SKU: HL.14002972
ISBN 9780853609001. 11.75x8.5x0.17 inches.
Toccata in C (or E) (566), Prelude and 'Wedge' Fugue in E minor (548), 'Great' Prelude and Fugue in G major (541), Prelude and Fugue in G minor (535), Fantasia and Fugue in G minor (the 'Great' G minor) (542), Edited by Sir Frederick Bridge and James Higg.
SKU: HL.50336970
ISBN 9781423441922. UPC: 073999557084. 9x12 inches. Niesberger.
Contents: Canzona in D Minor • Christ Lag in Todesbanden • Doric Toccata & Fugue • Herzlich Thut Mich Verlang • In Dulci Jubilo • Jesu, Meine Freude (My Joy) • Liebster Jesu Wir Sind Hier • Passacaglia & Fugat C Minor • Pastorale • Prelude & Fugue in A Minor • Prelude & Fugue in C • Prelude & Fugue in E Flat • Prelude & Fugue in E Minor • Prelude & Fugue in G Minor • Prelude & Fugue in G Minor • Sleepers, Awake (Wachet Auf) • Sonata II • Toccata & Fugue in D Minor.
SKU: SU.12800018
BachScholar Edition Vol. 18 – Toccata & Fugue in D Minor, BWV 565 (10 pages) presents Bach’s famous organ work in a highly idiomatic piano transcription. More of a literal transcription than an arrangement, this version remains true to Bach’s original organ score, which makes it accessible to the average pianist. (In contrast, the Busoni and Tausig arrangements are too difficult for most pianists.) Ideal for pianists from the late-intermediate levels and higher as well as concert artists and teachers who seek an exciting and authentic transcription of Bach for the concert hall or teaching studio. Includes tempo indications and fingering. Published by: BachScholar Publishing, LLC.
SKU: C4.9790902257176
ISBN 9790902257176. 8.27 x 11.7 inches.
Eugen d'Albert (1864-1932) enjoyed an illustrious and colourful career as both concert pianist and composer. He wished to include J.S. Bach's music in his concerts and sought the grandeur of some of the large secular organ works. The transcriptions he made for this purpose are arguably better than the numerous Bach transcriptions made by his contemporaries. D'Albert's versions of eight secular masterworks present them remarkably close to their original form, yet perfectly matched to the modern piano. At times, they make very considerable technical demands, but the effort to master them is amply rewarded.This 116-page volume marks their first appearance since they were first issued over a century ago. Many errors and inaccuracies have been remedied and English translations of his musical terms have been provided.
