SKU: UT.LB-21
ISBN 9788881094899. 5.90 x 8.26 inches.
Le tecniche vocali attuali sono, in senso letterale, l'espressione di un sentire 'alienato' e 'decentrato'. Sono lo stare in punta di piedi scambiato per lo stare in piedi, sono il seme sparato contro un bersaglio, invece che seminato e lasciato crescere, sono l'affondare scambiato per fondare... Esse distruggono l'intuizione naturale del suono come spazio sferico con un centro (analoga a quella del nostro corpo come collocato al centro di uno spazio potenzialmente infinito) e la sostituiscono con una concezione distorta e, appunto, decentrata, qual e quella del suono 'avanti' o 'fuori' o in 'maschera' , che implica che uno non sia gia, naturalmente e tranquillamente, nello spazio del canto, ma che debba arrivarci, cio che induce ipso facto a essere in 'tensione', nel senso letterale del 'tendere' a un presunto luogo ideale di risonanza, che per continuare a sussistere artificiosamente, dovra essere continuamente 'raggiunto', per alcuni in alto, per altri in basso. In altre parole, non piu il naturale 'qui e ora' della mente pacificata, la tranquilla posa della voce dei belcantisti, la classica nobile semplicita e calma grandezza, ma lo spasmodico 'la e allora' della mente nevrotica e schizofrenica... E a questo punto che le moderne tecniche vocali sono pronte a gettare le fondamenta ('scientifiche') della 'nuova geometria' del canto, brevettando 'figure' del suono sempre piu rivoluzionarie e stupefacenti: la sfera senza centro, il centro senza sfera, la sfera piccola come il centro, il centro grande come la sfera, il centro come bersaglio, la sfera a forma di tubo...
SKU: CF.CM9717
ISBN 9781491160961. UPC: 680160919567. Psalm 91:4-5.
The Lord will overshadow you with his pinions, and you will find refuge under his wings. His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart. What a blessing it is, especially during times of distress or uncertainty, to know that we aren't alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, It's okay. I've got you. It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong. The first word - scapulis - is translated as pinions. On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section - mm. 1-20 - encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort. In mm. 21-30 we have a new section where uncertainty grows. At this point the text - and you will find refuge under his wings - is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs: Alto I - Measure 22 the Ab in pennis, m. 26 the Bb in sperabis Soprano II - Measure 23 the A natural in pennis, m. 29 the C in sperabis Soprano I - Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress. The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase. The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance - Felix Mendelssohn's Lift Thine Eyes.The Lord will overshadow you with his pinions,and you will find refuge under his wings.His faithfulness will encompass you with a shield. Psalm 91:4-5 To feel safe and to feel cared for, these are two of the great yearnings of the human heart.What a blessing it is, especially during times of distress or uncertainty, to know that we aren’t alone, that someone is reaching out to help us and even hold us. It could be a family member or a friend. It could be a still small voice whispering, “It’s okay. I’ve got you.†It could even be a loving community, like a choir, assuring us that we are known, that we are loved, that we belong.The first word – scapulis – is translated as “pinions.†On a bird, a pinion is the outer part of the wing, including the flight feathers. The opening measures, with a one-measure phrase followed be a three-measure phrase, are meant to evoke the image of wings unfurling to welcome in. All through this section – mm. 1-20 – encourage phrasing that is never hurried but moves with intention to the last stressed syllable of each phrase, before ebbing slightly. This section is all about reassurance and comfort.In mm. 21-30 we have a new section where uncertainty grows. At this point the text – and you will find refuge under his wings – is more aspirational than definitive. Leaning into non-chord tones will help make this feeling of uncertainty more palpable. Places where this occurs:Alto I – Measure 22 the Ab in pennis, m. 26 the Bb in sperabisSoprano II – Measure 23 the A natural in pennis, m. 29 the C in sperabisSoprano I – Measure 24 the C in pennis, m. 28 the D in sperabis The apex of the piece is at m. 30 where the yearning for comfort and assurance reaches its height, finding that comfort in the arrival back at Eb major in m. 39. The phrase veritas ejus (his faithfulness), with its triplet figure should flow gently, like a musical carress.The final reassurance occurs at m. 51 as we return to the melody, and the homophonic texture, of the opening. Even as the piece gets softer and softer, encourage the singers to keep energy moving through each phrase.The structure and feel of this piece was inspired by one of the all-time great settings of yet another Psalm of assurance – Felix Mendelssohn’s Lift Thine Eyes.
