Chamber Music with String Instruments

This string quartet is a reflection on emperors and kings their works their passions and the inevitable passge of time. Specifically it follows the career of Artashes who ruled Armenia about twenty-two hundred years ago (190-160 BC) founded theArmenian capital Artashat and abducted his beautiful bride Satenik. The composer was struck by a 19th century painting of Artashes funeral with its grand and seemingly endless cortege the wailing throng lining the road the deceased king borne instate on a royal carriage all led by regal horsemen and a colorful phalanx of musicians. The music is divided into five short scenes played without pause: I. Cortege II. Theft III. Build IV. Cortege V. Farewell. Commissioned by the DilijanChamber Music Seriesfor the Lark Musical Society. Duration: c. 14 minutes

Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle

String quartet with optional 3rd violin part-This series for strings enables you to play both familiar and less familiar music with friends. Each volume contains four pieces beautifully arranged for musicians of a moderate standard. All pieces have an optional third violin part so the lack of viola player doesn't have to be a problem! Now you can start making music and exploring the greatest form of chamber music the string quartet.

This delightful String Trio is straightforward technically and will be fun to play for student and amateur alike. This arrangement follows the facsimile faithfully simply writing out the first Violin and Cello parts of the trio sonata with the second Violin part transposed down an octave in places to suit the Viola. This edition follows Purcell's original text without the dynamics and bowing that later editors added.

Comprised of works from Volumes 1 2 and 3 of the Suzuki Violin School which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method[R] repertoire) these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 1 contents are: Twinkle Twinkle Little Star Theme and Variations (Shinichi Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go TellAunt Rhody (Folk Song) * O Come Little Children (Folk Song) * May Song (Folk Song) * Long Long Ago (T.H. Bayly) * Allegro (Shinichi Suzuki) * Etude (Shinichi Suzuki) * Perpetual Motion (Shinichi Suzuki) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Gavotte (F.J. Gossec).

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles