SKU: M7.ART-42024
ISBN 9783866420243. German English.
Ein kombiniertes Lehrbuch für Gitarre und Bass gleichzeitig, das sich an junge, angehende Rock- und Popmusiker wendet. Ob im Selbststudium, oder mit Lehrer - die gemeinsamen Spieltechniken beider Instrumente werden erklärt und die Anwendung im Bandkontext anschaulich verdeutlicht, wobei sich viele der praktischen �bungen auf bekannte Songs aus dem Bereich der Rock- und Popmusik beziehen. Melodiespiel nach Noten, Akkordbegleitung, Rhythmiklehre, Pentatonik und vor allem auch die Anwendung des Metronoms, werden hier ausführlich vermittelt. Das Metronom wird in Verbindung mit den �bungen zu einem treuen Begleiter, den man nicht mehr missen möchte. Die beiliegende CD zum Buch gibt dem Schüler die Möglichkeit das neu Erlernte in den fortlaufenden Arbeitsabschnitten mit dem eigenen Instrument praktisch anzuwenden, und dient darüber hinaus als wichtige �bung für das Spielen innerhalb einer Band. Das gemeinsame Musizieren steht hier eindeutig im Vordergrund! Ralf Gauck hat mit diesem Lehrbuch den idealen Begleiter für Musikschulen konzipiert, die ihre Schüler aus dem Einzelunterricht herausholen, und mit �bungen, Songs und viel Freude an der Musik zu einer Band formieren wollen. Ob Anfänger, oder Musiker mit Spielerfahrung - in 'Double Feature' findet jeder Anregungen und hilfreiche Tipps, die Spa� machen und zudem einen schnellen Erfolg garantieren!
SKU: BT.DHP-1115113-400
ISBN 9789043139205. 9x12 inches. English-German-French-Dutch.
In Double Bass Starter you will find a variety of tunes for beginner double bass players - young as well as old. It is a fantastic album, with a solid methodical structure. A range of styles is featured, from classical to jazz and pop. The tunes can be picked or bowed. The CD features demo tracks together with play-along tracks for each piece. In Double Bass Starter zijn verschillende stukken voor beginners op de contrabas verzameld. Het is zowel een geweldig speelboek als een goed doordachte aanvulling op het gebruikelijke lesmateriaal. Allerlei stijlen passerende revue - van klassiek tot pop. Alle stukken kunnen zowel pizzicato als con arco worden gespeeld.In Double Bass Starter sind vielfältige Stu?cke fu?r Anfänger auf dem Kontrabass versammelt. Es ist zugleich ein fantastisches Spielbuch und sehr lehrreiches Zusatzmaterial fu?r den Unterricht mit einem durchdachten methodischen Aufbau. Allerlei Stile kommen darin an die Reihe - von Klassik u?ber Jazz bis hin zu Pop. Alle Stu?cke können sowohl gezupft als auch gestrichen werden.Die CD bietet sowohl Demo- als auch Play-Along Tracks an.Double Bass Starter propose de nombreuses pièces de style divers (classique, jazz ou pop), arrangées pour contrebassiste débutant. Chaque partition contient un large éventail de compléments pédagogiques qui sâ??intégreront facilement votre méthode dâ??apprentissage. Ce fantastique ouvrage offre la possibilité de jouer en pizzicato ou en legato. In Double Bass Starter troverete una variet di pezzi per avviare i principianti allo studio del contrabbasso. Oltre al materiale pedagogico utile a supportare l'insegnamento, vengono anche trattati tutti i generi musicali dalla classica al jazz al pop.
SKU: HL.49047264
ISBN 9783795731076. UPC: 196288176510. 9.0x12.0x0.205 inches.
The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying audio, as a full version and as a piano accompaniment. Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.
SKU: AP.1-ADV7502
UPC: 805095075021. English.
