Clog Dance

Clog Dances Fom The Lanca-Clog Dances from the Lancashire Cotton Mills arranged for Two Violins (or Violin & Viola) with optional Cello. Clog dancing originated in the North of England over 200 years ago. It is thought to have developed in the Lancashire Cotton Mills where wooden-soled clogs were preferred to leather soles because the floors were kept wet to help keep the humidity high an important feature in cotton spinning as the nails in leather soles could cause sparks which could result in the risk of explosion.The Clog dance steps were inspired by the rhythmic sounds of the textile machinery and it is said to have first been danced by girls working in the cotton mills. Theywould beat out a rhythm with their wooden clogs to keep in time with the shuttle flying backwards and forwards across the loom. They would also sing choruses whilst stepping to the rhythm of their machines.There were a variety of machines in the many mills of the Midlands and North West each machine built for a specific function. There were many rhythms and as the girls clog danced it is said that those watching the dancers could tell which machines they worked at and from which mill.Clog dancers were also a common sight not only at the mill's lunch breaks but also at competitions in towns and in Music Halls throughout the 19^th and 20th centuries.

Par SKY PATRICK. Au milieu de XIXe siècle, violoneux et éditeur Elias Howe de Boston, a publié son Howe 1000 turluttes et bobines qui s'est avéré être un livre innovateur. Maintenant, grâce à Mel Bay Publications, Inc. et spécialiste de la musique, rédacteur en chef Patrick Sky, Howe 1000 turluttes et bobines est une fois de plus mis en lumière pour la première fois en plus de 100 ans. Cet ouvrage de turluttes, reels, danses de sabot, contra danses, danses de fantaisie, hornpipes, des strathspeys, pannes, danses irlandaises, danses de Scotch et plus est approprié pour le violon ou fiddle, flute, guitare, mandoline, tinwhistle, enregistreur ou tout instrument triple. C'est un must pour violoneux ainsi que les historiens de la musique. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Songbooks / Recueil / Violon

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Par MONTANI PIETRO. Suite For French Horn In F And Violoncello/ Répertoire / Cor en Fa et Violoncelle

25 popular opera melodies arranged for violin and piano. Des mélodies d'opéra connues et des favoris du public sont alignés dans La donna è mobile. Le dernier volume de la série Violinissimo présente une sélection de plus de 25 arrangements de difficulté moyenne pour violon et piano, qui servent à compléter et à assouplir le répertoire pédagogique standard à des fins d'interprétation et peuvent ainsi accompagner les élèves avancés dans leurs leçons. / Niveau : Moyen / Recueil / Violon et Piano

Fiddle Tunes hongrois présente une collection de plus de 140 pièces pour violon solo tiré de la riche tradition de musique folklorique hongroise. Avec des airs couvrant une gamme de styles de Verbunkos, à Csárdás, à Magyar Nota, expérimenté populaire violoniste Chris Haigh fournit des notes sur toutes les pièces, en expliquant les aspects techniques du style de jeu. Le volume est accompagné d'un CD avec un enregistrement de tous les morceaux réalisés par Chris. Traductions en allemand et en français de tous les textes sont disponibles en téléchargements libres de pdf à partir du site Schott Music. Convient pour les joueurs de niveaux 3-8.Une partie de la série World Music best-seller, qui comprend également la musique de violon de l'Angleterre, Irlande, Ecosse, Europe de l'Est, l'Amérique, l'Argentine, l'Inde, la Chine et la Corée. / Violon

This comprehensive book is a facsimile edition of the original collection published in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th century instrumental collections as wellas a resource for students of American vernacular music. Examining the cultural exchange between minstrel show ethnic music and even classical music influenced some of the genres of what we now call American music. 'Ryan'sMammoth Collection' contains a significant number of reels jigs hornpipes clogs walk-arounds essences strathspeys highland flings and contradances that are still played by both traditional and professional fiddlers. Aspecial section containing historical notes and comments is included.

Par TWISS TIM. Five-string banjo enthusiasts who play in the stroke, clawhammer or guitar styles will enjoy these 50 melodic, tab-only arrangements. The collection is unique in that it includes reels, polkas, jigs, hornpipes, minstrel songs, ballads, light classics, and a Christmas tune?nearly all in C tuning with the fourth string a step lower than the typical 5-string G tuning. Well-known classical and popular composers: Beethoven, Foster, and Vivaldi, plus collector/historian-authors: Converse, Emmett, Howe, Kerr, O?Neill, and Ryan?are all represented in this book.With the exception of two Twiss originals, the music was chosen from sources available circa 1840 ? 1890. Some of these settings can be used as accompaniment to unison singing; all are designed to lie well on the 5-string fretboard for optimal playability. Using a custom-built fretted, nylon-string banjo, the author has provided online recordings of every tune for ease of learning. / Date parution : 2022-07-20/ Recueil / Banjo