Concerto for Trumpet and Orchestra E flat major Hob.VIIe:1

The present Concerto for B Flat Trumpet and Orchestra was written in 1796 and dedicated to A. Weidinger a trumpet player of the Court Opera Orchestra in Vienna. Weidinger improved the Trumpet by applying the keys to it covering side holes and thus making possible the playing of chromatic notes between the natural notes. Haydn employs chromatic passages extensively in his Concerto.Arranged here with Piano accompaniment by Harold Perry and edited by Ernest Hall.

Concerto for Cello and Orchestra D major-Trumpet Concerto In E Flat And Cello Concerto In D was expertly composed by Joseph Haydn.This score comes complete with a NAXOS CD including recordings of both works.

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Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Klavierauszug mit Solostimme-Hummel's Trumpet concerto is certainly one of the more well known and popular works in the trumpet repertoire. This is a beautifully lyrical piece with many memorable melodies and sonorous harmonies.This version has been arranged for B flat Trumpet with Piano Accompaniment and has been edited by Norman Richardson. Where many piano (or orchestral) reductions can literally be a reduced orchestral score rather than a properly devised accompaniment this piano part has been carefully voiced so as to be performable. This piece will provide an enjoyable challenge for both the trumpeter and pianist alike.The solo trumpet part is also included on aseparate insert.

Joby Talbot's Trumpet Concerto Desolation Wilderness was commissioned by the Turku Philharmonic Orchestra and the Royal Liverpool Philharmonic Orchestra. First performed on 28th October 2006 by the Royal LiverpoolPhilharmonic Orchestra at The Philharmonic Hall Liverpool with Alison Balsom (to whom the work is dedicated) as soloist and JoAnn Falletta conductor. The Turku Philharmonic Orchestra gave the Finnish premiére performances on23rd and 24th November 2006.The Piano reduction of Desolation Wilderness includes Trumpet parts in B flat and C. (Suitable for advanced players).'In Early November 2005 my family and some friends visited thehigh Sierra Nevada in Northern California. As on former trips to the area I was struck by the strange and disarming contrast between the bright sunshine perfect blue sky and warm mountain air of the Sierran autumn; and theoccasional icy chill - sudden drops of temperature when the sun vanished behind the mountains momentary glimpses through the trees of distant snow clouds over the highest peaks. Nowhere was this dichotomy more apparent than inthe vast area of forests lakes and mountains known as Desolation Wilderness. Here the twisted shapes of the aspens are testament to the destructive power of winter. Sure enough that night the first snows fell and the highmountain passes we'd just crossed were closed till spring.

for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Hummel who early in his career became well-known in Vienna as a brilliant pianist studied with Mozart Albrechtsberger Salieri and Haydn and soon earned a high reputation as a composer. His style of composition derived from the classical precepts of his teachers: Mozart's influence is clearly discernible even in his later years. However as time progressed Hummel adopted elements from the emerging romanticism of the day and increasingly turned to a highly figurative style with a level of virtuosity which though appealing in its brilliance often served as an end in itself. Historically his piano music bridges the gap between that of Mozart and Chopin forming a transitionbetween the classical tradition and the fashionable style of the musical salon.The Concerto For Trumpet And Orchestra dates from quite an early period in Hummel's career and was composed in 1803. In its three-movement design its formal layout and its melodic and harmonic workmanship the work still lies fully within the bounds of the classical tradition. This edition for Trumpet and Piano has been arranged by Martin Focke and the Solo Trumpet part which is also included on a separate insert has been edited by Joachim Pliquett.Note that the original key is in E major and that this version has been transposed down a half-tone as to make the piece performable on a B-flat trumpet.

mit Stimmen für Trompete in Es und B/ with parts for trumpet in E flat and B flat-Includes parts for both B flat and E flat Trumpet.

This Dowani 3 Tempi Play Along version of Haydn's Trumpet Concerto includes a CD with the concert version and 3 accompaniment 'play along' versions in three speeds.