SKU: CF.BAS79F
ISBN 9781491151617. UPC: 680160909117. 9 x 12 inches.
This piece should depict images of kings and castles, knight and horses, dragons and damsels in distress. It is a bold and aggressive piece throughout, but a contrasting lush secondary theme for variety. Typical of why Larry's music is so popular are his signature forceful figures, and strong melodic content that will stimulate students to practice it over and over again.  .This piece should depict images of kings and castles, knight and horses, dragons and damsels in distress. It should be bold and aggressive throughout, but never with bad tone. There is then contrasted by the lush second theme that is presented first in a softer thin orchestration, but later becomes a change for the whole ensemble to play in a strong, but lush presentation of this theme.One thing that is important to me when writing music for younger students is to offer pieces that challenge all student in the ensemble and give every section an important part of the musical presentation, which naturally should include some melodic material. Every member of the ensemble wants to feel that they are contributing to the collective whole.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: CF.CAS34
ISBN 9780825861055. UPC: 798408061050. 8.5 X 11 inches. Key: E minor.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday-afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walk Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: CF.BAS79
ISBN 9781491151242. UPC: 680160908745. 9 x 12 inches. Key: E minor.
SKU: ST.EM35B
ISBN 9790220211652.
Organist of St George's, Windsor, and successor to the famous Marbecke, Mundy was amongst the earliest of the English madrigalists. There are 12 madrigals in this collection, ranging from Of all the birds, a tribute to William Byrd, to In deep distress and the tragic setting of words written by Chideock Tichborne on the eve of his execution in the Tower of London, My prime of youth. The volume also contains 25 psalms in three, four, and five parts. CONTENTS As I went walking (SAT) Blessed art thou (SAT) Have mercy on me, O Lord (SSATB) Hear my prayer, O Lord (STB) Heigh Ho! 'chill go to plough (SSAB) I lift my heart to thee (SSAT) In deep distress (SATB) In midst of woods (SSATB) Lightly she whipped o'er the dales (SSATB) Lord arise and help thy servant (SSATB) Lord to thee I make my moan (SATB) My prime of youth (SATB) O all ye nations (S (or A) AT) O come let us lift up our voice (SAT) O Lord of whom I do depend (SSAT) O Lord turn not away thy face (SAT) Of all the birds (SAT) Penelope that longed (SSATB) Praise the Lord, O my soul (SAT) Save me, O God (SAT) Sing ye unto the Lord (SSAT) The black-bird made (SSATB) The longer that I live (SSAT) The Shepherd Stephon (S solo, A. viol, T. viol, B. viol) Thus art thou bless'd (SAT) Turn about and see me (SA (or T) T) Unto thee lift I up mine eyes (SSATB) Were I a king (SATBB) Who loves a life (SSATB) Witness ye heav'ns (S solo, A. viol, T. viol, B. viol) Ye people all in one accord (SAB).
SKU: CF.CAS34F
ISBN 9780825861062. UPC: 798408061067. 8.5 X 11 inches. Key: E minor.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday- afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walt Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music.
SKU: FJ.B1862S
English.
This powerful work depicts the frantic voyage of the RMS Carpathia, the first ship to arrive on the scene after receiving a distress call from the Titanic. Determined to save as many lives as possible, the captain managed to squeeze 17 knots out of a supposed 14-knot vessel. The music depicts the vibrations of the ship's hull along with the hissing of the boiler. As Carpathia arrives on the terrible scene, the music relinquishes its fast pace to a slow, mournful hymn. After a brief moment of tranquility, the music intensifies as the rescue ship embarks on her triumphant yet tragic return voyage to safety. Absolutely stunning! (2:10).
