SKU: WD.080689679230
UPC: 080689679230.
The 90’s hit song from Phillips, Craig & Dean is brought back with this new anthem, arranged and orchestrated by Cliff Duren. Crucified with Christ is a compelling reminder of the promise of Galatians 2:20…that we were crucified with Christ and now live because of Him. It’s His strength and His resurrection power that make us alive!
SKU: LP.9780834183506
ISBN 9780834183506.
Boldly proclaim one of the most profound dichotomies of our faith-that true life is found in being crucified with Christ. Cliff Duren s new orchestration and arrangement of this classic song highlights a male soloist and adult choir. Written by Randy Phillips Don Koch Dave Clark and Denise Phillips this Easter anthem will stir hearts to offer their own personal sacrifice of praise in honor of the risen Christ.
SKU: LP.765762174726
UPC: 765762174726.
SKU: LP.765762228801
UPC: 765762228801.
SKU: WD.080689368332
UPC: 080689368332.
SKU: WD.080689499081
UPC: 080689499081.
SKU: WD.080689937149
UPC: 080689937149.
SKU: LO.30-3681MD
UPC: 000308153286.
Orchestral Score and CD with Printable Parts for 55/1199MD This deeply moving collection from Jay Rouse includes six songs that glory in the cross of Christ. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. It includes the classic Annie Herring Easter Song in an easily learned contemporary style; a gospel setting of the much-loved hymn My Savior’s Love; two modern worship anthems, Broken Bread, Broken Life and Jesus Crucified; the beloved Dottie Rambo song I Will Glory in the Cross; and an elegant setting of the timeless hymn Beneath the Cross of Jesus. Optional narrations from gifted writer Rose Aspinall will bring the truths of scripture to life in a refreshing way. There’s an eternal mystery in the cross, that instrument of death and grace. Hanging there by His own choosing, the Son of God purchases life for you and me..
SKU: LO.99-3112L
UPC: 000308133516.
The disciple John penned these words: This is love: not that we loved God, but that He loved us and sent His Son as an atoning sacrifice for our sins (I Jn 4:9-10). With this incomparable love as its central theme, Wondrous Love recounts the earthly life and ministry of Jesus, which ultimately led Him down a path of sacrifice and death on the cross. This blending of original and familiar melodies along with poignant and scripture-based narration provides a compelling rendition of the events leading to the cross. Flexibly conceived for Lent and/or Holy Week, each individual anthem may be presented during the weeks leading up to Easter, or Wondrous Love may be performed as a whole with or without the resurrection finale. Small and large choirs will equally appreciate Lloyd Larson’s beautiful choral writing, and accompaniments ranging from piano only or full orchestra to professionally recorded CDs offer numerous options for your unique programming needs.
SKU: HL.35029350
UPC: 884088955731. 5x5 inches.
Uses: Good Friday, Holy Week Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20 A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. StudioTrax CD has 3 tracks - Accompaniment, Split, Performance.
SKU: HL.35029349
UPC: 884088955724. 5x5 inches.
Uses: Good Friday, Holy Week Scripture: Isaiah 53:3; John 1:11; Matthew 26:21-22; John 3:16-17; Galatians 2:20 A moving choral lamentation for the crucified Christ is presented in this anthem for Good Friday. From the shadows of Golgotha, this poignant paean weeps with emotion through expressive music and cries of “Kyrie Eleison.” The anthem is dependent on two soloists that soar above the dramatic choral. The classic chorale “Ah, Holy Jesus” is a sensitive ending to the piece. Score and parts for Flute 1&2 (Flute 2 dbl. Piccolo), Oboe/English Horn, Clarinet 1&2, Bassoon, Horn 1&2, Trumpets 1-3, Trombone 1&2, Bass Trombone/Tuba, Timpani, Percussion 1&2, Harp, Piano, Violin 1&2, Viola, Cello, Double Bass.
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
