Blues to Jazz: Guitar Solo: Instrumental Tutor

Le maître de la guitare Duke Robillard vous livre ici 30 leçons pour enrichir et élargir vos possibilités de solo et d'accompagnement blues, grâce à ce livret agrémenté d'un CD. Conçues pour les aspirants bluesmen comme pour les guitaristes plus expérimentés, ces leçons sont truffés de concepts inédits, entremêlant le jazz et le blues, pour enrichir massivement votre jeu.Duke Robillard est une légende de la musique blues, jazz et roots. Il a gagné quatre Blues Music Awards et a été nominé aux Grammy Awards. Au cours de sa carrière, il a partagé la scène ou enregistré avec quelques-uns des plus grands musiciens de tous les temps, parmi lesquels Bob Dylan, Tom Waits, The Fabulous Thunderbirds, Jimmy Witherspoon, et bien d'autres. Découvrez son dernier album, Independently Blues, disponible sur www.dukerobillard.com / Guitare

Chris Buono's method is the ultimate guide to playing great leads. Designed for blues and rock guitarists with a desire to broaden their musical vocabulary this book will show you the concepts and important to creating jazz guitar solos. Here you will find eight full-length solos in a variety of jazz styles ranging from classic standards to Gypsy jazz to latin modal and smooth jazz. Far more than just a technique manual or theory book this is a guide to the concepts of the components of jazz solos and includes analysis of chord progressions and the material techniques and structural characteristics used to improvise over them. An intermediate level is required toundertake the material in this book.

Par RODMANN BERTINO. Gypsy Jazz (sometimes known as Jazz-Manouche) is the first unique style of jazz music originating from Europe. It has influences that stem from; Hungarian Czardas; French musette waltzes; Spanish flamenco; and, of course, the music of the Sinti. It was originally played exclusively by Sinti musicians in a swing style. Django Reinhardt, the most renowned player of Gypsy Jazz, made it popular throughout the world with his ground-breaking techniques. To this day countless guitarists are influenced by the music and personality of Django Reinhardt. In Sinti culture, the techniques of playing Gypsy Jazz are traditionally passed down orally from generation to generation without ever being written down. It is because of this that musicians who are not Sinti often misunderstand the essence of this distinctly intriguing and fascinating music. The need for an authentic, written introduction to Gypsy Jazz guitar inspired Bertino Rodmann, a performing Gypsy Jazz guitarist from Frankfurt, Germany, to create this written method for Gypsy Jazz Guitar. Using the best examples of all the best  performances, past and present, as well as showcasing the typical aspects of rhythm and lead guitar in Gypsy Jazz, his book aims to develop the reader?s respect for the ancient traditions of the Sinti and their music and bring this to a wider culture.   Contents: Rhythm Guitar: Comping | La Pompe-rhythm | Dead notes | Gypsychords | Voicings | Blues cadence | Chord substitution Solo Guitar: Reststroke picking | Arpeggio picking | Sweptstroke picking | Scales | Arpeggios | Solo licks Transcriptions: Blues Clair (Django Reinhardt) | Blues en mineur (Reinhardt/Grapelli) | Douce Ambiance (Django Reinhardt) | Good times (Bertino Rodmann) | Minor Swing (Reinhardt/Grapelli) | Swing 48 (Django Reinhardt) | Valse à Bertino (Bertino Rodmann)   / Methods

Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe Pass have set a very high standard for solo fingerstyle jazz guitar and it is from this vantage point that the solo flights of Taylor Crook Nichols Baker and Mann take wing. Each player has developed a distinctly different approach to interpreting and writing jazz for solo guitar by listening intently to numerous other musicians and composers - pianists horn players bassists and singers as well as many guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz guitarists (who more or less function in a linear voice in an ensemble) is their abilityto play (or imply) all aspects of music - rhythm chords bass and melody - without accompaniment. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz guitar in its current evolution as a major instrumental force in American music.Martin Taylor: Shining Stockings My funny Valentine Just Squeeze Me Tommy Crook: Melody Of Birdland All The Things You Are It Had To Be You Wave Jim Nichols: Can't Take That Away From Me East Of The Sun Taste Of Honey Here's That Rainy Day Duck Baker: Back Home in Indiana Forty Ton Parachute Out Of The Past Seven Point One Woody Mann: Mr. Guitar Uptown Tales Gypsy Girl Cat Burglar

Le guide plus complet de jazz/blues isolation jamais écrit ! Cet ouvrage exhaustif en détail les sons, les éléments et les approches qui rendent le blues telle partie intégrante du vocabulaire jazz. Délaissant les progressions blues d'organisation touche phrasé, échelles de blues essentiel, riffs, lick développement et un tableau des dispositifs et des concepts avancés, y compris les substituer des échelles and arpèges super étendues sont couverts. Tout au long de ce processus 38 solos, des exemples de musique plus de 100 et des centaines de licks sont en vedette. Ecrit en notation et tablature. / Guitare Flatpick Et Fingerpick / 96 pages / niveau : Intermédiaire / Partition/Cd Set - Format: 12 X 9

The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part contains Breau's Guitar workshop dealing with Building the Blues; Three Against Two and Harmonicsat Work. Section 2 presents three great Lenny Breau solos (Five O'Clock Bells; Little Blues and Freight Train). Written in notation and tablature. Contains Breau's 'master class' on fingerstylejazz Guitar. 3 songs from book are not included on the audio files. Includes access to online audio.

Complete Approach To Playing Tunes-This second volume of Jazz Guitar Standards contains a collection of 22 Jazz standards each containing a chord melody a comping etude and a single-note solo. All arrangements are presented in standard notation and tablature forthe beginning to intermediate guitarist. Tunes include: ?All of You? ?April in Paris? ?As Time Goes By? ?Bluesette? ?But Not For Me? ?Can?t Help Lovin? Dat Man? ?East of the Sun (and West of the Moon)? ?Embraceable You? ?In Your Own Sweet Way? ?It Don?t Mean a Thing (If It Ain?t Got That Swing)? ?I?ve Got You Under My Skin? ?Long Ago (and Far Away)? ?Misty? ?My Funny Valentine? ?Night and Day? ?Smoke Gets in Your Eyes? ?Someone to WatchOver Me? ?Speak Low? ?Summertime? ?The Way You Look Tonight? ?What Is This Thing Called Love?? and ?You Go To My Head?. Arrangements by Chris Buzzelli Dave Frackenpohl Barry Greene Sid Jacobs LaRue Nickelson John C.Purse Bruce Saunders Rick Stone Ron Berman and Jack Wilkins.