Format : Sheet music
SKU: CA.3118257
ISBN 9790007142872. Key: G major. Text language: German/English.
Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: CA.3118255
ISBN 9790007209865. Key: G major. Text language: German/English.
SKU: CA.3118219
ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.
SKU: CA.3118212
ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.
SKU: CA.3118213
ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3118249
Key: A major. Language: German/English. Text: Franck, Salomo.
SKU: CA.3118207
ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: BR.OB-4682-19
ISBN 9790004318614. 9 x 12 inches.
SKU: BR.OB-4682-15
ISBN 9790004318607. 9 x 12 inches.
SKU: BR.OB-4682-30
ISBN 9790004318645. 9 x 12 inches.
SKU: BR.PB-4682
ISBN 9790004205105. 10 x 12.5 inches.
SKU: BR.OB-4682-26
ISBN 9790004318638. 9 x 12 inches.
SKU: BR.OB-4682-11
ISBN 9790004318591. 12 x 9 inches.
SKU: BR.OB-4682-20
ISBN 9790004318621. 9 x 12 inches.
SKU: BR.CHB-4682-02
ISBN 9790004407714. 7.5 x 10.5 inches. German / French.
SKU: CA.3101213
ISBN 9790007204617. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.
SKU: CA.3101211
ISBN 9790007204594. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101215
ISBN 9790007204631. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101212
ISBN 9790007204600. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101214
ISBN 9790007204624. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3101209
ISBN 9790007204587. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and parts available separately - see item CA.3101200.
SKU: CA.3101207
ISBN 9790007102937. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score available separately - see item CA.3101200.
SKU: CA.3101205
ISBN 9790007102920. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.