SKU: FG.55011-904-8
ISBN 9790550119048.
Published for the first time in 2024! Einojuhani Rautavaara's Concerto grottesco was composed in 1950 and is among his first orchestral works. With overall duration of six minutes, the work includes four movements.This product includes the full score and the set of parts:Flutes 1–2 (2nd flute also piccolo)Oboes 1–2Clarinets 1–2 in Bb & ABassoons 1–2Horns 1–2 in FTrumpets 1–2 in BbTromboneTubaTimpaniPercussion (1 performer): Tamburo rullante, piatto sospeso, triangolo, Wood blockDouble basses 1–2Einojuhani Rautavaara (1928−2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Seventh Symphony, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music works and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism.
SKU: CN.09971
Written with the virtuoso in mind, this piano concerto is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second movement, Elegy, reflects on the memory of a friend. The final movement barrels along with spirit and drive, utilizing mixed meter and a full compliment of percussion to bring you to the breathtaking conclusion.
SKU: CN.09970
SKU: HL.49045775
ISBN 9783702471132. UPC: 803452068235. 7.0x10.0x0.436 inches.
Kurt Weill developed his creative energies mainly within the world of musical theater, where he proved to be an immensely productiveand imaginative innovator, but he also left behind a small body of work for the concert hall. The Concerto for Violin and Wind Orchestra op. 12 dates from the spring of 1924. Scored for two flutes, clarinets, bassoons, horns, one oboe and trumpet, percussion and four contrabasses, the concerto comprises three movements. While composing the work, Weill informed his publisher: 'I am workingon a concerto for violin and wind orchestra that I hope to finish within two or three weeks. The work is inspired by the idea - one never carried out before - of juxtaposing a single violin with a chorus of winds.' The specific character of Weill's concerto as music written for chamber orchestra (with an often soloistic treatment of instruments) leads to a transparency that requires utmost precision in the ensemble playing. In the quest for an overall sonic balance, the coarser-sounding wind instruments need to explore all dynamic nuances. The solo part is challenging not only from a technical standpoint but also from an acoustic one (it is crucial to make the violin 'sound'). In spite of these challenges - or precisely because of them - critics in the 1920s called the solo parthighly idiomatic and extremely rewarding. Since then the concerto has become a 'modern classic' in concert halls around the world. (Elmar Juchem, August 2010). The score is based on the critical text of the Kurt Weill Edition Ser. II, Vol. 2.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: PR.41641301L
UPC: 680160619795.
Under the Sun's Gaze as a title for a musical composition conjures up many possibilities. It is, in fact, an imagined line from an unwritten poem, invented with the idea of capturing something of the visual aura the sounds and energy of this work invoke in its composer' mind. An omnipotent presence in all of nature, a source of life yet also capable of its destruction, the sun affects the light and dark in our physical existence as it defines the daily and seasonal life. The music of this work, in three interlocking parts, takes turns being exuberant, caressing, scorching, receding, hazy, lazy, blazing, dissolving into darkness, blinding in its intensity. Subtitled Concerto da Camera III, this work is written for what has become known as the standard Pierrot instrumentation of flute, clarinet, violin, cello, piano plus percussion. The difference here is that the winds are doubled - the two flutists alternating with piccolo and alto flute and both clarinetists also doubling on bass clarinets. The ninth member of the ensemble, a soprano saxophone, appears well into the piece, its lyrical, plaintively expressive quality dominating the musical terrain for a while. While occasionally joining the others for some tutti outbursts, it maintains its position as something of a guest throughout. Of the various thematic ideas that populate this work, a six-note descending line played by the clarinet appearing right at the work's opening then arching back up reveals itself, as the music unfolds, to be the principal melodic building block of Under the Sun's Gaze. Its various transformations include the plaintive soprano saxophone melody appearing in the middle section. Just under 20 minutes in length, the work in its totality can be heard as being in a loose arch form, its ending receding into a distant darkening horizon which carries in it the seed of the new dawn that lies beyond. Under the Sun's Gaze was commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the San Francisco Contemporary Players, David Milnes, conductor.
SKU: PR.416413010
UPC: 680160605682.