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Carl Philipp Emanuel Bach: Sonata Wq. 128 in a-moll: Flute
Instrumentation :
Flute, Basso continuo
Publisher :
Dowani
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Carl Philipp Emanuel Bach: Sonata Wq. 128 in a-moll: Flute
19.99 GBP
- Shipped from England
LMI-Partitions
(french language only)
:
3-5 days
Sonata In A-Moll / C. Ph. E. Bach - Flûte And Basso Continuo
30.60 EUR
- Shipped from France
for Flute and Harpsichord
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Carl Philipp Emanuel Bach : Solfeggio in C minor
Piano solo
-
Intermediate
Alfred Publishing
By Carl Philipp Emanuel Bach. Edited by Willard A. Palmer. For Piano. Piano Solo...
(+)
By Carl Philipp Emanuel Bach. Edited by Willard A. Palmer. For Piano. Piano Solo. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.
(4)
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Carl Philipp Emanuel Bach: More Miniature Classics
Trumpet
Carl Fischer
For Trumpet Trumpets. By Carl Philipp Emanuel Bach. Edited by Sigmund Hering. Ar...
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For Trumpet Trumpets. By Carl Philipp Emanuel Bach. Edited by Sigmund Hering. Arranged by Sigmund Hering. For Trumpet. Classical. Performance score. 31 pages. Published by Carl Fischer.
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
(+)
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9351. Published by Breitkopf and Haertel
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich ...
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Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
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Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9352. Published by Breitkopf and Haertel
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Flute Concerto in D minor
Flute and Piano
[Reduction]
G. Henle
(Flute and Piano Reduction). Composed by Carl Philipp Emanuel Bach (1714-1788). ...
(+)
(Flute and Piano Reduction). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Andr�¡s Adorj�¡n and Jan Philip Schulze. For Flute, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1207. Published by G. Henle
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
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Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9348. Published by Breitkopf and Haertel
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
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Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9349. Published by Breitkopf and Haertel
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
(+)
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9350. Published by Breitkopf and Haertel
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
(+)
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9354. Published by Breitkopf and Haertel
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Gamba Sonatas, Wq 88, 136, 137
Viola, Piano
G. Henle
(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Phili...
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(Edition for Gamba (Viola) with marked and unmarked string parts). By Carl Philipp Emanuel Bach (1714-1788). Edited by Ernst-Günter Heinemann, Wolfram Enlin, and Ernst-G. For Viola, Viola da gamba, Piano Accompaniment. Henle Music Folios. Softcover. 160 pages. G. Henle #HN990. Published by G. Henle
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
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Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9347. Published by Breitkopf and Haertel
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2 Son-1/fl and Bc
Flute, Basso continuo
Kalmus
Flute and Basso Continuo. Composed by Carl Philipp Emanuel Bach (1714-1788). Due...
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Flute and Basso Continuo. Composed by Carl Philipp Emanuel Bach (1714-1788). Duet or Duo; Masterworks; Mixed Instruments - Duet; Solo Small Ensembles. Kalmus Edition. Baroque; Classical; Masterwork. Book. 1 pages. Kalmus Classic Edition #00-K04721. Published by Kalmus Classic Edition
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Carl Philipp Emanuel Bach: Sonata In A Minor For Solo Flute
Flute
Barenreiter
Composed by Carl Philipp Emanuel Bach (1714-1788), edited by Manfred Harras. Wq ...
(+)
Composed by Carl Philipp Emanuel Bach (1714-1788), edited by Manfred Harras. Wq 132. For flute (unaccompanied). Format: flute solo book. Baroque. A Minor. 7 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
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Carl Philipp Emanuel Bach : Duet in C major (McGINNIS)
2 Clarinets (duet)
IMC (International Music Co.)
By Carl Philipp Emanuel Bach. Two clarinets. Published by International Music Co...
(+)
By Carl Philipp Emanuel Bach. Two clarinets. Published by International Music Co.