SKU: CR.984305
ISBN 9780758661869. 7 x 10.25 inches.
Portions of Psalm 31 are set for SATB and piano by David von Kampen: 'Be gracious to me, O Lord, for I am in distress . . . but I trust in You, O Lord.' The piece starts pensively, then builds while singing of trust, rescue, and hope. It ends in resolution: 'Make Your face shine on Your servant; save me in Your steadfast love!' Use this piece at times when hope and comfort are needed, including at funerals and on Good Friday.
SKU: HL.49033116
ISBN 9783795704636. German.
Obwohl die Zahl der wissenschaftlichen Veranstaltungen und Veroffentlichungen uber Richard Wagner zunimmt und das seit langem geforderte kritische Wagner-Bild scharfere Konturen gewonnen hat, sind immer noch langst nicht alle Aspekte dieses weiten Forschungsfeldes zu einer angemessenen Darstellung gelangt. In Wagners Produktion durchdringen sich Musik, Dichtung und asthetische Reflexion, deren besondere Rolle fur sein Schaffen der Komponist selbst eigens hervorgehoben hat. Wagners Schriften, aber auch der komplexe Zusammenhang zwischen Dichtung und deren Vertonung sowie spezielle Fragen zu Biographik und Rezeption stehen im Mittelpunkt dieser Aufsatzsammlung.
SKU: HL.4007993
At the best viewpoint over the Alps of Liechtenstein, the village of Guflina is situated. Underneath the overhanging ledge, there is said to have been a cave in the mountain. In it lived a terrible dragon that was on the rampage on the surrounding meadows, spreading fear and terror among the population. At the same time there lived a giant man up in Guflina, who had the strength of twelve normal men. The farmers implored him to help them in their distress. The giant ventured to fight the dragon and was lying in wait above the cave. When the dragon refused to appear, the giant threw stones into the entrance of the cave. They got into a fight, which the giant only just won with difficulty. Since that day, people have lived in peace and prosperity.
SKU: GI.G-RMH0542
Volume 3 of short organ pieces by Martin How These pieces are written to reflect the various moods and occasions of the Gospel readings. CONTENTS: 1. Glory through strife 2. Hope 3. Prayer 4. Comfort in distress 5. O be joyful 6. Poignant Memories 7. Gratitude 8. Seeking 9. Christ the King 10. Lament 11. Serenity/Gratitude 12. See what love hath the father 13. Entreaty 14. Joyous send off Martin How spent most of his career with the Royal School of Church Music, where he was known principally as a choir trainer specializing in the training and motivation of young singers. In this capacity he initiated and developed the RSCM Chorister Training Program which has since been used in various forms in many parts of the world. He also founded the RSCM Cathedral Singers.
SKU: HL.14046095
ISBN 9788438712467. Spanish.
Nueva edicion de la coleccion Cuadernos de Audicion con CD con las grabaciones de los ejercicios que contiene el libro del profesor. Se plantea una amplia serie de propuestas encaminadas a percibir y asimilar al maximo los multiples aspectos que componen el complejo fenomeno de la audicion. Los libros del Profesor y del Alumno tienen la misma paginacion para facilitar su manejo y el libro del Profesor contiene, ademas, la parte del alumno con las respuestas correctas que este debe escribir de manera que el profesor no tenga que manejar dos libros, el suyo y el del alumno. La coleccion consta de seis cursos y en cada uno de ellos se abordan los contenidos propios de laensenanza del Lenguaje Musical en su aspecto auditivo. Sin excluir el tradicional dictado, proponemos nuevos y variados procedimientos para fortalecer la memoria musical, agudizar la percepcion del alumno en detalles ritmicos y melodicos y desarrollar una buena destreza auditiva a traves del analisis considerado como la culminacion de todo el proceso auditivo. Cuadernos de Lenguaje, Nuevos Cuadernos de Teoria, Canta con los Clasicos y Cuadernos de Vacaciones son otros titulos de las colecciones Ibanez-Cursa que completan la ensenanza del lenguaje musical.
