Concerto 2 Pianos

Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineur, op. 54 - deux des plus populaires de tous les concertos pour piano du répertoire - réimprimé dans les éditions qui font autorité. Dans chaque cas, la partie de piano 2ème est une réduction d'orchestre, en fournissant des pianistes avec le format 2-piano qui est la méthode standard pour les répétitions.Réimpression de sélections de Concerto en la mineur pour piano, op. 54, G. Schirmer, Inc, New York, 1918 et Konzert für Klavier, op. 16, A-??Moll, C. F. Peters, Francfort, n.c. / 2 Pianos

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Schirmer's Library of Musical Classics Vol. 2127-Three of the most beloved Romantic piano concertos are now available in one volume: Schumann's Concerto in A minor Op. 54; Grieg's Concerto in A minor Op. 16; and Rachmaninoff's Concerto No. 2 in C minor Op. 18. Theorchestra parts for transcribed for a second piano making these ideal for private study or preparation for competitions. Two copies are necessary for performance.

piano reduction for 2 pianos. Par SHCHEDRIN RODION. Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity./ Répertoire / 2 Pianos

Le Concerto slave de Borys Lyatoshynsky est considéré comme l'un des plus grands chefs-d'oeuvre de la musique classique ukrainienne.La singularité de cette oeuvre est d'être entièrement fondée sur les mélodies ou motifs populaires de l'Ukraine et de ses pays voisins. Écrite dans la tradition des grands concertos du XIXe et de la première partie du XXe siècle, cette oeuvre est très personnelle et parfaitement fidèle au style et à l'esthétique du compositeur en raison de ses trouvailles et audaces.La facture pianistique, très virtuose, malgré une difficulté parfois féroce, ne manque pas d'intimité, de richesse et de raffinement. Le dialogue enchevêtré entre le soliste et l'orchestre dans un discours dramaturgique global crée un véritable tableau symphonique. / Piano / Billaudot

Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research. With many corrections in the solo part and Orchestral parts. Piano reduction for 2 Pianos with a separate solo Piano part. A must for Pianists,Orchestras and Beethoven scholars. Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation,dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with whichBeethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics andnotes. In particular, the orchestral parts have been corrected for the first time since Beethoven?s lifetime. / Date parution : 2022-02-26/ Répertoire / 2 Pianos

Description Sergei Rachmaninov: Piano Concerto No.2 In C Minor Op.18 (2-Piano Score) Two pianos Four hands. P The orchestra accompaniments are arranged for a second piano. Songlist Piano Concerto No.2 In C Minor Op.18

Par RACHMANINOV SERGEI. Rachmaninovs masterpiece, his largest and most architecturally satisfying piano concerto, became a sensation again in 1996 when it was featured in the movie Shine. With its memorable theme and glittering orchestration, for many pianists this is the pinnacle of achievement in the concerto repertoire. MMOs version of this complex and rewarding work is an invaluable and essential asset for every virtuoso-in-training. This deluxe edition includes a third compact disc containing a slow-tempo practice version of the concerto while you get your fingers up to speed!/ Répertoire / 2 Pianos

George Gershwin's iconic Rhapsody in Blue changed the landscape of American music at its 1924 premiere. Its irresistible fusion of classical and jazz has made it one of the most popular American concert works of all time. For this new edition all available sources at the Library of Congress were consulted, including full scores for piano and orchestra as well as two-piano reductions. This edition includes a second copy of the music, making it ideal for all concerto settings. Historical background and critical notes on the sources provide a fascinating window into Gershwin's composition process.