Approaching the Standards, Volume 2

Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a typical jazz gig setting clearly written musical examples jazz vocabulary transcription opportunities informative composer insight a glossary of jazz terms and a useful discography.

Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a typical jazz gig setting clearly written musical examples jazz vocabulary transcription opportunities informative composer insight a glossary of jazz terms and a useful discography.

Approaching The Standards is an innovative user-friendly approach to jazz improvisation. Designed for the individual or group each of the three volumes of this play-along CD contains eight classic jazz tunes.

For the fearful to the fearless, Approaching the Standards is an innovative, user-friendly approach to jazz improvisation. Designed for the individual or group, each of the three volumes of this play-along CD contains eight classic jazz tunes. Each volume features a jazz group demo recorded by top pros in a jazz gig setting, clearly written musical examples, jazz vocabulary, transcription opportunities, informative composer insight, and a useful discography. Everything you need to begin improvising or to improve your jazz skills is included in Volumes 1, 2, and 3, available for C, B-Flat, E-Flat, and Bass Clef instruments. Volume 1 includes: Billie's Bounce * On the Trail * Cantaloupe Island * The Preacher * Summertime * Satin Doll * C Jam Blues * I Got Rhythm.

Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A Train * Softly, As in a Morning Sunrise * Secret Love * Speak Low * Cottontail.

Volume 3 includes: Tenor Madness * Killer Joe * Bye Bye Blackbird * Take the A Train * Softly, As in a Morning Sunrise * Secret Love * Speak Low * Cottontail.

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

An innovative user friendly approach to jazz improvisation complete with playalong CD containing eight classic jazz tunes.

From the jazz novice to budding professionals this play-along series is designed to help individuals buid a melodic harmonic ans rhythmic jazz vocabulary. Eight classic jazz tunes are featured on each play-along CD for students to listen analyze transcribe ans commit to memory. Each tune gives the player the opportunity to hear the jazz language performed by professional musicians as if they were performing at a real gig.

An innovative user friendly approach to jazz improvisation designed for the individual or group.

Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an