Format : Octavo
SKU: LO.70-2476L
ISBN 9780787789473.
Peter Niedmann has brought his creative approach to seven familiar hymns that are sung throughout the year. Several of the settings feature multiple contrasting variations, while others explore distinct, singular moods. The rich and colorful harmonies amplify and enliven these well-loved melodies.
SKU: MN.50-6513
UPC: 688670565137. Scripture: Psalms 16.
This is an easy anthem in which three musical ideas are used. Two-part textures abound and the chromatic theme in the organ brings this psalm setting to a thrilling conclusion. The text is taken from Psalm 16:7-11.
SKU: XC.ISO1902
UPC: 812598030495. 9 x 12 inches.
Ai Hai Yo is a Chinese folk song used as a blessing towards a bountiful harvest and a good year. Composer Tyler Arcari writes Folk songs speak to the commonman. Hardships and hope abound when we all realize that something as simple as a few notes in time can bridge the gap of thousands of years of cultural differences and distance across our large planet..
SKU: HP.1094
UPC: 763628110949.
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa.
SKU: XC.UTP1901
UPC: 812598030655. 6.75 x 10.5 inches.
Ai Hai Yo is a Chinese folk song used as a blessing towards a bountiful harvest and a good year. Composer Tyler Arcari write’s Folk songs speak to the common man. Hardships, and hope abound when we all realize that something as simple as a few notes in time can bridge the gap of thousands of years of cultural differences and distance across our large planet..
SKU: XC.ISO1902FS
UPC: 812598030907. 9 x 12 inches.
SKU: HH.HH477-FSP
ISBN 9790708146889.
The term ‘freygish’ is typically found in klezmer music but derives from a much older cantorial mode, also known under several other titles including the Ahava Rabbah mode, the Mode of Supplication, and Altered Phrygian mode. It is used for the setting of ‘Ahava Rabbah’, or ‘abounding love’, the Ashkenazi prayer and blessing sung during the synagogue morning services. When performed, either in synagogue or in a klezmer setting, the mode can be developed into a variety of short phrases and melodic forms. Jeremy Arden has taken this beautiful irregular scale and filtered its melodic forms through my own musical sensibilities to create a dialogue between Jewish musical traditions and the western musical canon, expressed here through the rigorous crucible of the string quartet.
