The Music Road: A Journey in Music Reading presents an exciting, effective way for beginning music readers to experience the joy of reading and playing music at the keyboard. In the three volumes of The Music Road , a comfortable sequence of steps is presented. Each unit is divided into three parts: Stop! Look! Learn!, in which new material for learning is presented with follow-up written assignments, Stop! Look! Play!, in which new material is used in simple playing experiences, short mini-melodies, and one measure musical examples, and Destination, which uses folk songs and original music to offer many, many opportunities to see and play what has been presented in the learning part of the unit. Each unit has a corresponding Stop! Listen! appendix in which the ear is trained to hear what has been seen on the printed page. Listening to high - low, keyboard location, quarter, half, whole notes, 3/4 - 4/4 time, and intervals are a few of the beginning focuses in Book 1. Relating the eye and ear in this way is excellent sensory reinforcement and makes sense, too, of music theory for the young student. An additional appendix contains a teacher's guide, and general and specific practice points to help the teacher and parent use The Music Road successfully. The slow progression throughout the books ensures the mastery of concepts, and the extensive use of those concepts at the keyboard gives the student a wonderful sense of accomplishment. The philosophical and psychological basis for the Music Road books is a natural extension of the Suzuki approach, yet teachers with traditional approaches find the books equally successful with their students.
SKU: TA.TSPB-44
In Mainstream Mallets, Jason Hammond-Wood has compiled over 20 short, 2-mallet solos with optional piano accompaniment to challenge more experienced middle school students while offering high school percussionists more performance opportunities. All selections are familiar tunes, including classical favorites such as The Nutcracker, Sleeping Beauty, Anitra's Dance (from Peer Gynt), and The Barber of Seville. Also included are nonclassical melodies like The Stars and Stripes Forever, The Entertainer, and On Wisconsin (the university's fight song). All pieces are playable on xylophone, vibraphone, or marimba, and two of the solos are adapted to be performed as duets! The optional piano accompaniment may be performed with a pianist, or by using the provided audio accompaniment tracks. Mainstream Mallets includes these 24 pieces: On Wisconsin | J.S. Hubbard and Charles D. Rosa | (Med-Easy, :35) The Happy Farmer | Robert Schumann | (Med-Easy, :51) Bourree | Johann Sebastian Bach | (Med-Easy, 1:51) Infernal Galop | Jacques Offenbach | (Med-Easy, 1:06) Sonatina | Muzio Clementi | (Medium, 1:07) Hungarian Dance No. 5 | Johannes Brahms | (Medium, 1:47) Pizzicati | Leo Delibes | (Med-Easy, 2:07) Sleeping Beauty | Pyotr Ilyich Tchaikovsky | (Medium, 1:33) The Barber of Seville | Gioachino Rossini | (Medium, 1:22) The Royal Fireworks | George Frideric Handel | (Medium, 1:19) Anitra's Dance | Edvard Grieg | (Medium, 1:40) The Entertainer | Scott Joplin | (Medium, 2:10) Spring Season | Antonio Vivaldi | (Medium, 1:47) The Stars and Stripes Forever | John Phillip Sousa | (Medium, 2:12) Badinerie | Johann Sebastian Bach | (Med-Advanced, :57) The Chromatic Galop | Franz Liszt | (Medium, 1:19) The Sorcerer's Apprentice | Paul Dukas | (Med-Advanced, 1:43) Trepak [Russian Dance] | Pyotr Ilyich Tchaikovsky | (Med-Advanced, 1:10) Turkish March | Wolfgang Amadeus Mozart | (Med-Advanced, 1:52) Csardas | Vittorio Monti | (Med-Advanced, 1:44) Back Home Again | James F. Hanley | (Medium, 1:18) Raindrop | Frederic Chopin | (Medium, 1:45) Bourree [Duet Version] | Johann Sebastian Bach | (Med-Easy, 1:53) Sleeping Beauty [Duet Version] | Pyotr Ilyich Tchaikovsky | (Medium, 1:35) Mainstream Mallets ships as a fully-bound book with a sleek cover design by Bob Beck of Montreal's Design Society. Also included are reference recordings of each solo, PDF parts for duets, PDF parts for the piano accompaniment, and audio tracks with piano only, so that players can perform with just the piano accompaniment.
