Cuban Latin Guitar

'Cuban Latin Guitar? is a practical teaching guide for guitarists who want to get familiar with Cuban Latin music. This book focusses on four styles in detail: Son, Cha-Cha-Cha, Bolero and Danzón. The basic rhythmic patterns such as clave and cinquillo cubano are also explained. After working with this book/CD, you will have an insight into different fingerpicking techniques and accompaniments with a pick that work with each style and will prepare you for playing with a band or a duo. Every chapter closes with an original composition, including full transcriptions of the melody and the accompaniment. Tres line examples are also included. Play-alongs, listening examples and tunes are contained on the CD. Have fun with this book! / Guitare

Media Type : Book Level : Multiple Levels Musical Genre : Latin American Number of pages : 48 World-renowned tresero (tres player) Nelson Gonzalez explains tuning and playing of the Cuban tres guitar, offering tips for beginning to advanced players. As the instrument's name implies, the tres has three courses of double or triple strings and is used both as a lead and an accompaniment instrument. The author thoughtfully includes instructions for converting a normal 6-string guitar to a tres guitar, offering suggestions for appropriate string gauges. This may be the first book of its kind published outside of Cuba. The method contains Latin folksongs arranged for the beginning tres player plus examples of repeated, often syncopated underlying vamps called montunos. The book also presents all principal chords and scale patterns plus notation fundamentals- all beautifully illustrated with clear photos, diagrams and explanations. Written in standard notation only. Nelson Gonzalez is singularly qualified to write this book. Known in Latin music circles as the Ambassador of the Cuban Tres Guitar, he has toured or recorded with a virtual Who's Who of Latin stars not to mention his own band, Son Mudano. His tres mastery is featured on dozens of recordings with such artists as Tito Puente, Gloria Estefan, Andy Garcia, Paul Simon, and Marc Anthony to name only a few.

Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas Europe and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles from Tokyo to Paris. But despite its increasing popularity many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here another there via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth the need for concise well written and organized materials written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music' and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa

Par IGNACIO CERVANTES. Sélectionnez ' Danses cubaines ' par le compositeur cubain du XIXe siècle Ignacio Cervantes (1847-1905). Cervantes respecté la forme binaire établie par son prédécesseur, Manuel Saumell, mais il était le romantisme de danses de Cervantès qui distingue la dernière phase évolutive de la ' contradanza '. Ils ont été conçus par Cervantes comme ' une page dans l'album du siècle romantique '. Ce groupe de danses cubaines ont été à l'origine écrit pour le piano et arrangé ici pour les flûte et guitare en notation standard uniquement avec arrachement des sections distinctes pour guitare et flûte. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

Brésilienne et afro-cubaine Jazz Conception est la nouvelle série passionnante de jeu-le long de livres par flûtiste brésilien primé et compositeur Fernando Brandão et propose quinze chansons originales dans différents styles brésiliens et afro-cubains. Cette édition vise clairement à être plus qu'une simple collection play-along. Pour chacune des airs d'une analyse approfondie et des exercices supplémentaires sont donnés. Une introduction approfondie sur les différents styles et les rythmes de la musique brésilienne et afro-cubaine rend ces livres encore plus précieux. La section rythmique et les solistes sont parmi les musiciens les plus prestigieux de la musique brésilienne contemporaine. / Guitare

Par IRIZARRY NEFF. The most comprehensive book ever written on Latin jazz guitar playing ? from its roots in Afro-Cuban music to the great contemporary masters! Traditional lines from the Tres, cuatro and requinto adapted to the guitar in the style of Arsenio Rodriguez, Yomo Toro, El Güero Gil, etc. Piano adaptations and solutions for the guitar patterned after Bebo Valdes, Clare Fischer, Eddie Palmieri, etc. Step-by-step instruction on how to play guajeos, montunos and other Afro-Cuban styles on guitar Transcription and analysis of key guitarists, composers and arrangers such as George Benson, Chico O?Farrill, Clare Fischer, Stan Appelbaum, Cal Tjader and La Playa sextet Stylistic analysis of highly infl uential guitarists such as Juanito Marquez, Paul Alicea, Sonny Henry, Edgardo Miranda, Carlos Emilio Morales, Bobby Redfield, Carlos Santana and Steve Khan. Transcriptions and analysis of jazz guitar greats playing Latin music, like Wes Montgomery, Kenny Burrell, Attila Zoller, Danny Embrey and Steve Khan. And much more! Over 250 audio files of the author playing each exercise! / Date parution : 2022-02-10/ Etude / Guitare

15 of this late great Cuban vocalist's most popular Latin hits including: Angelitos Negros * Burundanga * CÅ?cala * La Vida Es Un Carnaval * Pachito E' Che * Quimbara * La Sopa En Botella * Tu Voz * Usted Abuso * Yerbero Moderno * and more.

The definitive book on Latin Jazz Piano for both piano accompaniment and soloing featuring songs based on standard chord changes in Salsa, Mambo, Nanigo, Cha-Cha, Bolero, Songo, Merengue, and Baiao styles. Includes a helpful demo/play-a-long CD!

275 pages of Afro-Cuban classics, Brazilian music and Latin jazz tunes, designed for classroom or professional use. Available in C, Bb, Eb and bass clef versions. Most tunes never seen in print before. Presented in 'Real Easy' format with the tune on one page and educational material on each facing page. Part I is suitable for high school ensembleswhile Part II contains more challenging tunes for college or professional use. The educational materials include scales for soloing, piano voicings, guitar voicings, sample bass parts, etc. When needed, there are separate rhythm section charts &/or horn harmony charts to help your band play authentic-sounding versions of the tunes. The Rhythm Section Appendix gives the student a complete overview of all the major Afro-Cuban and Brazilian rhythmic styles, with sample parts for each player. So, no prior experience with Latin music is necessary to start having fun! / Ensemble Music, Instrumental Music, Methods & Tuto / Recueil / Instruments en Do

Cet ouvrage est le dernier ajout à la série de Carlos Campos de livres Afro-Latin pour clavier. Livres précédents m. Campos dans ce genre sont Salsa : Afro-Cuban Montunos pour Piano, Salsa : Further Adventures en musique Afro-Cuban, Latin Jazz Piano Vol. 1, ultime Riffs Latin et Salsa : Afro-Cuban Montunos pour guitare. Dans les Styles de Piano Merengue, m. Campos se penche sur un aspect de la musique de la République dominicaine appelée merengue, connu pour ses rythmes complexes et ultra tempos rapides. M. Campos divise la plupart des exemples dans ce livre en ' Derecho ' et ' Pambiche ' styles. Exemples choisis sont inclus dans le CD qui l'accompagne, enregistré à différents tempos. Pistes contenant basse et percussions seulement sont également inclus. Le jeu complet des enregistrements contenant chaque exemple dans cet ouvrage sont également disponibles dans les fichiers mp3 de haute qualité (plus de 300 Mo de fichiers mp3) et/ou des fichiers midi, voir ci-dessous. Pendant son séjour à Boston, Carlos Campos passent plusieurs années à étudier et effectuer ce genre particulier... / Piano