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Carl Philipp Emanuel Bach: Sonata In C Major, W. 136 (H. 558) - Viola/Piano
Viola, Piano
[Set of Parts]
IMC (International Music Co.)
Composed by Carl Philipp Emanuel Bach (1714-1788), edited by Veronica Leigh Jaco...
(+)
Composed by Carl Philipp Emanuel Bach (1714-1788), edited by Veronica Leigh Jacobs. W. 136 (H. 558). Set of performance parts (includes separate pull-out viola part) for viola and piano. With solo part and piano accompaniment. C Major. Published by International Music Company.
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Dank-Hymne der Freundschaft
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
(O give thanks unto the Lord). Composed by Carl Philipp Emanuel Bach (1714-1788)...
(+)
(O give thanks unto the Lord). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Praise and thanks. Vocal score. Text language: German. Composed 1785. Gs 9. Duration 50 minutes. Published by Carus Verlag
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Complete Sonatas
Flute and Piano
Breitkopf & Härtel
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich L...
(+)
Urtext. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Ulrich Leisinger. Breitkopf and Haertel #EB 9353. Published by Breitkopf and Haertel
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Sonatas, Fantasias and Rondos, Volume II
Piano solo
[Sheet music]
Alfred Publishing
By Carl Philipp Emanuel Bach. For Piano. Piano Collection. Masterwork. Level: In...
(+)
By Carl Philipp Emanuel Bach. For Piano. Piano Collection. Masterwork. Level: Intermediate / Advanced. Book. 108 pages. Published by Alfred Publishing.
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Gamba Sonatas Wq 88, 136, 137
Violoncello, Basso continuo
G. Henle
(Edition for Violoncello and Harpsichord With marked and unmarked string parts)....
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(Edition for Violoncello and Harpsichord With marked and unmarked string parts). By Carl Philipp Emanuel Bach (1714-1788). Edited by Wolfram Enlin. For Cello, Harpsichord, Viola da gamba (Score and Parts). Henle Music Folios. Softcover. G. Henle #HN991. Published by G. Henle
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Carl Philipp Emanuel Bach: Klavierwerke: 13 Sonaten und Rondo Band 2: Piano:
Piano solo
[Sheet music]
Universal Edition
Carl Philipp Emanuel Bach was a German musician and composer the second of t...
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Carl Philipp Emanuel Bach was a German musician and composer the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer during the transition between the Baroque and Classical periods.  Carl Philipp Emanuel Bach's Piano Works contains six sonatas and rondo from the collections of 'Kenner und Liebhaber'.
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Carl Philipp Emanuel Bach: Klavierwerke 1 ( Cpe ): Piano: Instrumental Work
Piano solo
[Sheet music]
Universal Edition
Carl Philipp Emanuel Bach was a German musician and composer the second of t...
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Carl Philipp Emanuel Bach was a German musician and composer the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer during the transition between the Baroque and Classical periods.  Carl Philipp Emanuel Bach's Piano Works contains six sonatas from the collections of 'Kenner und Liebhaber'. This piece is included in the 2018-2021 ABRSM Piano Syllabus (Grade 8)
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Carl Philipp Emanuel Bach: Sonatas Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works...
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Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Carl Philipp Emanuel Bach: Sonatas Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...
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Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Carl Philipp Emanuel Bach: Harpsichord Concerto D Minor Bwv 1052A: Harpsichord:
2 Pianos, 4 hands
[Sheet music]
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Carl Philipp Emanuel Bach: Concerto for Harpsichord in D minor BWV 1052a:
Clavecin Et Instruments A Cordes
Barenreiter
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director...
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Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Carl Philipp Emanuel Bach: Sonate Wq 132/H 562 A Moll: Flute: Instrumental Work
Flute
Wiener Urtext
Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a count...
