American Old Time Fiddle Tunes: Violin: Instrumental Album

Presents 140 of the most frequently played tunes in old time fiddle contests as well as the most popular bluegrass square dance and country tunes heard throughout the United States. The performance length arrangements of contesttunes include standard as well as challenging variations on hoe-downs rags polkas show pieces and waltzes complete with suggested accompaniment chords. This encyclopedia of fiddle tunes and variations spotlights Americanpopular fiddle music as played by the great fiddlers of our time.

Unlock the secrets of improvising in traditional American fiddle styles with this Grammy-nominated stage and studio master. In only ten years as a professional musician, Jim Van Cleve has made quite a name for himself in bluegrass and acoustic music. He's spent time with Doyle Lawson and Quicksilver, saw his debut solo CD nominated for a Grammy and toured all over the world with Mountain Heart. He's become a sought-after Nashville session player and one of the most admired fiddlers in bluegrass. Jim covers many things on these 2 DVDs, but they really break into three sections. After some discussion about early learning experiences, AcuTab's John Lawless leads Jim through a discussion on improvising and building solos on a number of popular bluegrass standards. Two songs, Banks of The Ohio and Pretty Polly, are each played and demonstrated in 3 different keys. Before demonstrating the tunes, Jim breaks down the scale and common positions for each key in turn. He shows where to find the melody, and where adjacent double stops are located, as well as licks and phrases that suit each song. Attention is given to both playing a melody-based solo and what a fiddle can do to assist the band sound in accompaniment. He also carefully teaches four songs he has recorded - three of his own (Nature of the Beast, Devil's Courthouse and #6 Barn Dance) plus Bill Monroe's classic Wheel Hoss. After being slowly demonstrated lick-by-lick, they are each shown (fast and slow) in a split screen orientation. A printed booklet with standard notation for each of these songs is included. Two screen orientations are available for the split screen sections, based on whether the left or right hand is of greater interest. Simply switch between them using the Angle key. Over 4 hours of instructiona on 2 DVDs. / Violon (Traditionnel) / 240 pages / niveau : Débutant / 2-Dvd Set - Format: 7,5 X 5,25

American folk country and bluegrass composer John Hartford was well-known for his quirky compositions as well as his ability to tap-dance whilst playing the Banjo. He also possessed an encyclopedic knowledge ofold-time fiddle tunes as evidenced by this collection. Included in this book are all 22 fiddle tunes from Hartford's Hamilton Ironworks album. Also featured are many of his variations suggested chords information on each song's origins and insights on how to approach them. This collection of fiddle tunes provides players with an accurate source so as to incorporate these great pieces into their repertoire. The difficultylevel of the pieces ranges from relatively basic fiddling to solos that employ a range of techniques such as slides alternate tunings and playing on up the fingerboard. Each tune is presented in standard notation and inMandolin tab. John Hartford's Old-Time Fiddle Favorites is a must-have for any fan of John Hartford's music and for all old-time musicians.

For Banjo-A comprehensive repertoire book of Fiddle tunes adapted for Banjo in easy to read tablature by the renowned player and teacher of the 5-String Banjo Tony Trischka. For the early picker to the advanced player thisbook and its online audio will enable the player to learn by example and broaden their technical range. Fiddle tunes have been adapted for Banjo since the early 1850's. The explorations contained here include a largecollection of popular American Fiddle tunes and a section of Celtic tunes played in the three major Bluegrass Banjo styles. These Bluegrass Old Time and Celtic Banjo traditions will expand the players' knowledge of theinstrument and deepen their understanding of bluegrass and traditional music.The techniques employed will build the players technical prowess and broaden their enjoyment of playing. And the tunes both popular and lesserknown will add new variety to the next jam session! Tablature only.Repertoire of Fiddle tunes for the early to the advanced Banjo player.In easy to read tablature with downloadable onlineaudio.Expands the players' knowledge of Bluegrass Banjo styles and Banjo music.Builds playing skills and adds variety to their playing. Online Audio download available.

50 Tunes Volume 1 for Fiddle is one book in a 5-book series. The 50 Tunes series is a collection of Bluegrass Old Time and Celtic tunes for ensembles families and individuals. This book contains the same 50 tunes as thosefound in the other 4 books of the series but carefully designed for the Fiddle.The parts in this book range from beginner to advanced. All tunes contain a simple melody and most of the tunes contain an intermediate oradvanced part. Many tunes contain a harmony part to match the melody. Since fiddle contests are a tradition in American and Celtic fiddling 50 Tunes Volume 1 for Fiddle contains hoedowns waltzes reels rags hornpipes jigs polkas and airs. Some of the tunes are authentic to true championship fiddling and were arranged and recorded by a former national champion fiddler. Includes access to online audio. Tunes recorded by full band notall instruments featured in every song.

An Introduction to Folk Styles Technique and Improvisation-* This in-depth tutor book from renowned fiddle player and teacher Chris Haigh is perfect for classical violinists and fiddle players looking to master the art. * Covering all aspects of folk violin technique from ornamentation to modes and scales and from scordatura to improvisation and composition. * The book is centred around Irish traditional music but also dips into English Scottish Scandinavian East European Klezmer Cajun and American Old-Time traditions. * Accompanied by a CD of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance folk might seem so simpleit?s hardly worth bothering with. The tunes are often no more than 32 bars long they stay in first position and they don?t even have a composer. However it?s what?s NOT written on the page that makes folk fiddle so interesting and challenging.This book attempts to explore from general observation down to the finest detail what the fiddler needs to know to bring these tunes alive. We need to understand their history and context their purpose their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music but from years of immersion in folk music both listening and playing.Key areas covered include:* Tune types and structures * Ornamentation * Bowing * Modes and scales * Scordatura * Starts endings and links * Variation improvisation and composition Playing tunes in ?sets? * Regional and individual style * Playing in sessions for contests and for dancing

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.