Concerto #2 Dmin Op. 20 Vc Pft

SKU: HL.49011751

ISBN 9790200215410.

SKU: HL.49011750

ISBN 9790200215397.

SKU: HL.49011753

ISBN 9790200215434.

SKU: HL.50601101

ISBN 9781540005540. UPC: 888680711443. 11x14 inches.

Composer note: The idea for a piano concerto for the Boston Symphony was instigated by Robert Levin, the great Mozart scholar and pianist. The idea was evidently embraced by BSO Artistic Administrator Tony Fogg and supported by Music Director James Levine. Much of the concerto was composed during the summer of 2004 at the American Academy in Rome in a secluded studio hidden within the Academy walls. While much of the composing took place far from home, the concerto comes out as a particularly “American” piece, shot through with vernacular elements. As in many of my compositions, simple, familiar musical ideas are the starting point. A shape, a melodic fragment, a rhythm, a chord, a texture, or a sonority may ignite the appetite for exploration. How such simple insignificant things can be altered, elaborated, extended, and combined becomes the exciting challenge of composition. I also want the finished work to breathe in a natural way, to progress spontaneously, organically, moving toward a transformation of the musical substance in ways unimaginable to me when I began the journey. Transformation is the goal, with the intention of achieving an altered state of perception and exposure that I am otherwise unable to achieve. “Chiavi in mano” – the title of the concerto – is the mantra used by automobile salesmen and realtors in Italy: Buy the house or the car and the keys are yours. But the more pertinent reason for the title is the fact that the piano writing is designed to fall “under the hand” and no matter how difficult it may be, it remains physically comfortable and devoid of stress. In other words: “Keys in hand.” –Yehudi Wyner, December 13, 2004.

SKU: HL.48184070

UPC: 888680830625. 6.25x8.25x0.232 inches.

“Concertino Da Camera, written in 1935 by Jacques Ibert (1890-1962) is a small concerto for Alto Saxophone and eleven instruments: Flute, Bassoon, Oboe, Horn, Trumpet and Strings. This concertino in two movements, Allegro con moto and Larghetto ? Animato Molto, is dedicated to the saxophonist Sigurd Rascher and stands out for its large use of the Alto Saxophone. It can be technically challenging and has a strong lyrical part. This volume is the pocket version of the score. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with is Flute Concerto (1934), also published by Alphonse Leduc.”.