Dvd Blind Willie Mctell Guitar Of

The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues?Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You?ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.If you?re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.

Stefan Grossman's Guitar Workshop-Many southern blues musicians performed and recorded gospel songs; spirituals or church songs as they were called. Some like Blind Willie Johnson and Edward W. Clayborn strictly adhered to a religious message earning them the handle 'guitar evangelists' while others like Fred McDowell and Charlie Patton blurred the socially imposed lines and mingled gospel with the blues.In this anthology of Bottleneck Gospel Guitar Tom Feldmann highlights the fervent and aggressive slide playing of Fred McDowell Robert Wilkins Muddy Waters Bukka White Blind Willie Johnson Edward W. Clayborn and Charlie Patton. Each player offers a distinct style and Tom breaks down theirtechniques allowing you to imitate the masters as well as build a repertoire of classic bottleneck gospel blues.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original old recordings of all the tunes are included.Titles include: OPEN D TUNING: FRED McDOWELL Jesus Is On The Mainline ? ROBERT WILKINS Wished I Was In Heaven ? MUDDY WATERS Why Don't You Live So God Can Use You ? BUKKA WHITE I Am In The Heavenly Way ? BLIND WILLIE JOHNSON It's Nobody's Fault But Mine ? BLIND WILLIE McTELL I Got To Cross That River of JordanOPEN G TUNING: EDWARD W. CLAYBORN Gospel Train Is Coming and There'll Be Glory ? CHARLIE PATTON Lord I'm Discouraged and I'm Going Home

Learn to play finger picking style - fast! Easy Pickings Dylan lets you play some of this legendary artist's greatest songs, finger picking style. It's easier than you ever thought possible with Easy Pickings, the exciting new way to master the technique. The music in this book doesn't use standard notation. Instead, a combination of chord boxes and crosses on the strings illustrate the picking pattern. So Easy Pickings Dylan lets you build your skills really fast as you work through the songs. You'll soon become expert and on the way you'll have learned how to play some of Bob Dylan's all-time classic songs! / Guitare

Atlanta in the period 1920-1940 rivaled Memphis St. Louis Jackson and Chicago in the strength and vitality of its blues scene. It was home to a unique school of 12-string guitarists that included Blind Willie McTell BarbecueBob Charlie Lincoln Willie Baker and George Carter.Also on hand were the slick slide guitarist Fred McMullen the accompaniment king Curley Weaver and the spectacular up-and-comer Buddy Moss. The scene was rounded outby an earlier generation of players Peg Leg Howell foremost among them who kept alive musical traditions that were in the eclipse.Included on this DVD are transcriptions and teaching of recorded performances from theyouthful Buddy Moss a player who influenced generations of East Coast players that followed him George Carter a mysterious 12-string guitarist who recorded only four titles Curley Weaver a player's player widely acknowledgedto be among the finest accompanists in the blues Julius Daniels who came down from North Carolina to Atlanta to record early on and Peg Leg Howell a bootlegger-turned musician who busked in the streets of Atlanta both as asoloist and in a trio with the fiddler Eddie Anthony and guitarist Henry Williams.The songs presented in the lesson will expand both your right hand techniques and your knowledge of the neck with one song employing the almostnever encountered Open B flat tuning.A detailed tab/music booklet is included as a PDF file on the DVD and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the originalsource recordings from which the transcriptions taught in the lesson were taken.Titles include Curley Weaver: Ticket Agent George Carter: Rising River Blues Buddy Moss: New Lovin’ Blues andOh Lordy Mama Julius Daniels: 99 Year Blues Peg Leg Howell: Turtle Dove Blues and Low-Down Rounder Blues

Open tunings are as old as the guitar itself and they’ve been used to play blues folk country rock and old-timey music. Who’s known for using open tunings? Artists as diverse as Robert Johnson Bob Dylan MaybelleCarter Bo Diddley Blind Willie McTell Keith Richards Doc Watson Muddy Waters Joni Mitchell Ry Cooder Neil Young Fred McDowell Jimmy Page Son House John Renbourn Leo Kottke Ani DiFranco Alex de Grassi and PierreBensusan! In this 92 minute lesson Fred shows you how contrary to what many beginners might think open tunings make it easier to play guitar. You’ll learn songs from all the above musical genres in open D open G andDADGAD tuning. In addition to learning songs you get some tips on how to improvise and play chords in G and D tuning. It’s a great way to expand your range on the guitar and get a whole different sound! Tunes include:Buckets of Rain Statesboro Blues Mean Old World Little Sadie K.C.Jones Stackerlee The Way I Am and I Didn’t See It Coming. Also included are bonus audio tracks featuring recordings from the 1920s to 1940s of some ofthese tunes so that you can hear how these songs can be played and sung.

The blues recorded from the late 1920's through late 1930's is certainly some of the most vibrant sounds in American music history. It seems that anyone and everyone could and would be recorded which created a catalogue of stylistic diversity unmatched to date. The technique of using a slide whether a metal tube glass bottleneck or a knife was used by many of these early bluesmen.This lesson offers a look into the players from that era that used this technique. Many had only one or two patterns by which they played but we have the great fortune of gleaning from them all creating a well rounded grasp of the genre. Tom Feldmann is a master of this style and inthese two DVDs of over four hours he breaks down the complexities of this way of playing.Songs range from beginner to advanced. Most songs have a mixture of chords and fingered notes in addition to the slide making this a great lesson for those looking to expand their knowledge of the bottleneck/slide technique as well as the Open D and Open G tunings.A detailed tab/music booklet is included as a PDF file on each DVD. In addition the original recordings of all the tunes are included. Titles Include: OPEN G TUNING: BOBBY GRANT Nappy Headed Blues LEAD BELLY C.C. Rider BLIND WILLIE MCTELL Love Changing Blues BARBECUE BOB Yo Yo Blues CURLEY WEAVER No No Blues CHARLEY LINCOLN Depot Blues BO WEAVIL JACKSON You Can't Keep No Brown OPEN D TUNING: RAMBLIN' THOMAS Shake It Gal FURRY LEWIS Falling Down Blues PEG LEG HOWELL Skin Game Blues KING SOLOMON HILL Down On My Bended Knee SAM COLLINS The Jailhouse Blues KOKOMO ARNOLD Rainy Night Blues TAMPA RED Boogie Woogie Dance BUMBLE BEE SLIM No Woman No Nickel

Les paroles complètes et formes de corde de guitare pour trente-trois classiques chansons de Bob Dylan, tout spécialement organisés par Rikky Rooksby dans leurs clés originales. Les titres comprennent Forever Young, M. Tambourine Man et The Times ils Are A-Changin / Chant Et Guitare / 96 pages / Partition