Te Deum Op. 100 Vocal Score

The world premiere of Patrick Hawes' Te Deum took place on 21st July 2011 in Lancaster Ohio USA performed by Lancaster Chorale and Lancaster Festival Orchestra.

Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version).The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves.Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his

Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

Mozart's only Te Deum K141 was probably composed in Salzburg at the end of 1769 and is modelled almost exactly on Michael Haydn's Te Deum of 1760. It is scored for SATB chorus Trumpet (4) Kettledrum Strings Organ.Full score Vocal score (BA4885-90) and performance material (BA4885) based on the Urtext New Mozart Edition is available for sale.

Instrumentation : mixed choir and small orchestra Version : vocal/piano score Description : Karl Jenkins's uplifting and celebratory Te Deum (text in Latin), premiered in Nov 28, is now available on sale as a vocal score. The work is moderate length (15 mins) and scored for strings, trumpets, percussion and organ, making it accessible to choirs of all sizes. Jenkins is the Patron of the Liverpool Welsh Choral Union, who commissioned the new work to celebrate the city's European Capital of Culture year.Date de parution : 30/03/2009 Nombre de pages : 50 Langue : Latin Format : 18,5 x 26

This setting of the Te Deum was written for St Cecilia’s day in 1694 almost exactly a year before the composer’s death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry.Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.

Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ./ Répertoire / Choeur Mixte (SATB) et Piano

The Utrecht Te Deum was first performed on 7th July 1713 at the thanksgiving service in St Paul's Cathedral London for the Treaty of Utrecht which concluded the War of Spanish Succession. Majestic fireworks were displayed along the Thames and the 'Te Deum' is also a firework of Baroque sound - it ranges through F sharp minor A minor F major D minor C major and G minor as well as the expected ceremonial D major.Full score vocal score and performance material is available for sale.

Written for St Cecilia's Day 1694 Purcell's popular Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra and it became the model for future settings of the text by Blow Croft and Handel. This new edition by Robert King has been prepared using the earliest available source material combining up-to-date scholarship with a clear and practical layout. The edition includes an organ reduction for rehearsal purposes.

Howells 'Te Deum' and 'Benedictus' for St George's Chapel Windsor. Scored for mixed voice choir SATB with organ accompaniment.

In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of musicpublishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected inthe new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal score to prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues andbar numbers for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (arare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated stringwriting while the spacing of chords is frequently much wider in the string version with melodies transposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latterto make it better suited to the idioms of the instruments concerned.So although in essence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither beviewed as an occasional piece nor considered solely a liturgical work like many of his choral pieces from the 1930s and 1940s it is equally at home in church and concert hall.

Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Paul’s Cathedral on 7 July 1713 during the celebrations for the Treaty of Utrecht. It is among his first compositions for the Anglican Church and accordingly he set the words of the Te Deum an ancient ecclesiastical hymn of obscure origins in English translation (‘We praise thee O God’). The score though richly orchestrated as befitted the occasion dispenses with timpani which like the harpsichord were probably omitted from the première owing to shortage of space. - Urtext of the Halle Handel Edition - Full score and performance material(BA4246) and vocal score (BA424690) available for sale