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Alexander Skrjabin: Sonata for piano No. 6 op. 62
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with Comments in English. By Alexander Skrjabin. Edited by V. Rubcova. Piano (Harpsichord), 2-hands. Pages: V and 24. Urtext edition-paper bound. Published by G. Henle.
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Alexander Skrjabin: Sonata for piano No. 6 op. 62
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Skrjabin: Sonata No. 6 op. 62
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Alexandr Skrjabin : Samtliche Klaviersonaten, Band I
Piano solo
[Sheet music]
Barenreiter
(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Fl...
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(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). Text language: German, English. 123 pages. Published by Baerenreiter Verlag
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Alexander Scriabin : Piano Sonata No. 7, Op. 64
Piano solo
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G. Henle
With Comments in English. By Alexander Scriabin. Edited by V. Rubcova. For piano...
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With Comments in English. By Alexander Scriabin. Edited by V. Rubcova. For piano solo. This edition: HN747. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: V and 26. Urtext edition (Paper-bound). 32 pages. Published by G. Henle.
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Piano Sonata No. 8 Opus 66
Piano solo
Hal Leonard
By Alexander Scriabin. (Piano). Henle Music Folios. Book only. 38 pages. Publis...
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By Alexander Scriabin. (Piano). Henle Music Folios. Book only. 38 pages. Published by Hal Leonard.
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Complete Piano Sonatas, Volume II
Piano solo
Barenreiter
By Alexander Skrjabin (1872-1915). Edited by Christoph Flamm. For Piano. Samtlic...
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By Alexander Skrjabin (1872-1915). Edited by Christoph Flamm. For Piano. Samtliche Klaviersonaten, Band II. Urtext Edition (paperbound)
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Alexander Skrjabin: Piano Sonata No. 4 In F Sharp Op. 30: Piano: Instrumental
Piano solo
G. Henle
Opus 30-Skrjabin ten complete Piano sonatas offer a fascinating insight into the...
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Opus 30-Skrjabin ten complete Piano sonatas offer a fascinating insight into the Russian composer?s stylistic development. While his first works still fully reflect the late-romantic tradition the late works keep bursting thebounds of tonality. The boldly outlined two-movement Fourth Sonata marks a turning point for it evokes the world of the ?Poème de l?extase? with its mystical atmosphere hovering between ethereal raptureand ecstatic flight. The publication of opus 30 means that all of Skrjabin?s sonatas are now available in Henle Urtext quality and edited by the expert Valentina Rubcova of Moscow an invitation to all pianists to plungeinto this unique cosmos.
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Alexander Skrjabin: Sämtliche Klaviersonaten I: Piano: Instrumental Album
Piano solo
[Sheet music]
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Intermediate
Barenreiter
Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of ...
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Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of Alexander Scriabin’s compositional output. No other composer after Beethoven reshaped this genre so radically thereby reinvigorating the tradition of the sonata. Scriabin’s desire not simply to continue the existing tradition but to surpass it is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Scriabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.Thisvolume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6 No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.The editor Christoph Flamm draws on autograph manuscripts first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Scriabin made in 1908 on paper rolls for the Hupfeld company Leipzig are also taken into account.- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account.- Includes all fragmentary works some published for the first time.- Detailed foreword Ger/Eng) and critical commentary (Eng).
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Alexander Skrjabin: Sämtliche Klaviersonaten IV: Piano: Instrumental Album
Piano solo
Barenreiter
Complete Piano Sonatas IV-Volume IV of Scriabin?s ?Complete Piano Sonatas? unite...
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Complete Piano Sonatas IV-Volume IV of Scriabin?s ?Complete Piano Sonatas? unites Sonata No. 9 op. 68 (nicknamed ?Black Mass? but not by Scriabin) and Sonata No. 10 op. 70. These two works originated virtually at the same time in 1911-13 and 1912-13 respectively.Christoph Flamm has given both sonatas a fundamentally fresh look in this new Urtext edition. Exploiting all the autograph sources including Scriabin?s sketches and drafts he has arrived at surprising new readings. His foreword sheds informative light on the genesis and significance of these pieces; the many variants are documented in detail in the Critical Commentary. The higheditorial standards are complemented by spacious engraving and practical page-turns.- Scholarly-critical Urtext edition including the latest research findings.- All autograph sources consulted including sketches and drafts.- For students pianists and teachers.- Detailed foreword (Ger/Eng) and Critical Commentary (Eng).
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Alexander Skrjabin: Piano Sonata No.10 Op.70 - Henle Urtext: Piano: Instrumental
Piano solo
[Sheet music]
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Advanced
G. Henle
Piano Sonata no. 10 op. 70-Scriabin's Tenth Sonata was composed at the same time...
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Piano Sonata no. 10 op. 70-Scriabin's Tenth Sonata was composed at the same time as the two Sonatas Nos. 8 and 9 in winter 1912/13. It was probably finished at the latest in June 1913. According to Leonid Sabanejev's reminiscences Scriabin had alreadyperformed parts of the sonata to friends in spring 1913 saying that 'he had succeeded in simplifying the harmonies without destroying the Sonata's psychological complexity.' Following the first performance in Moscow a reviewerwrote: 'The Tenth Sonata must be counted amongst Scriabin’s most inspiring works [...] It is as if it were hewn out of a piece of granite: one can neither leave out a stroke nor add one - it is so strict and logical in itsentirety.'
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Alexander Skrjabin: Piano Sonata No.8 Op.66: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
Piano Sonata No. 8 op. 66-In his last years Skryabin realized a noble and great...
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Piano Sonata No. 8 op. 66-In his last years Skryabin realized a noble and great idea. Inspired by his study of theosophical writings he dreamed of joining music poetry mime architecture light colour and even aromas to create a 'Gesamtkunstwerk' andthus elevate human beings to a higher level of consciousness. This 'Mysterium' was never completed but his late piano sonatas conceived as preliminary studies enable us to see what moved Skryabin. He spent a particularly longtime working on his eighth sonata and proofread it intensively; but later quite a few mistakes still found their way into it. Thanks to the autograph and the first edition ambiguous passages have now been cleared up and correctedin our Urtext edition.
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Alexander Skrjabin: Klaviersonate Nr. 2 gis-moll op. 19: Piano: Instrumental
Piano solo
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Intermediate/advanced
G. Henle
Sonate-Fantaisie-Piano Sonata No. 2 G Sharp Minor Op. 19 (Sonate-Fantaisie) was ...
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Sonate-Fantaisie-Piano Sonata No. 2 G Sharp Minor Op. 19 (Sonate-Fantaisie) was composed over a relatively lengthy period of time. Alexander Scriabin first began work on it in 1892 but in the summer of1896 after Scriabin had performed the sonata several times in public in Paris he told his publisher that the piece was finished but even despite having revised it 7 times he was still completely dissatisfiedwith it. It was not till 1898 that the work was in Scriabin's eyes good enough to be finally published.
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Alexander Skrjabin: Piano Sonata No.6 Op.62: Piano: Instrumental Work
Piano solo
G. Henle
An Urtext edition of Alexander Scriabin's Piano Sonata No.6 Op.62 as edited by V...
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An Urtext edition of Alexander Scriabin's Piano Sonata No.6 Op.62 as edited by Valentina Rubcova with fingering by Michael Schneidt.
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Alexander Skrjabin: Piano Sonata No.5 Op.53: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
Piano Sonata no. 5 op. 53-Edited by Valentina Rubcova with fingering by Michael...
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Piano Sonata no. 5 op. 53-Edited by Valentina Rubcova with fingering by Michael Schneidt.
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Skrjabin, Alexander : Piano Sonata no. 1 f minor op. 6
Piano solo
[Sheet music]
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G. Henle
En 1891, une année avant de terminer ses études au conservatoire, Scriabine s?...
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En 1891, une année avant de terminer ses études au conservatoire, Scriabine s?était blessé à la main droite, alors qu?il s?exerçait avec acharnement.
