Format : Score
SKU: CL.012-3279-00
A bold, forceful and solid overture with lots of appeal! The strong outer sections in D minor contrast very nicely with the lyrical center section in Bb Major, providing you with a composition which will show off your band at its best!! Individual parts are very accessible and playable, giving the illusion of being more difficult than it really is.
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: BR.OB-3208-16
ISBN 9790004300589. 10 x 12.5 inches.
In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The Overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer.Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau.
SKU: BR.OB-3208-15
ISBN 9790004300572. 10 x 12.5 inches.
SKU: BR.OB-3208-27
ISBN 9790004300619. 10 x 12.5 inches.
SKU: BR.OB-3208-19
ISBN 9790004300596. 10 x 12.5 inches.
SKU: BR.OB-5623-23
ISBN 9790004348758. 10 x 12.5 inches.
Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.First printing posthumously 1851 (Rietz).
SKU: BR.OB-5623-19
ISBN 9790004348741. 10 x 12.5 inches.
SKU: BR.OB-5623-30
ISBN 9790004348772. 10 x 12.5 inches.
SKU: BR.OB-5623-27
ISBN 9790004348765. 10 x 12.5 inches.
SKU: BR.OB-5623-15
ISBN 9790004348727. 10 x 12.5 inches.
SKU: BR.OB-5623-16
ISBN 9790004348734. 10 x 12.5 inches.
SKU: BR.PB-5623
ISBN 9790004215203. 10 x 12.5 inches.
SKU: BR.MR-32069
ISBN 9790004489499. 9 x 12 inches.
Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer. The present arrangement for string quartet by Christian Beyer compliments the already available overtures by Mozart, which Beyer also arranged for this instrumentation.
SKU: BR.OB-5266-16
ISBN 9790004333341. 10 x 12.5 inches.
There are many clues hinting that Mozart himself wrote the wind-band version of his "Entführung” located in Donaueschingen. Our arrangement features a concert close to the Overture which is unquestionably superior to the posthumous endings added by other musicians. Bastiaan Blomhert transposed this coherent close to the orchestral version. After "Don Giovanni” there ist now a second authentic concert close for a Mozart overture.
SKU: BR.PB-5266
ISBN 9790004210345. 9 x 12 inches.
SKU: BR.OB-5527-16
Urtext of Schumanns Sinfonietta
ISBN 9790004340776. 10 x 12.5 inches.
That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Overture, Scherzo and Finale. Unlike the traditional symphonic form, this work has no slow movement. Schumann spoke of it as a suite which hints at a loose connection of movements and as a sinfonietta. Ultimately, he decided to name it after the headings of the three movements which also share common traits among one another. Overture, Scherzo and Finale is being published here for the first time with an Urtext score and parts. The genesis of the work was marked by corrections and revisions. Schumann subjected the work to a thorough revision after the premiere performance and, after the publication of the orchestral parts in 1846, made more changes for the first edition of the score seven years later.Urtext of Schumanns Sinfonietta.
SKU: BR.OB-5527-15
ISBN 9790004340769. 10 x 12.5 inches.
SKU: BR.OB-5266-30
ISBN 9790004333389. 10 x 12.5 inches.
SKU: BR.OB-5527-30
ISBN 9790004340813. 10 x 12.5 inches.
SKU: BR.OB-5527-23
ISBN 9790004340790. 10 x 12.5 inches.
SKU: BR.PB-5544-07
ISBN 9790004213544. 6.5 x 9 inches.
SKU: BR.OB-5266-19
ISBN 9790004333358. 10 x 12.5 inches.
SKU: BR.OB-5527-27
ISBN 9790004340806. 10 x 12.5 inches.
SKU: BR.OB-5527-19
ISBN 9790004340783. 10 x 12.5 inches.
SKU: BR.PB-5397
ISBN 9790004211311. 10 x 12.5 inches.
The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.The copies made by Christian Friedrich Penzel (parts 1755c, score 1760c), which are also located there, were consulted for purposes to use these sources for this edition.When the concertante flute and the first violin play in unison, the performance instructions and expression marks are often not identical in the score. In this edition, the markings missing in one instrument were borrowed from the other, albeit designated as additions so that performers are free to adjust their parts at will.In his arrangement for flute and harpsichord (piano), Werner Breig has consistently opted for the elegance and lightness of the original version for flute, strings and continuo. Wherever it was difficult to adapt the string part of the famous B minor Suite to the piano, he followed the precept that less is more and showed his true mastery as an arranger by leaving things out. The flute part, however, has remained unchanged, which allows this new edition for flute and harpsichord (piano) to be used for studying and rehearsing the piece in its original setting.The Urtext new edition presented here is based above all on the original parts of Bach's Overture (Suite) No. 2 in B minor BWV 1067 presented in the Staatsbibliothek zu Berlin, Preussischer Kulturbesitz.
SKU: BR.OB-5266-27
ISBN 9790004333372. 10 x 12.5 inches.
SKU: BR.OB-5266-23
ISBN 9790004333365. 10 x 12.5 inches.