SKU: BT.DHP-1115200-070
ISBN 9789043140980. 12 X 9 inches.
A seasonal selection of Christmas pop classics for string quartet.De Haske's best-selling Pops for String Quartet series offers excellent arrangements for intermediate string quartets who want to bring some classic pop to their performances. Een eenvoudig speelbare medley in popstijl voor strijkkwartetten. De medley bestaat uit de titels When a Child Is Born, Jingle Bells, Winter Wonderland en Sleigh Ride.Onder de naam Pops for String Quartet heeftde Haske een nieuwe serie ontwikkeld voor strijkkwartetten die zich eens buiten het klassieke pad willen begeven. Een collectie van uitstekende arrangementen in gemiddelde moeilijkheidsgraad!Unter dem Titel Pops for String Quartet hat De Haske eine Notenreihe ins Leben gerufen, die Streichquartette, die sich einmal abseits der ausgetretenen klassischen Pfade bewegen wollen, mit ausgezeichneten Arrangements im leichten bis mittleren Schwierigkeitsgrad versorgt.Ein leicht spielbares Medley für Streichquartette, die zu Weihnachten mit einem flotten, poppigen Titel überraschen und überzeugen wollen. La collection Pops for String Quartet des Éditions De Haske présente des arrangements originaux de pièces stupéfiantes, sans jamais dépasser un degré de difficulté élémentaire. Laissez-vous surprendre par ces quatuors d'un genre nouveau ! Un semplice medley di canzoni natalizie per quartetto d'archi.Pops for String Quartet: una collana per tutti i violinisti desiderosi di suonare qualcosa di diverso dal repertorio classico.
SKU: BO.B.3292
English comments: This is the definitive version of Biogenesis, a piece that Cervello had written in 1976, together with his friend Jorge Wagensberg, and which was awarded the First Prize at the Spanish Ministry for Education and Science's Permanent Composition and Musical Research Competition. The new version was made at 1984-85 Lux et umbra is written for a string group consisting of four first and four second violins, three violas, three cellos and a double bass. The conceptual battle between darkness and light is represented by the instability between the notes B and C, and by the compartmentation of the group of fifteen strings into divisi that provide an independent arrangement for each instrument, thus bestowing great substance upon the texture of the music. A cello cadence emerges from a slow and straightforward beginning. A process of contrasts then begins, culminating in a molto vivace passage of a scherzando nature, which alludes to the Baroque concerti grossi. The music once again plays with chiaroscuro until reaching its climax, from which point the conclusion slowly begins, establishing itself in the high register until fading away. The work was first performed at Barcelona's Palau de la Musica by the English Chamber Orchestra, directed by Enrique Garcia Asensio, in 1987. That same year, in the newspaper El Pais, the observations of the composer and critic Francesc Taverna-Bech paid tribute to the work's intelligence as regards the use of and search for instrumental resources (in this case, string instruments, about which Cervello knows a great deal), the skill involved in endowing the lyrical line with tension, and a singular touch that confers formal essence upon the musical discourse. In La Vanguardia, Jordi Llovet wrote that this is a work in which, as is the case with most of Cervello's compositions, the listener finds something covertly religious, a mysterious secret, a transcendence linked to the origins of communication requiring more than a single being, which provides excitement. In 1990, when the Orquesta de Granada (Orchestra of Granada) performed the work at Barcelona's Grec festival, the critic Cesar Calmell opined, in the same newspaper, that inch by inch, surely and imperturbably, Cervello built up a perfect world that reflects the image of the craftsman who, so astonished at the delights of his trade, is unable to do anything but turn the very backdrop of tragedy into something pleasant. Lux et umbra was recorded by the Orchestra Estatal of the Hermitage, conducted by Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Music