev. Gary Davis Frank Stokes Blind Blake Blind Boy Fuller Mance Lipscomb Lightnin' Hopkins Mississippi John Hurt Willie Brown Robert Johnson Sam McGee Lonnie Johnson and ElizabethCotten.A detailed 56 page PDF is included with this collection.

Par GROSSMAN STEFAN. Ce texte fin présente dix fabuleux Stefan Grossman solos de blues fingerstyle en notation et tablature. Solos comprennent : hommage à Lonnie Johnson - Yazoo Bass and Boogie - saut du citron - Blues pour la Mann - droit de Passage et plus encore. Toutes les chansons du livre sont sur le CD. / Niveau : Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Cette leçon de DVD est le joueur de guitare fingerstyle intermédiaire et avancé. C'est pour l'étudiant qui se sent confortable avec une alternance technique basse et veut étendre et d'explorer des idées dans le blues et le ragtime, en utilisant des techniques plus avancées de droit et de la main gauche. Les quatre instrus en vedette dans ce lesosn sont toutes les compositions étendues offrant une variété d'idées musicales. Blues sounding piano dans la clé de a sont présentés dans la ' Mississippi Blues ' et ' Blues For The Mann '. Une approche de Blind Blake dans la tonalité de do est utilisée pour la gloire d'amour. ' Recherche Rag ' en clé de e apporte ensemble thress sections distinctes. Il s'ouvre avec un motif de fusées-sondes piano blues et ensuite les étapes dans une atmosphère plus de pays. Il termine avec une série de bass licks qui rappelle 'Walkin 'The Strings' de Merle Travis. / Guitare

Country Blues Guitar styles span a wide horizon. In these three lessons the ideas and techniques of Rev. Gary Davis, Charley Jordan, Tommy Johnson and Mississippi John Hurt are presented. The arrangements vary from alternating bass to a Delta strum to a monotonic bass. In notation and tablature with three compact discs featuring 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Rev. Davis's Cocaine Blues and You Got The Pocket Book, I Got The Key both played in the key of C and in what Rev. Davis called 'old fashion' pickin'. The popular blues Crow Jane played in the key of E. LESSON TWO: Charley Jordan's Keep It Clean and Hunkie Tunkie Blues both played in the key of E and presenting Jordan's unusual blues approach. Tommy Johnson's Canned Heat played in dropped D tuning. LESSON THREE: We begin with Come Back Baby, a slow blues in A using a monotonic bass. We follow this with Mississippi John Hurt's Monday Morning Blues also played in the key of A but using an alternating bass. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare