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PIANO
SHEET MUSIC
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CLASSICAL - BAROQUE - ROMANTIC
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Baroque Real Repertoire - Piano
$14.95
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Lead time before shipment :
4 to 6 weeks
Format : Sheet music
Composed by Trinity College London. Educational. Sheet music. Published by Trinity College London (TL.TCL011275).
Instrumentation :
Piano solo
Publisher :
Trinity College London
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Sheetmusicplus
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USA
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Brown C /Real Rep Baroque
Piano solo
-
Intermediate
Faber Music Limited
Baroque Real Repertoire edited by Christine Brown. For Piano. Graded Standard Re...
(+)
Baroque Real Repertoire edited by Christine Brown. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Faber Edition: Trinity Repertoire Library. Baroque; Masterwork. Intermediate. 48 pages. Published by Faber Music
$15.25 - See more - Buy online
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Play It Again: Piano Book 2
Piano solo
Schott
The Perfect Way to Rediscover the Piano. Composed by Melanie Spanswick. Sc...
(+)
The Perfect Way to Rediscover the Piano. Composed by Melanie Spanswick. Schott. Softcover. 120 pages. Schott Music #ED13945. Published by Schott Music
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Play It Again: Piano Book 1
Piano solo
Schott
The Perfect Way to Rediscover the Piano. Piano. Softcover. Schott Music #E...
(+)
The Perfect Way to Rediscover the Piano. Piano. Softcover. Schott Music #ED13935. Published by Schott Music
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Oeuvres Originales des XVII et XVIII Siecles
Flute and Piano
Leduc, Alphonse
[Original Works of the 17th and 18th Centuries] for Flute and Piano. Composed ...
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[Original Works of the 17th and 18th Centuries] for Flute and Piano. Composed by Louis Fleury. Leduc. Classical. Softcover. 42 pages. Alphonse Leduc #AL17361. Published by Alphonse Leduc
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Ollie and Me
Flute and Piano
[Reduction]
Theodore Presser Co.
For Flute and Piano
. Composed by Gary Schocker. Solo part with piano redu...
(+)
For Flute and Piano
. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).
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Flute Examination Pieces 2004-2007,Gds 1and2,CD
Flute and Piano
[CD]
-
Beginner
ABRSM Publishing
By ABRSM. For flute, piano. Published by ABRSM (Associated Board of the Royal S...
(+)
By ABRSM. For flute, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).
$33.75 - See more - Buy online
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4 to 6 weeks
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Baroque Real Repertoire for Piano: Piano: Instrumental Album
Piano solo
Trinity College London
Piano-This volume contains Baroque compositions specifically designed and edited...
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Piano-This volume contains Baroque compositions specifically designed and edited for the intermediate pianist and provides an essential iontroduction to the range of core Baroque repertoire. Piano Grades 5-7.
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Melanie Spanswick: Play It Again: Piano Book 2: Piano: Instrumental Tutor
Piano solo
Schott
The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would yo...
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The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would you like to play again? Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident ?former? piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). ?I used to play the piano??Aimed at ?returning? players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from ?Elementary? to ?Intermediate? and Book 2 taking you from ?Late Intermediate? to ?Late Advanced?. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it?s always useful to go ?back to basics?. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you?ll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying ?I used to play the piano?? but wish you still did then Play it again:
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Louis Fleury: Original Works Of The 17th And 18th Centuries: Flute: Instrumental
Flute and Piano
[Sheet music]
Leduc, Alphonse
French flautist Louis Fleury (1878-1926) was a pupil of Paul Taffanel at the Pa...
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French flautist Louis Fleury (1878-1926) was a pupil of Paul Taffanel at the Paris Conservatoire. As a significant pioneer of the Baroque Flute his collection of is well-informed. Fleury's collection includes works such as Greensleeves and pieces by composers including Vinci and Naudot. Fleury's edits include Piano realisations of figured bass articulation phrasing ornamentation and peformance directions. For all aspiring flautists of the baroque genre Fleury's Original Works Of The 17th And 18th Centuries makes for an essential addition to the repertoire.
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Domenico Scarlatti: Scarlatti For Guitar: Guitar: Instrumental Album
Guitar
Classical guitar
[Sheet music]
ABRSM Publishing
After the Piano and Harpsichord the Guitar is the instrument most associated wi...
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After the Piano and Harpsichord the Guitar is the instrument most associated with Domenico Scarlatti (1685-1757). Many of his Keyboard works were influenced by the Guitar music of Spain his adopted country. This collection of arrangements for solo Guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability. Placed in order of difficulty they reflect the range of skills required for Baroque repertoire at intermediate and advanced levels. Stylish and idiomatic adaptations preserving the original ornamentations. Core repertoire for Grades 6-8 with pieces on the ABRSM Guitar syllabus. Carefully considered fingering both clear and consistent. Advice on ornaments including full realizations.
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Sonatas Op. 5 With Keyboard. Nos 7 10 and 12: Violin: Instrumental Album
Violin
Stainer and Bell
While the value of authenticity in the performance of Baroque music is now widel...
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While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.
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Antonio Vivaldi: Complete Sonatas For Cello: Cello: Instrumental Work
Cello
Wiener Urtext
The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the m...
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The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.
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