I've Been Everywhere

It's super easy! This series features accessible arrangements for piano with simple right-hand melody letter names inside each note basic left-hand chord diagrams and no page turns. This edition includes 20 songs from the man in black: Cry Cry Cry â?¢ Daddy Sang Bass â?¢ Folsom Prison Blues â?¢ I Walk the Line â?¢ I've Been Everywhere â?¢ Jackson â?¢ The Man in Black â?¢ (Ghost) Riders in the Sky (A Cowboy Legend) â?¢ Ring of Fire â?¢ Tennessee Flat Top Box â?¢ and more.

This anthem will feel immediately familiar to many listeners! Wilberg has adapted the words of a traditional hymn and set them to the melody of O little town of Bethlehem. With a lively accompaniment and spirited counter-melody the result is a sparkling and jubilant work that will suit both concerts and services of thanksgiving throughout the year.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.

First edition of the original version for Orchestra. Urtext based on the Complete Works of Gabriel Fauré.Large format orchestral parts (25.5 x 32.5 cm)Bärenreiter?s new scholarly-critical edition of Gabriel Fauré?s evergreen the Pavane Op.50 has been edited by Robin Tait as part of the Complete Works of Gabriel Fauré. The popularity of the work is mostly attributed to its many arrangements but the original version for Orchestra is being published here for the first time. Shortly after completing the Orchestral work Fauré began work on a version for Choir which was actually premiered before the Orchestralversion.This Bärenreiter edition offers conductors and Orchestras a reliable Urtext edition of the Pavane?s original Orchestral version which will surely enhance symphonic concert programmes everywhere.

A great collection of classic songs by The Beatles, from A Hard Days Night to Yesterday . All songs have been arranged for easy Piano, and include lyrics and chord names throughout. / Piano

100 Songs in the Key of C. Par . 100 contemporary holiday hits in the popular Easy Fake Book format are presented in this book featuring large, easy-to-read notation, simplified harmonies and melodies, lyrics, and easy stay-open binding, all in the key of C. Songs include: All I Want for Christmas Is You · Breath of Heaven (Mary's Song) · The Christmas Song (Chestnuts Roasting on an Open Fire) · Do You Want to Build a Snowman? · Frosty the Snow Man · Grown-Up Christmas List · Happy Xmas (War Is Over) · It's Beginning to Look like Christmas · Jingle Bell Rock · Let It Snow! Let It Snow! Let It Snow! · Mary, Did You Know? · Please Come Home for Christmas · Rudolph the Red-Nosed Reindeer · Silver Bells · White Christmas · You're a Mean One, Mr. Grinch · and more. / Date parution : 2021-12-09/ Recueil / Instruments en Do

Really Easy Piano: 40 Beatles Hits. 40 Beatles hits, including: ?All You Need Is Love?, ?Blackbird?, ?Let It Be?, ?Yesterday? and more. The songs in this collection have been specially arranged for really easy piano with chord symbols and lyrics. Each song is presented with background notes and hints and tips to help you improve your performance!

Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette

Par LUSHER ELZA / CHRIS. Something for anyone to get a kick out of! Cole Porter: The Definitive Songbook - The Platinum Collection presents 50 classic songs by one of America’s foremost songwriters, arranged for Piano and Voice with Guitar chords. All songs have been newly engraved, thoroughly researched and edited to provide the best edition available. The list of songs includes the immortal pieces I Get A Kick Out Of You, I’ve Got You Under My Skin and Let’s Do It (Let’s Fall In Love) popularised by swing legends such as Ella Fitzgerald and Frank Sinatra. Cole Porter was celebrated not only for the craftsmanship and beauty of hismusic, but for the wit and sophistication of his lyrics, which he wrote himself – a talent that set him apart from other songwriters of the time. Thanks to his early musical training he’d been responsible for six full productions and some 300 songs by the time he finished his education at Yale, at the age of 22. His legacy is an almost unbelievable treasure-house of great songs – witty, catchy, frivolous and deep – they represent the very highest achievement of the songwriter’s art. This glorious journey through 50 of the best Cole Porter songs will add to any musician’s repertoire and will delight both performers and audiences everywhere./ Méthode / Piano

Par NELSON WILLIE. This 15-song collection contains many of Willie Nelson's great hits. Each song is arranged in complete guitar TAB with all the critical guitar parts fully notated. Titles: Always on My Mind * Angel Flying Too Close to the Ground * Blue Eyes Crying in the Rain * City of New Orleans * Everywhere I Go * Georgia on My Mind * Good Hearted Woman * Mammas Don't Let Your Babies Grow Up to be Cowboys * My Heroes Have Always Been Cowboys * On the Road Again * Ou Es-Tu, Mon Amour? (Where Are You, My Love?) * Pancho and Lefty * Seven Spanish Angels * Uncloudy Day * Whiskey River. / Instrumental Music, Miscellaneous, Scores, Songboo / Tablatures / Guitare et Voix

The Team Brass series has been designed to meet the needs of young brass musicians everywhere whether lessons are given individually in groups or in the classroom. Each book contains a wide range of musical styles from the Baroque and Classical eras to film folk jazz and Latin American.

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911).

Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the greatest musical artwork of all time and all nations?. Since then it has been ranked as an icon of music history.

One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach?s handwriting reflects the effort which this last work demanded of him.

The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years.
The renowned Bach scholar Christoph Wolff describes the work?s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript.


This facsimile edition is a model for the presentation of musical sources, both in appearance and in documentation. [?] Wolff's facsimile will serve as foundational tools
(Notes, December 2008)

Once, Bach came up against the boundaries of his art, on blotchy, 260-year-old paper. ?Et expecto?? is this point in the B minor mass, ?And I look for the resurrection of the dead.? Bach wrote modulations which were extraordinary. He had to strive for these. He crossed out ? although this is a fair copy ? hatched and scratched until the paper tore. He was already an old man, his script leans to the left. The handwriting here isn?t nearly as lively as in the ?Cum sancto Spirito?, written earlier. Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys ? one of the most sumptuous ever published.
(DIE ZEIT Literatur, December 2007) / [Messe en Si mineur BWV 232] / Classique / Fac-similé /

The musical Wicked continues to thrill music lovers everywhere! This value-packed SATB collection features five full arrangements including two that have never before been released for choir. Includes: Dancing Through Life (arr. Audrey Snyder) Dear Old Shiz (arr. Mark Brymer) For Good (arr. Mac Huff) No Good Deed (arr. Michael Hartigan) The Wizard and I (arr. Ed Lojeski). Available separately: SATB Collection ShowTrax CD. Duration (if performed in entirety): ca. 14:00.

STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ.Once I had finished STILL. LEBEN I didn't think I had achieved what I was looking for. True the two movements did not involve odd things but 'handy' isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more.And since I didn't think that was enough either I wrote the really simple pieces under the title IN TRIPLUM.Thethree series (eight pieces in all 2 + 3 + 3) sound very different but they all take their point of departure from the nature and tonal resources ofthe organ.Everywhere there is polyrhythm or hierarchical layering polychromaticism diatonics and melody (the last of these only sparingly and in some of the movements).Pelle Gudmundsen-Holmgreen