SKU: ST.Y96
ISBN 9790220212222.
SATB SATB and organ. Transposed version of a motet found in Musica Britannica Volume 61. . Edited by John Steele.
SKU: ST.MB61
ISBN 9790220212215.
This collection is a landmark in the reassessment of an important yet undervalued English composer of the late Renaissance. 31 eight-voice Cantiones Sacrae reveal the impressive technical and expressive range he achieved within a conservative idiom, and his particular mastery of music for double choir. The following motets all from MB61 are available in single transpositions. All are with Organ except Y123. Alma Redemptoris Mater. SATB SATB. E flat (orig. F) Y96 Ave Jesu Christe. SATB SATB. Gm (orig. Am) Y97 Ave Regina caelorum. SATB SATB. B flat (orig. C) Y98 Beati estis. SATB SATB. B flat (orig. C) Y99 Benedicta sit sancta Trinitas. SATB SATB. D (orig. C) Y100 Benedictus Deus noster. SSAT SATB. D (orig. C) Y101 Benedictus Dominus. SATB SATB. Gm (orig. Am) Y102 Caecilia Virgo. SSAT ATBB. Am (orig. Gm) Y103 Cum jucunditate. SATB SATB. B flat (orig. C) Y104 Ecce tu pulchra es. SATB SATB. B flat (orig. C) Y105 Ecce vicit Leo. SATB SATB. B flat (orig. C.) Y106 Exsurgens Maria. SATB SATB. Am (orig. Gm) Y107 Gaudeamus omnes in Domino. SATB SATB. B flat (orig. C) Y108 Gaudens gaudebo in Domino. SATB SATB. B flat (orig. C) Y109 Gentes Philippus ducit. SATB SATB. D (orig. C) Y110 Hodie concepta est. SATB SATB. B flat (orig. C) Y111 Hodie in monte. SATB SATB. B flat (orig. C) Y112 Hodie nobis de caelo. SATB SATB. B flat (orig. C) Y113 Jubilate Deo. SATB SATB. Am (orig. Gm) Y114 O Pastor aeterne. SATB SATB. G (orig. F) Y115 O quam suavis est [i]. SATB SATB. Gm (orig. Am) Y116 O quam suavis est [ii]. SATB SATB. Am (orig. Gm) Y117 Panis sancte. SATB SATB. Gm (orig. Am) Y118 Quae est ista. SATB SATB. B flat (orig. C) Y119 Regina caeli laetare. SSAT SATB. G (orig. F) Y120 Salve Regina. SATB SATB. E flat (orig. F) Y121 Tu es Petrus. SATB SATB. B flat (orig. C) Y122 Vulnera manuum quae sunt. SATB SATB. Am (orig. Gm) Y123.
SKU: CA.5020600
ISBN 9790007090234.
Of the works presented in volume 6, the Four elegiac Songs op. 128 for solo voice and organ, with their arialike characteristics, are musically among the most demanding compositions. The Marian Hymns op. 171 display a variety of scorings for small ensembles, a trait which characterizes all the songs in this volume: This opus contains pieces for one, two or three voices. In addition, No. 1 (Ave Maria) appears in versions for either low- or high-registered voice. The appendix of this volume includes alternate versions for a few works in this volume, some of which are first editions, including Quam dilecta, which is a Latin version, with harp and organ, of the hymn Wie lieblich sind deine Wohnungen op. 35.