Format : Score and Parts
SKU: TL.TCL015976
ISBN 9780857365507.
Selected pieces for Trinity College London clarinet exams for 2017-2020, expertly graded and edited by leading music educators. This item contains both the full score and clarinet part.
SKU: TL.TCL016065
ISBN 9780857365590.
Selected pieces for Trinity College London clarinet exams for 2017-2020, expertly graded and edited by leading music educators. This item contains the clarinet part only.
SKU: HL.49011082
ISBN 9790001098021. UPC: 073999175264. 9.0x12.0x0.09 inches.
The Clarinet Parts remain unaltered, whereas the Piano accompaniments have been transposed to suit the change of Instruments.
SKU: HL.48181417
UPC: 888680855727. 9.0x12.0x0.114 inches.
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, particularly those for wind instruments, and his Clarinet Concerto is no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by an equally virtuosic Piano reduction. The Concerto comprises three movements and is one of 19 Concertos written by the composer. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities. Clarinet Concerto is a suitable and significant addition to the advanced clarinetist's repertoire..
SKU: FG.55011-832-4
ISBN 9790550118324.
Romantic modernist - or modern romanticist - Lars Karlsson (b. 1953) composed his Clarinet concerto (2013-2015) for Christoffer Sundqvist. Connections with Nordic mythology and clarinettist as a shaman turned to a more traditional concerto concept in three movements. Harmonic and melodic use of fourths and fifths forms an important basis for the musical material.This product includes a solo part and a piano reduction (B4 sized).Orchestral material available on hire from the publisher.Instrumentation:1(+picc).1.1(+cl picc).1−1.2.1.0−1.2−strPercussion: Timpani, gong, piatto sospeso, tamburo piccolo, silofono, campanelli.
SKU: BT.DHP-1165740-401
ISBN 9789043151511. English-German-French-Dutch.
Cette oeuvre en deux mouvements pour clarinette et orchestre fut commandée par Musica Reservata vof, Belgique, et est dédiée Eddy Vanoosthuyse, un bon ami et confrère du compositeur. Elle connut du succès sa première mondiale le 10 décembre 2008 Salt Lake City (Etats-Unis), interprétée par l’orchestre Utah Philharmonia sous la direction de Robert Baldwin, avec Eddy Vanoosthuyse comme soliste. Par la suite, l’oeuvre fut mise de côté pendant quelques années, surtout parce que les agendaschargés des deux protagonistes ne leur permettaient pas de trouver le temps pour un enregistrement discographique. Pour finir, l’oeuvre fut enfin enregistrée en juin 2015 Nagoya (Japon), avec le Central Aichi Symphony Orchestra, mené par l’étoilemontante vénézolane, SergioRosales. La même semaine, le 12 juin, l’oeuvre fut présentée en concert pour la première fois au Japon par les mêmes interprètes, et connut ici aussi un grand succès. Après Concerto Doppio pour deux clarinettes et orchestre cordes, composé en 2001,voici la deuxième oeuvre de concert de Jan Van der Roost qui met la clarinette en vedette.Le premier mouvement, Doloroso e Contemplativo, transmet le côté sérieux de la clarinette et, par conséquent, il n’y figure presque pas de virtuosité ou de spectacle. Au contraire, l’orchestration colorée et variée qui est entrelacée autour de lapartie solo est bien plus qu’un simple accompagnement, et prend la forme de partenairemusical, d’importance comparable au soliste. Une introduction un peu mystérieuse mène une première apogée orchestrale en passant par des cellules musicales ascendantes. Ensuite on entend l’entrée du soliste, d’abord par des idées musicales plusfragmentaires, puis par des lignes mélodiques plus longues. L’orchestre entre en dialogue avec le soliste, et son instrumentation délicate et colorée crée un parfait encadrement musical. Vers la fin, l’atmosphère du début est réaffirmée, et lesoliste finit par la même note par laquelle il avait commencé.Le deuxième mouvement, Giocoso e Con Bravura, est une toute autre histoire : ici, le côté virtuose, et parfois presqu’acrobatique, de la clarinette est exploré. Des cascades imposantes et continuelles de notes demandent une dextérité exceptionnelleau soliste, ce qui, un certain moment, et « récompensé » par l’orchestre, par un clin d’oeil au « Hallelujah » de Handel vraiment mérité après ces feux d’artifice ! De temps en temps, l’instrument solo présente une phrase humoristique : laclarinette ne peut pas que chanter, briller et pleurer, mais aussi rire et plaisanter. Plusieurs passages sont presque caricaturaux ! La palette variée de cet instrument magnifique est démontrée parfaitement, parfois avec un brin d’humour oud’ironie. En effet, les deux mouvements contrastants de ce concerto démontrent les différentes facettes de l’instrument qui s’est établi sur la scène de musique classique ainsi que la musique légère (quel nom peu prometteur !). Dans le deuxièmemouvement, rapide pour la plupart du temps, l’orchestre est nouveau traité de manière créative et variée, offrant une palette généreuse de couleurs : sans enlever l’attention de la partie solo difficile, on peut dire que l’orchestre n’est pas qu’ l’arrière-plan, mais saisit l’occasion de briller en même temps. Pourtant, les dernières notes sont accordées la clarinette : après un tuttiorchestral énergique, le soliste conclut l’oeuvre par trois notes courtes de pianissimo comme si, de façon subtile, il voulait avoir le dernier mot. Après les nombreuses notes jouées par le clarinettiste, cette conclusion modeste estune fin surprenante d’une oeuvre au style plutôt traditionnel, qui démontre clairement la passion du compositeur pour cette merveilleuse combinaison instrumentale.br> Un merci particulier Peter Knockaert pour cette réduction pour piano duClarinet Concerto, qui fut créée pour le 4th International Clarinet Competition Ghent en 2017.
