SKU: CF.CM9715
ISBN 9781491160947. UPC: 680160919543. Key: F major. Original.
Darkness Fades Away is written as an accessible song for young voices that speaks to our hopes for a kinder and more empathetic world. The melody utilizes a subtle meter change from 2 /4 to 3/4 in order to emphasize the second beat and allow it space to grow into the next note. When the optional counter-melody is introduced, the rhythm relies on an off-beat pattern, but be sure not to accent those notes. Both melody and counter-melody are meant to flow gently with a little movement throughout. Note the repeated use of a 7th (low sol to fa) to introduce the main motif. The ending section grows to its climax (m. 80-82) with optional notes for higher voices that feel comfortable in that range. After the voices echo and repeat the main theme, the rallentando and subsequent caesura (m. 104-106) allow for some freedom in direction until the piano reinforces the original tempo before itself fading away.Darkness Fades Away is written as an accessible song for young voices that speaks to our hopes for a kinder and more empathetic world. The melody utilizes a subtle meter change from 2 /4 to 3/4 in order to emphasize the second beat and allow it space to grow into the next note. When the optional counter-melody is introduced, the rhythm relies on an off-beat pattern, but be sure not to accent those notes. Both melody and counter-melody are meant to flow gently with a little movement throughout. Note the repeated use of a 7th (low sol to fa) to introduce the main motif.The ending section grows to its climax (m. 80-82) with optional notes for higher voices that feel comfortable in that range. After the voices echo and repeat the main theme, the rallentando and subsequent caesura (m. 104-106) allow for some freedom in direction until the piano reinforces the original tempo before itself fading away.
SKU: HL.49003005
ISBN 9780901938787. UPC: 073999922370. 6.5x10.0x0.214 inches. English.
Alleluia (Mozart) * Alleluia (Boyce) * Cedit Hiems Eminus * Christ is Risen Again * Death and Darkness * Early Morning * Easter Eggs * Easter Morning * Good Christian Men * Good Joseph had a Garden * Hail, Easter Bright * Hilariter * I Danced in the Morning * Jesus Christ is Risen Today * Jesus, Life and Comfort Given * Let the Merry Church Bells Ring * Let the Song be Begun * Let us Sing this Easter Morning * Lord of the Dance * Now the Green Blade Riseth * O Sons and Daughters * Ring the Bell, Ring it Well * Slowly Winter Fades Away * The Angel rolles the Stone away * The Drums of Calvary * The Glory of our King * The Lamb's High Banquet * The Whole Bright World * They were Beating as he dragged himself * The World itself keeps Easter day * This joyful Eastertide * Tomorrow shall be my dancing day * While Christ lay dead * Ye choirs of New Jerusalem.
SKU: SU.32040150
From delightful to lonesome to fiery, this three movement suite invites both performers and listeners to share the joy of being enveloped in richness of tone, creating poignant expressions of the heart. Marvelous recital and concert music. Vignette I: Delightful Dance Jaunty rhythms and clever surprises render a joyful opening section. Later, a warm, love filled melody is poured out by each instrumentalist, and climbs to a glorious tutti. Then it is back to the joyful dance, a few more surprises, and a delightfully happy ending. Vignette II: Lonesome Chaconne opens with two dark chords. Then the piano begins the chaconne with a mournful bass line and plaintive off beats. The viola enters and plays a lonesome melody, then is joined by the cello in a melancholy duet over the chaconne until it dies away. The cello's brief recitative emerges from the depths into an aching cry that is then echoed by the viola. Joining together, they pour out a fervent melody, moving higher and higher until they breakthrough to the light. Alas, the vision fades, and they return to only fragments as the chaconne disappears. Vignette III: Fiery Fugue opens with a feisty subject melody, first in the viola, followed by the cello, piano right hand, and left hand. It is similar in form to a Bach fugue, but uses modal tonality and syncopated rhythms. The statements and episodes build to a recall of the fervent melody from the second movement, leading to the final dynamic unison statement of the fugue subject. Just as it almost dies away, it recharges and boldly bounds ahead to the end. Difficulty Level: 5 (Advanced) Viola, Cello, Piano Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC See composer website for audio sample.
