Baroque Guitarist: Guitar Solo: Instrumental Album

Library of Easy Classical Guitar Solos. A superb collection of easy and rewarding classical guitar solos, each one carefully selected and arranged in modern notation and tablature for the beginning guitarist. Turn these pages to enjoy the greatest guitar music of the Renaissance, Baroque, classical, and Romantic periods. Excerpts from essential guitar methods by Aguado, Carcassi (Op. 60), Carulli, Giuliani (Opp. 50, 51) and Sor (Opp. 60, 48): traditional settings of timeless classics by Bach, Pachelbel, Beethoven, Paganini, Wagner and Mendelssohn: and recital and audition favorites by Galilei, Tárrega and Satie are all contained within these pages. Early masterpieces by Milan, Dowland, Sanz and de Visée are represented here, as well as rarer but equally delightful works by Bosch and Coste.

Par KOONCE FRANK. A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. For the uninitiated, just knowing where to start can be difficult. This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar. / Niveau : Intermédiaire / Baroque - Solos / Tablatures / Guitare Tablatures Classique

Three Late Sonatas for Classical Guitar. Silvius Leopold Weiss (1687 ? 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss?s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden. While the baroque lute?s tuning makes some works awkward or impossible on the guitar, the three works presented here?Sonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major? are in their original keys which happen to be guitar-friendly. The author?s generous and scholarly ?Preface? provides thorough historical and performance notes for the music in this volume. While just three of Weiss?s 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist? Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contest?now made accessible to the modern classical guitarist.

A Comprehensive Method For Today'S Guitarist!. Par BAY WILLIAM. La maîtrise de la guitare est un moyen novateur et passionnant pour apprendre la guitare. Co-écrit par William Bay et Mike Christiansen, cette méthode extrêmement complet s'applique à la renommée internationale Bay Mel enseigner le concept à la vaste gamme de styles et de techniques dans la musique d'aujourd'hui. Ecrit en notation et tablature, elle couvre le solo de guitare et de styles d'accompagnement allant du Celtic, à classique, à Cajun - de Flamenco à des airs de violon - de Renaissance, de Rock, de Reggae - du Baroque, de Blues, de Bluegrass - latin, au pays, au Jazz. Une particularité de cette méthode est qu'elle enseigne flatpicking et fingerstyle solo d'accompagnement techniques. Livre 1 b couvre les clés de D, A, E, F, ré mineur et b plats. En outre, le livre 1 b a plus de 130 solos et de duos et plus de 40 échelle globale et études de cueillette. Nombreuses études de progression de corde et pièces d'accompagnement corde et etudes sont également inclus. Un ensemble de double disque compact de compagnon est disponible pour cette... / Niveau : Débutant à Intermédiaire / All Styles - Methods / Méthode / Guitare

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitar-a.k.a., plectrum or flatpicking guitar-in both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitar's capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding.This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare Fingerpicking

Par BOYD MICHAEL. Une collection très représentative de la musique de la Renaissance et Baroque, habilement adaptée pour les solos de guitare de luth et piano works. Ce livre contient des pièces bien reconnus par maîtres compositeurs, dont beaucoup sont déjà devenus répertoire essentiel pour la guitare classique. Compilé avec les compétences de la performance du guitariste débutant à l'esprit, cette collection remplit également les exigences de répertoire de guitariste de l'étudiant, ainsi que fournir des exercices précieuses dans les orchestres en notation standard pour les artistes interprètes ou exécutants plus intermédiaires et avancés. / Niveau : Débutant / Recueil / Guitare

Par WILLLIAM BAY. The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the 'common' or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670). In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate. In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay 'Achieving Guitar Artistry' series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed./ Recueil / Guitare

2-CD Set-Performed by Edward Flower guitar Accompaniment: Jeremy Barlow flute The first in a two-album series for flute and guitar conceived and produced by noted guitarist Ed Flower. This album offers a broad range of musical experience spanning two centuries from Renaissance to Baroque. Jeremy Barlow flutist accompanies Ed in each duet. Become part of the most felicitous duet-sound in music the flute and guitar. This deluxe edition includes a second CD with a slow-tempo practice version to help you while you learn each piece. Includes a newly engraved music score printed on high-quality ivory paper; a compact disc containing a complete performance in stereo and asecond stereo performance minus the solo part; and a second compact disc containing a -20% slow-tempo practice version of the accompaniments.