American Ragtime & Music Hall Piano Music: The Ultimate Collection

Par LOCHHEAD ALAN. C'est le livre de l'accordéon pour quiconque veut jouer Ragtime classique, des Marches et des thèmes populaires, a organisé les 30-bouton Anglo accordéon. ' Maple Leaf Rag ', ' The Liberty Bell mars ' et plus de sélections classiques sont présentées pour le plaisir musical. Chaque pièce est soigneusement choisi pour sa jouabilité sur l'accordéon Anglo-chromatique. Les joueurs avec un ' système duo ' pouvez également cette musique pour leur répertoire. Les arrangements sont entièrement doublés, entre le droit et la main gauche pour créer une approche de piano-style à jouer de l'accordéon. * Le livre de Concertina Anglo 30-bouton ' All-American ' * Ragtime classique - Maple Leaf Rag, The Entertainer, etc. * patriotique Marches - The Liberty Bell mars, la marche de Radetzky, etc. * thèmes populaires * englobe à deux mains ' piano-style ' jouer. / Niveau : Tous Niveaux / All Styles - Methods / Méthode / Concertina

for Solo Guitar, Vol. 1. Par EDWARDS JAMES. Cette collection contribuera à susciter un intérêt dans le développement d'un répertoire américain pour la guitare classique. Des airs traditionnels d'écossais et les Irlandais ont été transformées par les rythmes africains de joueurs de banjo, qui à son tour influencé la musique populaire et conduit à ragtime, jazz et blues. Le montant de la musique folk en Amérique est renversante. Le XIXe siècle a donné naissance à de nombreux styles américains uniques et ses chansons sont un élément important de notre patrimoine musical. Aujourd'hui encore, un certain nombre de la mélodie dans cette collection semblera très familier. Ecrit principalement en notation standard, les exceptions étant ceux tunes dans les ajustements apportés altérées, qui paraissent logiquement en tablature seulement. / Niveau : Intermédiaire à Avancé / American - Solos / Tablatures / Guitare Tablatures

Debussy occasionally reacted to musical trends in his compositions as was the case with American ragtime. Aside from Golliwogg?s Cakewalk in Children?s Corner (HN 382) The Little Negro is even todaya standard piece in modern crossover orientated Piano teaching. Debussy did actually compose the piece for a Piano method namely that of Théodore Lack published in 1909. In 1934 the publishing house Leduc produced a singleversion in which measures 22 to 54 are repeated unlike in the first edition. The piece is not particularly difficult and is very effective.

Choro, Tango, Samba et Ragtime: Easy Tunes' est Choro Music nouveau produit libéré pour les débutants de la musique. Ce recueil a 6 facile à interpréter des chansons de styles différents (dont un duo pour soprano sax ténor /). Partitions pour flûte, clarinette, alto / ténor sax soprano / et de la mandoline, plus 1 CD avec 6 chansons pour vous d'être le soliste, et 6 pistes stéréo pour écouter. / Flûte Traversière, Clarinette, Alto, Ténor, Saxophone Et Mandoline / 48 pages / niveau : Débutant / Partition + Cd

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

Von Scott Joplin By Scott Joplin-“It’s never right to play Ragtime fast.”(Scott Joplin) Most listeners associate “ragtime” with the music of Scott Joplin one of the earliest African-American composers to straddle the divide between classical and popular music. It was Joplin who brought this musical style to the pinnacle of perfection. The term “ragtime” stems from “ragged time” and describes the contrast between the sprightly syncopated melodies in the right hand and the accentuated “oom-pah” bass in the left. This collection offers deeper insight into Joplin’s art a combination of folk music African rhythms andclassical piano music. Jean Kleeb has simplified the works and added fingering. Edition in celebration of Joplins’ 150th anniversary in 2018 7 typical and well-known pieces in their entirety Difficult passages are simplified With fingering

Medley Discovery Level 2-Here is a short 3-minute medley containing three ragtime songs by the great American songwriter Irving Berlin celebrating the music and dance craze at the beginning of the 20th century and which ultimately led to the development of jazz and rock and roll. Your singers will love to recreate the music of a bygone era in this nostalgic salute. Includes: Alexander's Ragtime Band I Love a Piano and Ragtime Violin. Available separately: 3-Part Mixed 2-Part ShowTrax CD. Duration: ca. 3:15.

for Solo Guitar Vol. 1-This collection will help spark an interest in the development of an American repertoire for the classical guitar. Traditional Scottish and Irish tunes were transformed by the African rhythms of banjo players which in turninfluenced popular music and led to ragtime jazz and blues. The amount of folk music in America is staggering. The nineteenth century gave birth to many unique American styles and its songs are an important part of our musicalheritage. Even today quite a few of the tunes in this collection will seem very familiar. Written primarily in standard notation the exceptions being those tunes in altered tunings which logically appear in tablature only.

Over sixty Classic Ragtime Piano Solos including: American Beauty Rag The Easy Winners The Entertainer Kitten On The Keys Maple Leaf Rag Twelfth Street Rag.

This DVD lesson is designed to give the intermediate/advanced student a wide assortment of technical challenges and an arsenal of hot licks that can be used expanded and explored when playing blues themes. New approachesto arranging and improvising are featured in five popular pieces that range from country blues to ragtime and folk to a barrelhouse stomp. This lesson is strongly recommended for all fingerstyle students of blues ragtime folkand swing jazz.