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Carl Philipp Emanuel Bach's Sonata in A minor for solo Flute constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747 but unpublished until 1763 it heralds the sentimental style of a new era compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among Piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition also published in 1763 proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition wasalso based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the Flute literature. Although it also seems to go back to the first edition it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the Flute method of Bach's Berlin fellow composer Johann Joachim Quantz but also analyse relevant chapters of 'Versuch über die wahre Art das Clavier zu spielen' by C. Ph. E. Bach himself thus providing interpretational aids right from the composer's perspective.
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Carl Philipp Emanuel Bach: Complete Works: Organ: Instrumental Album
Organ
Wiener Urtext
Under the title of 'Kleinere Werke' [Small Works] the second volume of Organ wo...
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Under the title of 'Kleinere Werke' [Small Works] the second volume of Organ works by Carl Philipp Emanuel Bach in the Wiener Urtext Edition contains all works written by the composer except for the multi-movement sonatas for Organ: preludes fugues trio chorale arrangements and pieces for musical clock. The fugues in particular prove that C. Ph. E. Bach was an attentive pupil of his father. The music theoretician Friedrich Wilhelm Marpurg appreciated these fugues so much that he included some of them as examples in his theoretical writings. The pieces for musical clock are a varied selection of pieces in the style galant which were originallywritten for mechanical instruments and which are best to be performed on the organ. Together with the Organ sonatas published in Vol. 1 this is probably the most comprehensive collection of works by Bach's second eldest son which can be performed on the Organ.
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Carl Philipp Emanuel Bach: C.P.E. Bach - Concerto in D minor Wq23 H427: Piano:
Piano solo
[Sheet music + CD]
Music Minus One
Music Minus One Piano Deluxe 2-CD Set-Composed in 1748 this gorgeous and increa...
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Music Minus One Piano Deluxe 2-CD Set-Composed in 1748 this gorgeous and increasingly popular piece demonstrates the brilliance of Carl Philipp Emanuel Bach. It transcends its late baroque/early classical timeframe and is pervaded by a pensive quality and even a predisposition toward a romantic sensibility. Highly recommended and not of excessive difficulty (includes music with difficulty levels 3-7). Includes an authoritative newly engraved music score on high-quality ivory paper a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist and a second compact disc containing a full-speed version of the completeversion as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Performed by Romeo Smilkov piano The Plovdiv Chamber Orchestra Nayden Todorov conductor
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Carl Philipp Emanuel Bach: Magnificat Wq 215 (PA): SATB: Vocal Score
Choral
[Sheet music]
Barenreiter
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnifica...
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Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.
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Carl Philipp Emanuel Bach: Magnificat: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Carl Philipp Emanuel Bach's Magnificat for soli chorus and orchestra with Engl...
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Carl Philipp Emanuel Bach's Magnificat for soli chorus and orchestra with English text adapted by Henry S. Drinker. This vocal score is edited and the orchestral accompaniment adapted for piano or organ by Carl Deis.
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Carl Philipp Emanuel Bach: Gambensonaten Wq 88 136 137: Viola da Gamba:
Viola da Gamba, Basso continuo
G. Henle
Edition for Gamba (Viola)-Like his father Carl Philipp Emanuel Bach wrote three...
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Edition for Gamba (Viola)-Like his father Carl Philipp Emanuel Bach wrote three sonatas for viola da gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent viola da gamba player in the court orchestra anopportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father???s example as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of theharpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola a practice that has been verified in the sources of the time. This version isavailable in our Urtext edition as an alternative part.
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Carl Philipp Emanuel Bach: Violoncello Concerto in A Minor Wq170/h432: Cello
Cello
[Sheet music + CD]
Music Minus One
Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Phili...
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Music Minus One Cello-A beautiful baroque concerto for violoncello by Carl Philipp Emanuel Bach youngest son of J.S. Bach. We can't recommend this gorgeous work enough - filled with beautiful opportunities for the soloist and a magnificent accompaniment. No baroque enthusiast will want to miss out on this rewarding work. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Festival Orchestra
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Carl Philipp Emanuel Bach: Gambensonaten Wq 88 136 137: Cello: Instrumental
Violoncello, Basso continuo
G. Henle
Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three s...
