In Concert: Selected Works from the Diploma of LCM: Piano: Instrumental Album

12 Popular Works-12 popular works for Bassoon with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by Amy Harman.

In Concert contains nine piano works, selected from the Diploma of the London College of Music (DipLCM) Piano Syllabus. These works give a snapshot of the huge range of repertoire available to pianists today, spanning nearly three hundred years of music from all over the world. We hope that this collection of works will provide inspiration for building original and creative concert programmes, be it in the exam room, at an audition or a professional recital. / Exams / Recueil / Piano

Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in the end of a successful concert. The well-known pianist and educationalist Wilhelm Ohmen has selected encore pieces for every occasion, with works from three centuries by Couperin, J.S. Bach, Mozart or Schubert through to Tchaikovsky, Mahler or Rachmaninoff. A treasure chest for every pianist. / Piano

Developing Artist Original Keyboard Classics-The Developing Artist: Piano Literature - Book 4 is a collection of authentic Keyboard literature for the late-intermediate level pianist.This book contains carefully selected repertoire from the Baroque Classical Romantic and Contemporary periods. Historical text on the major periods of music history is presented at the beginning of the book. The Developing Artist: Piano Literature - Book 4 offers a wealth of pieces to enrich Piano or Keyboard students' repertoire with works spanning all periods and styles. The pieces presented in this fabulous book have been compiled and edited by Nancy and Randall Faber.

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two cellos. Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend. / 2 Violoncelles

ShowTrax CD-A selection of works from Andrew Lloyd Webber's famous shows arranged for choir. Includes 'Don't Cry For Me Argentina' 'Phantom Of The Opera' and 'Love Changes Everything'.

23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano

Until the beginning of the 1980s, the figure of François de Fossa was mainly known by his relationship with Dionisio Aguado, a relationship that included de Fossa?s collaboration in producing the two Parisian editions of the Aguado Escuela, and the complete translation of one of them into French. The situation changed radically in 1981 with the publication by Editions Orphée of a monograph which not only revealed very interesting and decisive factors in regard to the guitar quintets of Luigi Boccherini, but also included an important biographical study and a checklist of the known compositions of François de Fossa. Several works by de Fossa were published in later years, among which were works for two guitars, trios, quartets, an anthology of selected works for guitar solo published in 1990. De Fossa?s Quatre Divertissemens pour la Guitare seule extraits des Oeuvres de J. Haydn, his Op. 13, was part of that anthology. The current edition of it was engraved anew, and completely edited and fingered. The works of Haydn from which this music is drawn are as follows: Divertimento I ? Symphony N° 63 ?La Roxolane?, and Symphony N° 85 ?La Reine? Divertimento II ? Largo Cantabile, Rondo Allegretto. In spite of rigorous search, we have not been successful in identifying the movements of this Divertimento among the known works of Haydn. Divertimento III ? Symphony N° 85 ?La Reine?and Symphony N° 86 Divertimento IV ? Symphony N° 53 ?L?Imperiale? and Symphony N° 85 ?La Reine?. The Andante of this symphony was also used, at about the same time, by Fernando Sor, as the theme of his Thema Varié pour la Guitare ou Lyre, (WoO-1) as well as in his Op. 20. Of considerable interest here is de Fossa?s seemingly paradoxical approach to transcribing music by Haydn. In the case of Haydn string quartets, he chose the two guitars medium, providing for a more facile representation of the harmony and counterpoint. In transcribing these four divertimenti, extracted from several Haydn symphonies, he chose the solo guitar as the target instrumentation, clearly a medium that is far less appropriate for handling a complex musical texture than the guitar duo. It is perfectly understandable that he was not entirely successful in retaining the selection?s original integrity, having eliminated some parts as noted above. Nevertheless, the resulting works, those that are directly attributable to Haydn and the one that cannot, are splendid concert pieces for the solo guitar.

Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681–1767)Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.