Five Late String Quartets
SKU: HL.14000823
Village Gossip is the first movement of Czech composer Antonin Dvorak's cycle 'Five Choruses For Male Voice'.
The cycle of five choruses is set toLithuanian folk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: Composed on the journey from Prague to Vienna,12thof December 1878.
The individual parts of the cycle present a vibrant palette of moods, from the balladic 'Dwellers by the Sea' to the final, light-hearted 'The Sparrow's Feast'. The songs' melodies echothe spirit of folk songs, and the composer used simple but colourful harmonies and chose a strophic form.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: FH.WS2
ISBN 978-1-55440-551-0.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata in F Major, op. 5, no. 10 - Arcangelo Corelli, arr. J. Michael Leonard- Third Movement: Sarabanda - Fourth Movement: GavottaGavotte (from Rosine) - Francois Joseph Gossec, arr. Emil KrossRondino - Wolfgang Amadeus Mozart, arr. Jason NobleGavotte en rondeau, BWV 822 - Johann Sebastian Bach, arr. Larry TealMainly Original Repertoire for Saxophone:Timepiece - Lennie NiehausHot on the Line - Pam WedgwoodFurry Bear - Phil WoodsA Drowsy Tune - Violet ArcherFlowers - Elizabeth RaumLarghetto - Ralph Vaughan WilliamsBb Saxophone:Mainly Transcriptions:Contredanse No. 2, K 101 - Wolfgang Amadeus Mozart, arr. Jason GrayBread of Angels (Panis angelicus, from Messe a trois voix) - Cesar Franck, arr. Mark MrozinskiThe Reapers (Les moissonneurs) - Francois Couperin, arr. Kathleen WoodSlavonic Dance - Antonin Dvorak, arr. Jason GrayMainly Original Repertoire for Saxophone:Hot on the Line - Pam WedgwoodPolish Dance - Raymond Milford EndresenThe Keel Row - English folk song, arr. James Rae.