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Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.
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Carl Philipp Emanuel Bach: Sonate a-moll Wq 132 für Flöte solo: Flute:
Flute
G. Henle
Sonata in a minor Wq 132 for Flute Solo-There are many unanswered questions surr...
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Sonata in a minor Wq 132 for Flute Solo-There are many unanswered questions surrounding Carl Philipp Emanuel Bach's Flute Sonata A Minor Wq. 132. For whom was this solo work written? The addressee of the sonata is frequently thoughtto be King Friedrich II of Prussia yet Bach would not have made music that was exclusively intended for the king available for all. The intrigue is heightened by the fact that this sonata for Flute solo was published twice in the1760s.The riddle is not to be solved. Today this three-movement work is one of the solo pieces that all flautists have to have played once it is truly regal music. This Henle Urtext edition features informedcomments on performance practice by the flautist Karl Kaiser.
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Carl Philipp Emanuel Bach: Sonaten 3 (Auswahl): Piano: Instrumental Album
Piano solo
G. Henle
A highly authoritative Urtext edition of Carl Philipp Emanuel Bach's Piano Sonat...
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A highly authoritative Urtext edition of Carl Philipp Emanuel Bach's Piano Sonatas as edited by Darrell M. Berg and Klaus Borner. Available here is the third volume of piano sonatas.Contents:Sonata C major Wq 51 1( Level of difficulty: 6 ) Sonata (First Edition) C major Wq 65 35 ( Level of difficulty: 4/5 ) Sonata (First Edition) C major Wq 65 36 ( Level of difficulty: 5 ) Sonata A major Wq 65 37 ( Level of difficulty: 5/6 )Sonata D major Wq 65 40 ( Level of difficulty: 5 ) Sonata C major Wq 65 41 ( Level of difficulty: 5 ) Sonata E flat major Wq 65 42 ( Level of difficulty: 5 ) Sonata B flat major Wq 65 44 ( Level of difficulty: 5/6) Hamburg Sonata F major Wq 62 24 ( Level of difficulty: 5 ) Sonata (First Edition) [Hamburg Sonata] C major Wq 65 47 ( Level of difficulty: 4/5 ) Sonata (Hamburg sonata) G major Wq 65 48 ( Level of difficulty: 4 )Appendix: Larghetto (originally second movement of the Sonata No. 31) E flat major ( Level of difficulty: 3 )
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Carl Philipp Emanuel Bach: Selected Keyboard Works Book II: Piano: Instrumental
Piano solo
-
Intermediate/advanced
ABRSM Publishing
Miscellaneous Pieces-Book Two in this fantastic collection of selected Carl Phil...
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Miscellaneous Pieces-Book Two in this fantastic collection of selected Carl Philipp Emanuel Bach keyboard works contains a miscellany of a superb pieces including Solfeggietto in C Minor and Abschied von meinem Sibermannschen Clavier all edited by Howard Ferguson. Published within the Signature Series a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions and performance notes. These authoritative and satisfying volumes are all set for solo Keyboard instrument and are suitable for Piano Harpsichord or Keyboard solo. Setfor the ABRSM Harpsichord examinations grades 5 and 6.
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Carl Philipp Emanuel Bach: Sonata in A Minor: Flute: Instrumental Work
Flute
Schirmer
The music of Carl Philipp Emanuel Bach unlike that of his famous father Johann ...
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The music of Carl Philipp Emanuel Bach unlike that of his famous father Johann Sebastian or that of the master he influenced Haydn did not define an era so much as reveal a deeply personal response to the musical conventions of his time. The three movements of this Sonata in A Minor for unaccompanied flute - the only one he wrote for 'flute alone' - may be played either in the order written or in the order II-I-III for a more balanced work.
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