Deo Gracias

SKU: HL.48016372

UPC: 073999163728. 9.0x12.0x0.06 inches.

Contents: De Blanca Tierra * Rio de Avenida * Coracao Triste * De Aquel Cerro Verde * La Luz del Sol * La Tejedora de Nanduti * Wetata * Tierra del Mate * En Sumag Palacio * Amores Hallaras * Cocherito * Urubamba * Nesta Rua * La Aurora * A Casinha Pequenina * Hace Tutu * Cancion * Rio, Rio * Bailando El Gato * Te Damos Gracias.

SKU: GI.G-3083

SKU: GI.G-003061

UPC: 641151030616.

Responding to the pastoral needs of church musicians, Luedecke researched WLP's extensive organ library and edited five volumes of music that are musts for any church organist. Table of Contents Canon on Ave Maris Stella, Raymond Keldermans Christus Vincit, Sr. Mary David Callahan, OSB Deo Gracias, Noël Goemanne Jesu Dulcis-Verbum Supernum, Victor Togni Veni, Veni, Emmanuel, Eugene Englert Ave Maria, Victor Togni Offertory on Regina Caeli, Eugene Hemmer Ave Verum, Sr. Mary David Callahan, OSB Salve Mater, Sr. Mary David Callahan, OSB Three Variations on Puer Nobis Nascitur, Tannis Grimes Ave Maria, Sr. Mary David Callahan, OSB Introduction and Two Versets on Pange Lingua, Edward Diemente  .

SKU: CR.977834

ISBN 9780758662200. 9 x 12 inches.

Following the successful Hymn Prelude Library series for organ comes a comprehensive set of piano preludes for all the hymn tunes in Lutheran Service Book. Not an adaptation of the organ series, this collection features newly composed pieces by dozens of composers who write in a variety of styles and harmonizations. The pieces are useful as preludes, postludes, music at the offering, for introductions, and during distribution, as well as for those who play hymns at home. The durable wire binding ensures that each page lies flat against the music stand.

The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 3 contains hymn tunes starting with D and E.

Tunes: DAMASCUS ROAD; DARWALL'S 148TH; DAS WALT GOTT VATER; DEN SIGNEDE DAG; DEN STORE HVIDE FLOK; DENBY; DENNIS; DEO GRACIAS; DER AM KREUZ; DER LIEBEN SONNE LICHT UND PRACHT; DER MANGE SKAL KOMME; DETROIT; DEUS TUORUM MILITUM; DIADEMATA; DIE GULDNE SONNE; DIVINUM MYSTERIUM; DIX; DOROTHY; DOWN AMPNEY; DU LEBENSBROT, HERR JESU CHRIST; DUKE STREET; DUNDEE; DUNEDIN; DUNSTAN; EARTH AND ALL STARS; EASTER HYMN; EBENEZER; EIN FESTE BURG (ISORHYTHMIC); EIN FESTE BURG (RHYTHMIC); EINS IST NOT; EIRENE; EL SENOR ES MI LUZ; ELLACOMBE; ELLERS; ELVET BANKS; ENERGY; ENGELBERG; ERHALT UNS; HERR; ERMUNTRE DICH; ES FLOG EIN KLEINS WALDVOGELEIN; ES IST DAS HEIL; ES IST EIN ROS (ISORHYTHMIC); ES IST EIN ROS (RHYTHMIC); ES IST GENUG; ES IST GEWISSLICH; ES WOLLE GOTT UNS GNADIG SEIN; EVAN; EVENTIDE; EWING.

SKU: BO.B.3388

English comments:
A Bach for string quartet is another evocation of the past, in this case of J.S. Bach's works for violin. Written in 2004, it is a recreation of two of the most important movements in the series of Sonatas and Partitas: The Adagio of the third Sonata and the Prelude of the third Partita (BWV 1005 and 1006, respectively). Jordi Cervello was a violinist and, as such, it should come as no surprise that he once again makes use of compositions written for his instrument. The Adagio, here in common time (the original by Bach is in three-four time), keeps up the constant rhythmic figure of the dotted quaver and semi-quaver throughout the movement, with a calmness that is shrouded in mystery. The second movement, Preludiando, retains the same lively spirit as the original, but explores different moods. Moments of calm, vigour and even some dramatic points give it a new dimension thanks to the fact that it is written for a quartet and to Cervello's original treatment of harmony and counterpoint.

Comentarios del Espanol:
A Bach para cuarteto de cuerda es otra evocacion del pasado, en este caso de la obra para violin de J.S. Bach. Escrita el ano 2004, se trata de una recreacion de dos de los movimientos mas importantes de la serie de Sonatas y Partitas: El Adagio de la tercera Sonata y el Preludio de la tercera Partita (BWV 1005 y 1006 respectivamente). Jordi Cervello fue violinista y, como tal, no debe sorprender que una vez mas se sirva de material compositivo procedente de su instrumento. El Adagio, aqui en compas de cuatro (el original de Bach es de tres) conserva en todo el movimiento la constante figura ritmica de corchea con puntillo y semicorchea, dentro de un clima sereno pero rodeado de misterio. El segundo movimiento, Preludiando, conserva el mismo espiritu vivo del original, pero recorriendo diferentes estados de animo. Momentos de calma, de vigor e incluso dramaticos dan nueva dimension gracias a la escritura cuartetistica y al original tratamiento armonico y contrapuntistico de Cervello. A Bach se estreno en La Pedrera de Barcelona dentro del ciclo Celebracions de la Fundacio Caixa de Catalunya en el ano 2006 con el Quarteto Prometeo.