Peter Freyhan a pris cinq oeuvres, principalement de morceaux de clavier, par J.S. Bach et leur arrangé pour violoncelle non accompagné. Bach était lui-même un arrangeur invétéré de sa propre musique d'autres personnes, y compris les concertos pour violon Vivaldi dont il a organisé pour la harpe sichord - l'habileté est en rendant les arrangements aussi crédible que les originaux. Freyhan le fait avec son habileté - par exemple, son arrangement de Jesu joie de l'homme désirant donne l'impression de la mélodie de la chorale et de le oeuvre sont jouées simultanément. / Violoncelle
SKU: BT.DHP-1115195-401
9x12 inches. International.
Each book in this series contains 13 easy arrangements of well known songs arranger for beginner pianists. The pieces use a single five-finger hand position for each song, enabling early pianists to play their favourite tunes straight away! The note-size is large and each song has a diagram so players know exactly where their hands should be before starting the piece. Includes an optional teacher's duet part for each song to add some extra interest in both practice and performance.Elk deel in de nieuwe serie De Haske Five Finger Piano bevat dertien eenvoudige bewerkingen van bekende liedjes, bedoeld voor beginnende spelers die naast de gebruikelijke oefeningen nog weinig speelstukjes hebben. De notenzijn extra groot afgedrukt, en voor elk stuk wordt de exacte handpositie aangegeven. Bovendien is er voor elke titel een tweede stem voor de docent beschikbaar.Enjoy Classics aus der Reihe Five Finger Piano von De Haske versammelt 13 klassische Stücke, die alle in einer einzigen 10-Finger-Lage für beide Hände spielbar sind. Die Meisterwerke von Beethoven über Bach und Vivaldi bis Verdi sind nun schon für Anfänger greifbar!
SKU: ST.C360
ISBN 9790570813605.
Gavotte en Rondeau from Violin Partita No.3 (BWV 1006).Paper, daylight and candles were often in short supply during Bach??s very busy lifetime but simply to view the autograph score in his hand of the Sonatas and Partitas for solo violin is to be bound into a spell by the beauty, skill and extempore furiosity of the script. The cycle has been described as a miracle of implied harmony and rich harmonic textures, ??its freshness and maturity, its depth, its beauty, its response to all moods? informing a work of humanity and genius unparalleled in all the literature for solo violin.The present arrangement of the Gavotte en Rondeau from Partita No. 3 (BWV1006) is based on Rachmaninoff??s intricate harmonisation for piano. ??Ruht Wohl?? from the St. John Passion (BWV 245). In the final Chorus from the St. John Passion, Bach imbues the popular dance-forms of the Sarabande and Minuet with a spiritual theme of atonement and reconciliation. The three ritornelli stand like pillars in a palindromic structure whose unbroken melodic line and flowing counterpoint represent a ??timeless continuance??. The original scoring is light and transparent, and transfers appropriately to a choir of cellos without the loss of any counterpoint. Prelude Op. 25 No 3 by Rachmaninoff. Throughout his career as a composer and virtuoso pianist, this Prelude was one of Rachmaninoff??s favourite pieces and he dedicated it to his teacher Alexander Siloti. A powerful structure is built up from a small rhythmic motif, reminiscent of Tchaikovsky??s representations of fate or Shostakovich??s of looming state power. This is contrasted with a lyrical middle section and a final phrase marked leggiero in which the music flies off into the air like a bird.