criticComentarios del Espanol:Se trata de la version definitiva de Biogenesis, obra que habia escrito en 1976 en colaboracion con su amigo Jorge Wagensberg y que obtuvo el Primer Premio, en el ano de su creacion, en el Concurso Permanente de Composicion e Investigacion Musical del Ministerio de Educacion y Ciencia. La nueva version fue realizada en 1984-85. Lux et umbra esta escrita para un grupo de cuerda integrado por cuatro primeros violines, cuatro segundos, tres violas, tres violoncelos y un contrabajo. El combate filosofico entre la oscuridad y la luz lo lleva a cabo la inestabilidad entre las notas si y do y la compartimentacion del grupo de quince cuerdas en unos divisi que llegan a una escritura independiente para cada instrumento, otorgando una gran importancia a la textura sonora. De un principio lento y descarnado emerge una cadencia del violonchelo. A continuacion da comienzo un proceso de contrastes que culmina en un pasaje molto vivace de caracter scherzando que alude a los concerti grossi del barroco. La musica juega de nuevo con el claroscuro hasta llegar a la cumbre sonora iniciando el final lentamente que se instala en el registro agudo hasta desvanecerse. La estreno en el Palau de la Musica de Barcelona la English Chamber Orchestra en el ano 1987 bajo la direccion de Enrique Garcia Asensio. Ese mismo ano, en el periodico El Pais, el compositor y critico Francesc Taverna-Bech reconocia en sus comentarios la inteligencia en el uso y la busqueda de los recursos instrumentales -en este caso la cuerda, de la que Cervello es profundo conocedor-, la destreza para revestir de tension la linea lirica y un tacto particular para conferir entidad formal al discurso sonoro. Jordi Llovet, en La Vanguardia, escribia que en esta obra, se encuentra, como en la mayor parte de la produccion de Cervello, algo secretamente religioso, un arcano misterioso, una trascendencia vinculada a los origenes de la comunicacion impracticable con el ser unico que resulta apasionante. En el ano 1990, cuando la Orquesta de Granada la toco en el Grec de Barcelona, era el critico Cesar Calmell quien, en el mismo periodico consideraba que Cervello construyo palmo a palmo, segura e imperturbablemente, un mundo perfecto que refleja la imagen del artesano que, de tan admirado con las delicias de su oficio, no puede hacer otra cosa que convertir en agradable el fondo mismo de la tragedia. Lux et umbra esta grabada por la Orquesta Estatal del Hermitage, dirigida por Alexis Soriano (CD SA01210 Fundacion Autor). --Xavier Casanoves Danes Critico musical.
SKU: BT.DHP-1115204-070
9x12 inches. English-German-French-Dutch.
De Haske's best-selling Pops for String Quartet series offers excellent arrangements for intermediate string quartets who want to bring some classic pop to their performances.Have you ever played Queen with your string quartet? Now you can treat the audience to music from this iconic band. Onder de naam Pops for String Quartet heeft de Haske een nieuwe serie ontwikkeld voor strijkkwartetten die zich eens buiten het klassieke pad willen begeven. Een collectie van uitstekende arrangementen in gemiddelde moeilijkheidsgraad!Brian May (gitarist van Queen) : Killer Queen was the turning point. It was the song that best summed up our kind of music, and a big hit, and we desperately needed it as a mark of something successful happeningfor us... I was always very happy with this song. Maak uw publiek en uzelf ook blij met deze uitgave!Unter dem Titel Pops for String Quartet hat De Haske eine Notenreihe ins Leben gerufen, die Streichquartette, die sich einmal abseits der ausgetretenen klassischen Pfade bewegen wollen, mit ausgezeichneten Arrangements im leichten bis mittleren Schwierigkeitsgrad versorgt.Haben Sie schon einmal Queen im Streichquartett gespielt? Mit dieser Ausgabe können Sie sich (und Ihrem Publikum) dieses Vergnügen gönnen! La collection Killer Queen pour Quatuor Cordes. Pops for String Quartet: una collana per tutti i violinisti desiderosi di suonare qualcosa di diverso dal repertorio classico.Avete gi suonato un brano dei Queen con un quartetto di archi? Un brano che delizier sia voi sia chi vi ascolta!