SKU: FG.55011-573-6
ISBN 9790550115736.
Kalevi Aho's (b. 1949) Clarinet concerto (2005) has five movements played without pause. The beginning Tempestoso is dramatic and powerful, but there is also a beautiful, slow middle section. The second movement consists of a virtuosic solo cadenza, which is dominated by mysterious tremolos on the clarinet.The cadenza leads to Vivace, con brio, which is the central climax of the concerto and the most virtuosic movement both for the orchestra and the soloist. Then follows the slow, melancholic and lyrical fourth movement Adagio molto. The Epilogue is slow, too; the atmosphere of the last movement is unreal, mysterious. The solo part at the end consists largely of broken, multiphonic clarinet sounds before the concerto fades out into a silence. The orchestral study score (ISMN 9790550096332) is available for sale and the orchestral material for hire.
SKU: BR.EB-10996
ISBN 9790201809960. 9.5 x 12 inches.
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.
SKU: FG.55011-708-2
ISBN 9790550117082.
Kimmo Hakola's Clarinet Concerto (2001) is finally available as a piano reduction and a solo part! The concerto created world-wide buzz after the premiere, which was augmented after the CD release. The Clarinet Concerto is a rich and original work lasting some 40 minutes. It has four movements: the opening movement is dominated by the aggressive toccata-like pounding typical of Hakola. The slow movement, Hidden Songs, is a soaring, melodic and captivating piece of music. The third movement, Allegro farara, is a wild and whirling Oriental dance in a quirky 7/8 rhythm. The finale, which follows without a break, begins with crowd noises that slowly fade. The movement title, Khasene, is the Yiddish for 'wedding'. The nuptials turn out to be quite raucous as Hakola rolls out poignant pathos and rollicking klezmer look-alikes in turn. The soloist is given scope for improvisation.
SKU: EC.LMP035-P
SKU: FG.55011-705-1
ISBN 9790550117051.
Kirmo Lintinen composed his clarinet concerto (2012-13) full of rhythmic drive attempting to write for the orchestra as if it were a large chamber ensemble in which listening closely to the other players is both possible and of supreme importance. All four movements of the clarinet concerto are joined together, and their titles say something: prefazione, danze, confessione and finale. Though differing in mood and texture, they all share themes and motifs. The solo cadenza between the third and last movement alludes, as quasi quodlibet suggests, to many motifs, in this case in the past and in the future. Duration c. 23 minutes. The product includes solo part & piano reduction. The orchestral material (instrumentation 2(II+picc)2(II+c.ing)2(II+cl.b)21-2200-11-str) is available for hire from the publisher.
SKU: HL.14008425
ISBN 9780711933545.
Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big, ranging piece, in two linked movements. The first, fast with a brief slow introduction, has the soloist in propulsive melodic flights slipping over into florid runs, but it is a virtuoso piece for the orchestra, especially for the marimba and pair of horns. The Adagio that follows is in the spare, cold, birdcall-riven style of other recent Davies slow movements, exploiting first the clarinet's low register and then, at its climax, the instrument's high extremes. A cadenza leads to the coda, where Davies introduces a Scots tune, previously hinted at, with which he brings the work to an end in F sharp major. Clarinet part with piano reduction of the orchestral score.