Albeniz Isaac Spanish Classics For Guitar In Tablature - Guitar

Par ALBENIZ ISAAC. As one of the leaders in the renaissance of Spanish music at the turn of the twentieth century, Isaac Albéniz was regarded as the founder of the Spanish 'national school.' Always fascinated with the music of Andalucia, Albeniz composed numerous small but beautifully performed portraits of his native Spain. These brightly colored piano pictures of his native land are sufficient reason for him to be called 'the Liszt of Spanish music.' Six pieces or 'pages from an album' from his opus 165 'España' appear in this volume for solo guitar, as they have been transcribed and arranged by John Griggs in notation only. / Niveau : Intermédiaire à Avancé / Classic - Solos / Répertoire / Guitare Classique et Fingerpick

Par ALBENIZ ISAAC. A spell-binding exploration of the music of Spain, Fantasía Española features four exciting yet contrasting sections and challenging parts for all players. Three of Spain's most famous composers are represented in this medley arranged by Bob Phillips. The piece begins with an exciting, driving excerpt from 'Asturias (Leyenda)', by Isaac Albéniz, which, though written for piano, is most often heard on guitar. The setting of this section allows the violins and violas a display of virtuosity with its unrelenting rhythmic drive. Beautiful, lyric, and emotional, 'Tango in D,' also by Albéniz, will showcase the musicianship of the entire orchestra. Originally written for piano, the strings will shine in this second section of the arrangement. The third section is the slow and lyric, 'Adelita.' Drawn from the deep treasure of Spanish guitar music and written by the father of classical guitar, Francisco Tárrega, this piece is simply beautiful. The medley concludes with 'Danza Ritual del Fuego' from the ballet El Amor Brujo. Written by Manuel de Falla for full orchestra, the string setting drives to a fabulous and dramatic finish.(5:45) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Albeniz's?Asturias?has become one of the most important works of the classical Guitar repertoire however it was originally written for for the solo Piano.Despite its misleading title which refers to the northern Spanish region of Asturias and was given to it posthumously by the German publisher Hofmeister this virtuoso piece is pure Andalusian flamenco. The main theme mimics the Guitar technique of alternating the thumb and fingers of the right hand while the ???marcato???/'staccato??? markings suggest the footwork of a flamenco dancer.Another flamenco style the malague?a is detectable inthe middle section.After a short return to the theme the piece concludes in a slow ???hymn-like???passage.Noted for the delicate intricate melody of its middle section and abrupt dynamic changes this challenging piece is a favourite welcome by musicians and audiences alike!

Eighty-three best-loved works over 30 composers including Beethoven Chopin Brahms Mendelssohn Liszt and Paderewski. Edited by Ronald Herder.