SKU: AP.39731
UPC: 038081443928. English.
Originally written for the 1937 movie A Damsel in Distress, this Gershwin classic was featured in the 1992 Tony Award-winning musical Crazy for You and has been recently revived as the title song of the 2012 Broadway hit. Jay's swingin' arrangement features tight harmonies and two brief solos.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: BT.DHP-1001892-400
ISBN 9789043108188. 9x12 inches. English-German-French-Dutch.
This exciting book contains a collection of pieces in various styles of popular music, including pop, reggae, blues, rock, RandB, rock and roll and ballad. They are easy to play and easy to listen to, and the accompanying CD enables you to feel you are playing with a real pop group. Mit zehn eigenständigen Kompositionen gelingt es Michiel Merkies, verschiedene Stile (Pop, Rock und Blues) â??rüberzubringenâ??. Auf der CD werden alle Nummern von einer fetzigen Live-Band begleitet. The Sound of Pop, Rock and Blues contiene 10 composizioni interpretate da un gruppo con solide basi. Se a questo si aggiunge che lâ??autore riesce a trasmettere in modo chiaro ed accessibile le techniche particolari di ognuno dei tre generi musicali trattati, si dispone di un metodo ideale per tutti gli amanti della musica pop desiderosi di migliorare il proprio suono. Anche i flautisti principianti si potranno così avvicinare a questi generi musicali.
SKU: CF.W548
ISBN 9781491149348. UPC: 680160906840. 9 x 12 inches. Key: Eb major.
Considered by many to be the best cornet player of all time, Herbert L. Clarke left a legacy of superior musicianship through his famous studies. The term Nereid refers to the sea nymphs of Greek mythology who accompanied Poseidon, providing aid and comfort to sailors in distress or who were in battle on the high seas.
SKU: HL.1206211
ISBN 9780876392294. UPC: 196288186793.
Use music to improve your wellbeing. Has music ever made you smile, cry, maybe even fall in love? Learn the many ways that music affects your mind, body, and spirit, and can enhance your wellbeing. Dr. Suzanne Hanser reveals how music creates flow and fulfillment, whether you are a music lover, musician, or therapist. Recordings of original music and personal stories from around the world offer poignant examples of how you can use music in your wellness journey. When you really feel the music, you can learn a lot about yourself and see the light! Learn how listening to and creating music can help you: • Understand and use some of the core concepts of music therapy to help alleviate your distress and be a healthier, more satisfied person. • Explore your personal musical history and the emotions and insights that music evokes. • Find relief from stress and manage your moods. • Inspire your motivation and creativity. • Explore your spirituality and expand your self-awareness. • Beocme more resilient and improve your self-care skills. • Benefit from meaningful stories and music offering insight into your own health and wellness.
SKU: GI.G-9823
UPC: 785147982364.
From prelude to interlude to moments of quiet meditation, these ten arrangements of classic and modern hymn tunes emulate the style of many master composers. They are great for use during the liturgical year, during worship services, or as concert repertoire. Contents: BLEST ARE THEY � CASTLEWOOD Choral Variations on Come to Us, Creative Spirit � COENA DOMINI Draw Near and Take the Body of the Lord � DUNDEE � DUNEDIN The Church of Christ, in Every Age � DUNSTAN Come to Me, O Weary Traveler � ROMANS 8 Shall Tribulation or Distress � SHARPTHORNE What Does the Lord Require � SOJOURNER I Want Jesus to Walk with Me � YADKINVILLE Air and Variations on Be Thou My Vision.
SKU: AP.39730
UPC: 038081443911. English.