This medium tempo straight-eighth feel work, Creature Feature, is moody, obtuse, even spooky, and offers an interesting programmatic change. Although originally written for five saxophones (SAATBar), piano, guitar, double bass, and percussion, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone.
SKU: CF.BF126
ISBN 9781491150009. UPC: 680160907502. 9x12 inches.
Written by world renown pedagogue, Roland Vamos, this collection of double-stop exercises fill a void in the literature of technical exercises for cellists. These etudes feature a systematic series of fixed double-stops that enables the player to practice and master every possible combination of finger patterns across two strings without shifting. Mr. Vamos says of the book, The most important accomplishment is the development of a strong left handà These exercises, when practiced slowly and carefully, will help to develop a keen sense of pitch and intonation. Adapted for cello by Horacio Contreras, teacher, chamber musician, and recitalist.When I first became familiar with Roland Vamos’ Exercises, I was impressed with itsclarity and effectiveness. The book focuses on a few important fundamentals of string playing,and it is accessible to students of every age. Moreover, its tonal organization in C major makesit simple and easy to understand. I recognized the potential this book could have for cellists,and after spending several months working on an adaptation, I witnessed its results in buildingand maintaining important fundamentals of technique.Mr. Vamos’ Exercises is comprised of simple patterns of double-stops in sevenpositions. There are two basic groups of variations: seven double-stop variations in differentcombined rhythms that develop finger coordination and independence of the left hand, andnine bowing variations that use détaché at the frog, middle and tip of the bow to work onstring crossings, coordination, and balance of the bow. The whole work provides training thatimproves intonation, sound, and ease of playing in all positions and all parts of the bow.In order to adapt Mr. Vamos’ book for cello, I needed to make some modifications tothe original. To address the different needs of the neck and the thumb positions, I chose to writetwo separate books. I kept the original ascending stepwise motion for subsequent variationsin Book I by following a diatonic scale on the top line of the patterns. However, I modifiedthe tonal framework to adjust to the more limited range of the cello. Therefore, unlike in Mr.Vamos’ book, variations in Book I do not ascend through the positions in a uniform pattern.I also switched the order of patterns to create a gradual increase in difficulty. In Book II, Iadded options that work on the fourth finger and an extended left hand frame, and at the end, Iincluded five sets of variations with different bowing alternatives.Mr. Vamos provides a number of specific instructions regarding left hand techniquein his exercises. For his original version, two fingers must remain down for almost the entireset of variations, providing a solid reference for the frame of the hand. In variations H and I,he instructs students to lift these fingers when they are not being used. In the case of thumbposition on cello, lifting the thumb could make the hand unstable; therefore, I suggested thatthe thumb remains down while the other fingers are lifted alternately in H and I. I have foundthis exercise quite useful to work on thumb independence and relaxing the thumb while usingother fingers.Mr. Vamos gives precise instructions for the bowing exercises as well. Following hisdirections, the exercises should be performed with a relaxed hand and flexible fingers. Thenotes should be consistently connected even when crossing strings. The bowing patterns shouldbe performed at the frog, the middle and the tip of the bow in every position.
SKU: ST.AC241
ISBN 9790220222535.
Seventy next year, Bayan Northcott is a leading writer about music, and a composer who has particularly focused on variation forms - hence the 'doubles' of this new work ('doubles' being an alternative term for variations, as found for example in Bach); and hence, in celebratory mode, 'doubles all round' as the title for this sparkling piece d'occasion composed at the request of Endymion to celebrate their 30th anniversary. Doubles All Round would indeed make an ideal five-minute introduction to a new-music concert, or a fascinating contemporary excursus in a classical programme that featured the line up of flute/piccolo, clarinet/bass clarinet, horn, violin, cello and piano. The work is launched by a vigorous keyboard prelude, which returns after the third double in a brief cadenza, before the piece is rounded off by the fourth double, quasi una coda. Bayan Northcott's collected critical writings, The Way We Listen Now, were published by Plumbago Books in 2009.
SKU: CL.012-3551-01
This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments