SKU: HL.48186223
UPC: 888680837754. 9x12 inches.
Gubitsch Clair Obscur Eb Saxophone Book/Cd.
SKU: HL.48186224
Gubitsch Clair Obscur Saxophone Eb Cd.
SKU: HL.48189459
Verne Clair Obscur Vibraphone Solo Book.
SKU: RM.RUBIN3217
ISBN 9790560143217.
SKU: UM.23242
ISBN 9790224423242.
SKU: HL.49045875
The Catalan composer and vihuela player Luis de Milan (1500-1561) ranks among the most important composers of the Spanish Renaissance. His collection El Maestro from 1536 was the first publication of vihuela music in music history (the vihuela is a predecessor of the guitar). The six pavans contained therein are typical examples of the stately processional dance. According to the etymological derivation of'pavo' (Spanish/Latin: 'peacock'), this characteristic bird call which can be performed freely and naturalistically by the saxophoneplayer can sometimes be heard in this 'peacock's dance'. World premiere: 15.2.2017 Ballhaus Berlin, with Domiki Wollenweber (cor anglais) and the saxophone quartet CLAIR OBSCUR. Also published by Schott: a version for alto saxophone (cor anglais) and organ (ED 21260).
SKU: BT.PL2324
SKU: BA.BVK01877
ISBN 9783761818770. 23.5 x 16.2 cm inches. Language: German. Preface: Jean-Michel Nectoux.
SKU: RM.NAUL04437
ISBN 9790231044379.
SKU: HL.48188993
SKU: HL.14030956
ISBN 9788759872062.
Work for Ten Instruments (Wind Quintet and Strings).
SKU: HL.14030975
ISBN 9788759860199.
Work for Chamber Ensemble dating from 1989. The composer writes: The Title SHADOWLAND refers on the one hand to a blurred 'Landscape' of shadows, where small shadows are formed behind other shadows, and where the outlines are constantly disintegrating. On the other hand, the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements, with proportions 4-7-4-3. These proportions can be found on various levels, from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece, and behind the fastrunning melodies and trills that dominate the whole movement one can hear, in the second, third, and fourth parts, anticipations of the second, third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta.