SKU: BA.BA10983-85
ISBN 9790006565627. 32.5 x 25.5 cm inches. Key: G major.
Claude Debussy had difficulties finishing his last major work, the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy's progressing illness as well as the First World War.The first edition, published during the final year of Debussy's life, contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work's later reception. Both are examined here in a fresh light.In addition to the Sonata, this edition contains arrangements of ,,La fille aux cheveux de linand ,,Il pleure dans mon coeurby the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece ,,Minstrels, also included in our edition.- Debussy's complete works for violin and piano- With arrangements by Debussy's acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
SKU: FP.FSC05
ISBN 9790570504169.
Cyril Scott’s music is currently the subject of major revival, having lain largely ignored for much of the 20th Century. Once described as 'the father of modern British music' by Eugene Goossens, and admired by Claude Debussy, Richard Strauss, Igor Stravinsky and his lifelong friend Percy Grainger, he composed four hundred works including: four Symphonies, three Operas, two Piano Concertos, four Oratorios, Concertos for Violin, Cello, Oboe and Harpsichord, several Overtures, Tone Poems, many Chamber works and innumerable songs.There is a story that when Bernard Shaw commented to Elgar on the (then) daring harmonies of his Second Symphony Elgar replied 'You mustn’t forget, it was Cyril Scott started all that!'.'a pioneer of British piano music, producing more piano works in the period 1903-1914 than any other British composer and any other international one, with the exception of Scriabin... (He) was a key figure before World War I in helping Britain to break away from musical conservatism and the prevailing Germanic influences.' (Lisa Hardy, The British Piano Sonata 1870-1945).