Il compromit ainsi très sérieusement sa carrière de pianiste et le jeune musicien qu?il était alors traversa une crise profonde.
Il parvint cependant tout de même à terminer ses études de piano en 1892 par l?obtention d?une médaille d?or. Sa première sonate publiée, l?opus 6, reste liée à cette période de crise.
Cette oeuvre sombre culmine à la fin du 3e mouvement par des accords martelés, auxquels s?enchaîne le Finale, une marche funèbre abyssale ? de la grande musique, à titre de confession. Nous présentons cette oeuvre charnière en édition Urtext, publiée et commentée par Valentina Rubcova, la spécialiste de Scriabine. / [Sonate pour Piano n° 1 en Fa mineur Opus 6] / Classique / Partition / Agrafé /
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2 Cds Seuls - Die Russische Klavierschule Spielband
Piano solo
[CD]
Sikorski
Schumann, Robert: Sizilianisch Grieg, Edvard: Walzer Pachulski, Henrik: Präludi...
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Schumann, Robert: Sizilianisch Grieg, Edvard: Walzer Pachulski, Henrik: Präludium Tschaikowsky, Peter: Süßer Traum Bach, Johann Sebastian: Präludium Tschaikowsky, Peter: Lerchengesang Schumann, Robert: Von fremden Ländern und Menschen Grieg, Edvard: Elfentanz Bach, Johann Sebastian: Präludium Glière, Reinhold: Präludium Mussorgski, Modest: Eine Träne Bach, Johann Sebastian: Air Bach, Johann Sebastian: Menuett Suslin, Viktor: Kränkung Grieg, Edvard: Arietta Debussy, Claude: Der kleine Neger Bartók, Béla: Ein Abend auf dem Lande Bach, Johann Sebastian: Fughetta Gretschaninow, Alexander: Klage Chatschaturjan, Aram: Im Volkston Suslin, Viktor: Abzählreim Beethoven, Ludwig van: 6 Ecossaisen Grieg, Edvard: Poetisches Tonbild Tschaikowsky, Peter: Chanson triste Schubert, Franz: Scherzo Mendelssohn Bartholdy, Felix: Lied ohne Worte Bach, Carl Philipp Emanuel: Solfeggio Schostakowitsch, Dmitri: Lyrischer Walzer Prokofjew, Sergej: Vision fugitive Prokofjew, Sergej: Vision fugitive Tschaikowsky, Peter: Die Hexe Gubaidulina, Sofia: Der Specht Gubaidulina, Sofia: Der Bär am Kontrabaß und die Negerin Suslin, Viktor: Menuett der Glasfiguren Grieg, Edvard: Kobold Grieg, Edvard: Notturno Grieg, Edvard: Tanz aus Jölster Skrjabin, Alexander: Prélude Skrjabin, Alexander: Prélude Haydn, Joseph: Sonate Clementi, Muzio: Sonatine Kuhlau, Friedrich: Sonatine Beethoven, Ludwig van: Sonate Scarlatti, Domenico: Sonata Berkowitsch, Isaak: Variationen über ein russisches Volkslied Händel, Georg Friedrich: Fantasia Glinka, Michael: Variationen über ein russisches Volkslied Berkowitsch, Isaak: Variationen über ein Thema von Paganini Bertini, Henri: Etüde Pauer, Max: Etüde Schytte, Ludvig: Etüde Loeschhorn, Carl Albert: Etüde Czerny, Carl: Etüde Czerny, Carl: Etüde Gurlitt, Cornelius: Etüde Berens, Hermann: Etüde Lack, Théodore: Etüde Lemoine, Antoine-Henry: Etüde Schytte, Ludvig: Etüde Berens, Hermann: Etüde Czerny, Carl: Etüde Cramer, Johann Baptist: Etüde Loeschhorn, Carl Albert: Etüde Berens, Hermann: Etüde Schytte, Ludvig: Etüde Chatschaturjan, Aram: Etüde
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