Come, Come Unto Me

Come Unto Him from the Hymn Of Praise by Felix Mendelssohn arranged for SATB chorus with Piano by Michael J. Diack.

Lovely setting from Matthew 'Come unto Me and I will give you rest.' good for a small or new choir.

This worshipful a cappella setting of a familiar text beckons us to grasp the truth of Chrit's call to come to Him and find rest. Prayerfully penned with rich choral writing this reverent reminder truly depicts the love that God holds for His saints. Easy to medium.

O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale

O Come Let Us Sing Unto The Lord was written for Stephen Layton and Polyphony by Morten Lauridsen. Purchase the sheet music for unaccompanied SATB chorus. This setting has been recorded on Lauridsen: Nocturnes (Hyperion CDA 67580).In speaking of Lauridsen in his book Choral Music in the Twentieth Century the author Nick Strimple says of him 'he is the only American composer in history who can be called mystic (whose) probing serene work contains all the elusive and indefinable ingredient which leaves the impression that all questions have been answered... From 1993 Lauridsen's music rapidly increased in international popularity and by the centuy's end he hadeclipsed Tandall Thompson as the most frequently performed American choral composer'.

O Come Let Us Sing Unto The Lord by Ethan McGrath for SATB and Organ.This rhapsodic anthem sets verses from Psalm 95 and features contrasting sections changing metre and a buoyant Organ part.

Written for and premiered by Soprano Emily Howard. Titles in collection: 1. It Was a Lover and His Lass 2. Come Away Come Away Death (a cappella) 3. Sigh No More Ladies 4. Come Unto These Yellow Sands (a capella) 5. When That I Was and a Little Tiny Boy

This work was written in June 2002 for the Ahn Trio at their request. It is derived from some harmonies of 'Come Unto These Yellow Sands' from 'Ariel Songs (Prospero's Books)'.

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text ?Hear my prayer Oh Lord ?is polyphonic at a subdued dynamic level. The second phrase of the verse ?and let my crying come unto thee ? is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.